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The Universal Language of Freemasonry - ArchiMeD - Johannes ...

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206<br />

Chapter 4 - Signs & Symbols<br />

the symbolism evolving around the rough ashlar, the working tools, the mortar,<br />

and the building <strong>of</strong> the temple <strong>of</strong> humanity:<br />

To talk <strong>of</strong> membership in the Order curing radical defects in a member<br />

is simply ridiculous. Did you ever know contact with a sound stone to<br />

cure a 'flaky' one? If the flaw is there, no skill <strong>of</strong> the Craftsman with<br />

chisel and mallet can eradicate it. You may square the block, take <strong>of</strong>f<br />

its rough and angular points, and make its surface capable <strong>of</strong> standing<br />

the most rigid test <strong>of</strong> the 'square, level and plumb;' but the flaw is<br />

radical, it goes down into the heart <strong>of</strong> the stone, and you may even<br />

cover it with mortar, yet it is latent [...]. It may be high up in the wall<br />

- wealth or position may elevate it so that it can't be seen 'from the<br />

ground,' and nobody will dare, or will take the trouble, 'to climb up<br />

here to look at it.' Perhaps his seeming qualities, or his concealed<br />

defects, have elevated him to an important position in the wall, - he has<br />

the south, or west, or even the east, and 'the great beams <strong>of</strong> the ro<strong>of</strong>'<br />

rest just above him. [...] 'Every sunbeam,' every additional elevation, -<br />

'loosens its texture a little, every storm helps to crumble <strong>of</strong>f a minute<br />

fragment, and little by little the stone crumbles away.' <strong>The</strong>n 'a crack is<br />

opened in the ceiling, disfiguring the fresco painting, and then the<br />

crack grows to a leak, letting in the rain.' This not only disfigures and<br />

dishonors the building, but it expedites the disintegration <strong>of</strong> the block,<br />

the 'beam drops down,' for want <strong>of</strong> solid support, 'the ro<strong>of</strong> sinks in,'<br />

and rapid dilapidation succeeds." 581<br />

Here, many Masonic symbols and metaphors were employed, taken from the<br />

operative trade, which have been discerned by bold print: 1. <strong>The</strong> "sound stone" is<br />

the good and valuable Masonic member, conforming to the rules and regulation<br />

<strong>of</strong> his lodge. 2. <strong>The</strong> "flaky stone" is the neophyte who has moral defects and is<br />

about to be initiated into <strong>Freemasonry</strong>. 3. <strong>The</strong> "flaw" means his moral defects. 4.<br />

<strong>The</strong> "skill <strong>of</strong> the Craftsman with chisel and mallet" denotes the help <strong>of</strong> a brother<br />

Mason who tries to smoothen the rough character <strong>of</strong> the imperfect candidate with<br />

his working tools. 5. To "square the block" belongs to the process <strong>of</strong> making a<br />

perfect ashlar out <strong>of</strong> a rough ashlar, i.e. to improve the unfit character <strong>of</strong> the<br />

candidate. 6. To take <strong>of</strong>f the "rough and angular points" has the same meaning. 7.<br />

<strong>The</strong> rigid "test <strong>of</strong> the square, level, and plumb" is the symbolic testing <strong>of</strong> the<br />

candidate's character by the working tools <strong>of</strong> the Craft. We will see in the ritual<br />

<strong>of</strong> Mark Masonry that a square is applied to the stones in order to prove them<br />

correct. Thus, the candidate is tested whether he is righteous and square in his<br />

acts. 8. <strong>The</strong> "heart <strong>of</strong> the stone" is the heart <strong>of</strong> the candidate, his deepest inner<br />

thoughts that are hidden from his brethren. 9. <strong>The</strong> "covering with mortar" means<br />

to overlook the candidate's defects with brotherly love. Mortar is synonymous<br />

581<br />

Quoted from a letter by a "Private Member" to the editor <strong>of</strong> <strong>The</strong> Masonic Review, vol. XXXV, p.<br />

241. Bold print added.

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