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of the transition rite, the stage where social<br />

structure partly loses its significance, has inspired<br />

many anthropologists studying tourism.<br />

See also: ludic; play; sacred journey<br />

References<br />

Graburn, N.H.H. �1989) `Tourism: the sacred<br />

journey', in V. Smith �ed.), Hosts and Guests:The<br />

Anthropology of Tourism, 2nd edn, Philadelphia:<br />

University of Pennsylvania Press, 21±36.<br />

Further reading<br />

Gennep, A. van �1960) The Rites of Passage, Chicago:<br />

The University of Chicago Press.<br />

Turner, V. and Turner, E. �1978) Image and Pilgrimage<br />

in Christian Culture, New York: Columbia<br />

University Press.<br />

ritual<br />

TOM SELANNIEMI, FINLAND<br />

Consideration of the relationships between tourism<br />

and ritual has been as central to the anthropology<br />

of tourism as the study of ritual has been to<br />

anthropology itself. In sociocultural anthropology,<br />

rituals are normally understood as stylised performances<br />

with a communally understood symbolic<br />

architecture. Such performances may, as rites of<br />

passage, mark life crises such as birth, marriage<br />

and death, signalling the transition of persons as<br />

they move from one social status to another, and<br />

may involve families or collections of families.<br />

Alternatively, rituals may involve larger social<br />

collectivities: whole villages in the case of feasts<br />

commemorating patron saints, representatives of<br />

entire religious communities in the case of<br />

pilgrimages, nations and international diasporas<br />

in the case of such festivals as Passover or<br />

Christmas. Although, by prescribing particular<br />

patterns and regimes of fasting, feasting, movement,<br />

decoration and so on, most rituals make use<br />

of the human body, their purpose is precisely to<br />

enable participants to transcend the physical world<br />

of individual bodies and to shift their focus to a<br />

ritual 511<br />

level of engagement and identification with wider<br />

social, spiritual and moral structures.<br />

In studies of tourism, these ideas have been used<br />

in at least the following four ways. First, the origins<br />

of tourism have been traced to traditional ritual<br />

occasions, including totemic events �see myth) and<br />

pilgrimage. Second, attention has been drawn to<br />

the structural similarities of ritual and tourism as a<br />

whole. Third, the ritualistic aspects of particular<br />

types of tourist behaviour have been identified.<br />

Fourth, and on a slightly different level, the place of<br />

local ritual events as factors in attracting tourists to<br />

particular destinations has been examined.<br />

Several writers have drawn attention to the<br />

similarities between the structure and function of<br />

traditional totemic ritual and those of tourism.<br />

McCannell �1976), for example, has argued that<br />

tourism sites are subject to the same kind of<br />

veneration and `sacralisation' as traditional totemic<br />

sites. Following this view, the similarities between<br />

contemporary tourism and traditional pilgrimage<br />

have been emphasised. Both involve the making of<br />

journeys to sacred or quasi-sacred places. Furthermore,<br />

both tourists and pilgrims temporarily place<br />

themselves on the margins of everyday society,<br />

adopt particular codes of behaviour, and �as is<br />

known of pilgrims from The Canterbury Tales) use the<br />

journey to meet old friends, make new ones, tell<br />

stories and reflect on wider social issues and<br />

cultural values.<br />

Following Van Gennep's �1960) classic text, the<br />

idea of tourism itself as a rite of passage has been<br />

explored by several writers in tourism studies. A<br />

tourist passes through rites of separation, which<br />

may involve crossing a frontier, transition, staying<br />

for a period away from home in unfamiliar<br />

surroundings, and of �re)incorporation, involving<br />

crossing back into and picking up the threads of life<br />

at home but in a changed state. Awareness of such<br />

structural formations directs attention to another<br />

characteristic feature of tourism, elegantly symbolised<br />

by Lucy's Florentine adventures in E.M.<br />

Forster's A Room with a View, namely the saliency of<br />

transgression, or the temporary crossing by individual<br />

travellers of the boundaries and prohibitions<br />

of the everyday. This in turn has pointed to<br />

intriguing semiological lines of enquiry which have<br />

set out from the central symbolic role in tourism of<br />

coasts, mountain passes, rift valleys, rivers and

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