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The Universal Language of Freemasonry - ArchiMeD - Johannes ...

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110<br />

Chapter 3 - Overview <strong>of</strong> Rites<br />

3.3.8 Problems <strong>of</strong> <strong>Universal</strong>ity<br />

Unfortunately, integration with the American white Masons was not<br />

forthcoming. <strong>The</strong> dream that "black" Masonry and "white"<br />

Masonry would become simply "<strong>Freemasonry</strong>" had to be either<br />

abandoned, or more commonly, indefinitely deferred. Instead, the<br />

blacks concentrated upon obtaining "recognition" from whites rather<br />

than integration. 299<br />

It is bad enough that such a tolerant institution as the Royal Art should<br />

distinguish between "Caucasian" and "Negro" Masonry. In dealing with the<br />

antithesis <strong>of</strong> black and white Masonry, we come across a hierarchy between<br />

"dark" and "colored" Masonry: "Intraracial 'blackballing' by light-skinned blacks<br />

against darker ones was probably fairly widespread in the Order. Indeed, it<br />

continued to some extent well into the twentieth century." 300 It can be supposed<br />

that a relative democratization <strong>of</strong> black <strong>Freemasonry</strong> came up only after the turn<br />

<strong>of</strong> the 20th century when darker blacks <strong>of</strong> the non-elite middle class entered the<br />

Craft. <strong>The</strong> colored people joined <strong>Freemasonry</strong> for the same reasons as the<br />

European Jews had done - by this measure they hoped to overcome racial<br />

prejudice and separation.<br />

<strong>The</strong> Order's claim to universal brotherhood combined with its social<br />

prestige (aristocratic and/or bourgeois) proved attractive to the two<br />

major proscribed "racial" groups (Jews and Blacks) in Euro-American<br />

society as their members broke out <strong>of</strong> the social and cultural isolation <strong>of</strong><br />

their folk communities. [...]<br />

<strong>The</strong> free blacks <strong>of</strong> eighteenth-century America, like the Jews <strong>of</strong><br />

Europe, were attracted to the Masonic fraternity, and for much the same<br />

reasons. Prince Hall and his followers saw <strong>Freemasonry</strong> as a meeting<br />

ground where notions <strong>of</strong> black and white did not exist. <strong>The</strong>y also saw<br />

themselves as a black elite entitled to fraternize with white aristocrats<br />

and burghers on an equal level. 301<br />

Two different streams are noticeable in black <strong>Freemasonry</strong> - on the one hand<br />

the black Masons who try to imitate their white brethren in order to be respected,<br />

and on the other hand those who have a more separatist position and prefer a<br />

largely independent kind <strong>of</strong> Masonry. Thus, although "the real alternative for the<br />

black Mason has not been go-it-alone Afro-American Nationalism, but quiet<br />

acceptance <strong>of</strong> his 'place' in the American caste system," 302 black Masons have<br />

created a front against white Masons by the foundation <strong>of</strong> the National Compact.<br />

This organization resulted from internal dissent among black Masonic bodies<br />

299<br />

Muraskin, p. 196. Bold print added.<br />

300<br />

Ibid, p. 41.<br />

301<br />

Ibid, p. 23/24.<br />

302<br />

Muraskin, p. 215.

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