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The Universal Language of Freemasonry - ArchiMeD - Johannes ...

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Chapter 9 - Masonic and Anti-Masonic Literature 759<br />

a sharp instrument pressing his naked left breast." This instrument is the<br />

compass. In the satire, the new railroad man is received upon the "sharp gaze <strong>of</strong><br />

the train-master." Thus, one key phrase ("to be received on something sharp")<br />

from the original ritual is used to build up a new context. In like manner, the<br />

body language used when approaching the Masonic altar in order to be obligated<br />

is satirized by the worldly image <strong>of</strong> being seated upon a brake-wheel before a<br />

train-box. Thus, signs and symbols that are sacred to <strong>Freemasonry</strong> are ridiculed.<br />

Likewise, instead <strong>of</strong> being invested with a Masonic white lambskin apron as the<br />

sign <strong>of</strong> innocence, the candidate is invested with a "Bowie Coupling Knife." <strong>The</strong><br />

Masonic habit <strong>of</strong> making a member <strong>of</strong> the First Degree wear his apron with its<br />

flap turned up has transmuted to a knife with its blade turned up.<br />

<strong>The</strong> source where this satire stems from lists another story written in the<br />

same style but exchanging the railroad man for a drummer. At the time when this<br />

book was published, at the beginning <strong>of</strong> the 20 th century, many Americans were<br />

"joiners" for social reasons and belonged to several fraternal orders. Thus, it was<br />

easy for them to answer in a ritualistic or mock ritualistic fashion when asked<br />

some strange questions. This is an evidence <strong>of</strong> the great popularity <strong>of</strong> fraternal<br />

orders and the spreading <strong>of</strong> their pompous and strange language. <strong>The</strong> writer <strong>of</strong><br />

these satires states that "[o]ne thing I like about these 'Knights <strong>of</strong> the Road' is,<br />

that they are great fellows for secret societies. Most <strong>of</strong> the drummers belong to<br />

everything that is going, from the Grand Knights <strong>of</strong> the Diamond Garter down to<br />

the Sons <strong>of</strong> Temperance." 1886<br />

This book <strong>of</strong>fers a third version <strong>of</strong> this theme, this time with a political<br />

background. <strong>The</strong> examinee is a "Populist," and when asked where he was first<br />

prepared to be a Populist he answers: "In the Republican party." While in<br />

Masonry, the candidate is introduced as a "poor blind candidate searching for<br />

more light in Masonry," in this text the neophyte is a "poor, drouth-stricken [sic]<br />

farmer who desires more time on his obligations." 1887 Similar to Masonry, where<br />

the candidate is demanded to give a password, which he has not, but his<br />

conductor has it for him, in this satire the neophyte is demanded cash, and he has<br />

none, but "the other fellow had my notes and was ready to foreclose." 1888 <strong>The</strong><br />

social criticism becomes evident when - in true Masonic fashion - the examiner<br />

asks "how were you prepared," to which the Populist answers:<br />

[b]y being robbed regularly every year for ten years in the interest <strong>of</strong><br />

railroads, corporations, trusts, loan companies, and thieving public<br />

<strong>of</strong>ficials, until I was divested <strong>of</strong> all material substance, neither clothed<br />

nor fed, sheltered or shod, whereupon I was summoned to appear at the<br />

door <strong>of</strong> a certain lawyer's <strong>of</strong>fice and give a distinct knock. 1889<br />

1886 Pettibone, p. 162.<br />

1887 Ibid, p. 168.<br />

1888 Ibid.<br />

1889 Ibid, p. 167. According to Pettibone, this satire was written by an observing reportorial editor <strong>of</strong> a<br />

Middle West daily, who must have had fraternal experience <strong>of</strong> some sort.

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