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The Universal Language of Freemasonry - ArchiMeD - Johannes ...

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Chapter 9 - Masonic and Anti-Masonic Literature 791<br />

In the following, we are going to view a comic ridiculing the popular belief<br />

<strong>of</strong> Masonic punishment for betrayers <strong>of</strong> the oath <strong>of</strong> silence. It is to be found in<br />

the Rarebit Fiend 1955 , created by the American graphic artist Winsor Zenic<br />

McCay (1869 or 1871 - 1934) 1956 in 1905. This was a comic made for grown-ups<br />

which did not provide a continuous story but consisted <strong>of</strong> several self-contained<br />

sequences employing minimal settings. <strong>The</strong> Rarebit Fiend describes a dream or<br />

nightmare situation followed by the awakening at the end <strong>of</strong> each sequence, and<br />

it is famous for its sick humor:<br />

Not only does the emphasis on death and disfigurement make the Fiend<br />

an early monument <strong>of</strong> "cruel" or "sick" humor; the dream fantasies that<br />

McCay taps so unerringly are [...] generally those <strong>of</strong> adults [...]<br />

(embarrassment through nudity, transvestism, inability to perform<br />

occupational duties or having a peccadillo discovered; loss <strong>of</strong> identity;<br />

fear <strong>of</strong> dying, going mad or disappointing a sex partner). 1957<br />

As <strong>The</strong> Adventures <strong>of</strong> a Rarebit Eater, this comic was animated in 1916/17.<br />

Already in 1906, the Fiend strip was immortalized by the American pioneer<br />

filmmaker Edwin S. Porter who based on it a seven-minute live-action trick film<br />

which became a classic <strong>of</strong> the early cinema, titled <strong>The</strong> Dream <strong>of</strong> a Rarebit Fiend.<br />

In the Masonic sequence <strong>of</strong> the Fiend, the dreamer is merely the spectator <strong>of</strong><br />

someone dear suffering embarrassment. <strong>The</strong> dreaming person is the wife <strong>of</strong> a<br />

certain lodge member called Mr. "Gab" (because he is always gabbling and<br />

cannot keep a secret to himself), who tells her the whole thing from the time he<br />

has entered the lodge until he has come out. Although his wife promises not to<br />

reveal a word, she gives away the lodge secrets to her friend who likewise<br />

swears not to tell, but instead holds a speech in front <strong>of</strong> the sisters <strong>of</strong> the woman's<br />

club in an attack on secret societies, betraying all the happenings inside a<br />

Masonic lodge. Somehow, the Masons get wind <strong>of</strong> this, and in consequence, Mr.<br />

Gab is summoned by his brethren who want to "decorate" him - but not with a<br />

medal, as he is soon going to find out. Fellow Masons in devil costumes with<br />

horns on their heads, some <strong>of</strong> them naked, take <strong>of</strong>f Mr. Garb's clothes, cover him<br />

first with hot tar and then with feathers. 1958 Thus decorated they send him home<br />

to his wife, who is fainting when perceiving his appearance, and whom he<br />

reproaches thus: "What in the devil did you tell those lodge secrets for?" <strong>The</strong> last<br />

patch shows the horrified wife awakening and realizing that she has made an<br />

1955 <strong>The</strong> title refers to the nightmares imputed to eaters <strong>of</strong> a Welsh rabbit supper.<br />

1956 McCay's personal data were taken from McCay, Publisher's Note, p. v. ff.<br />

1957 McCay, "Publisher's Note," p. ix.<br />

1958 Such kind <strong>of</strong> punishment is no mere invention, but has actually been executed, even in modern<br />

times. Thus, we find the following description in <strong>The</strong> Debunker, a small monthly magazine dated<br />

1929, in an article which opposes a Masonic statement about the wrongdoings <strong>of</strong> "atheistic<br />

ruffians", by claiming that most crimes actually are done by believers against unbelievers (p. 51):<br />

"... He (Jeadie Janes) was seized on a street <strong>of</strong> Austin, Texas, by a group <strong>of</strong> men, forcibly placed in<br />

a car, and carried to a point outside <strong>of</strong> the city limits. ... His clothing was then removed from the<br />

upper part <strong>of</strong> his body, and he was severely whipped and a coat <strong>of</strong> tar and feathers applied."

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