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The Universal Language of Freemasonry - ArchiMeD - Johannes ...

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Chapter 7 - Rituals 483<br />

Biblical romanticism, than it is the fact in Pike's Masonry <strong>of</strong> Adoption. <strong>The</strong> latter<br />

<strong>of</strong>fers a "more Masonic" approach for the women to "real" <strong>Freemasonry</strong>; which<br />

<strong>of</strong> course is our personal impression. One might argue that Pike's Masonry <strong>of</strong><br />

Adoption applies silly tests, such as the bleeding ceremony, in order to thrill or<br />

frighten the initiates. But as it is, Pike's Masonry was not without charm, as<br />

being executed in the late 1800's.<br />

When the lecture is over, the Sisters Inspectress and Preceptress work<br />

themselves through the whole catechism <strong>of</strong> the second degree in form <strong>of</strong> a<br />

question-and-answer dialogue. Hereby ends the initiation ceremony <strong>of</strong> the<br />

second degree.<br />

Third Degree (Mistress)<br />

For the initiation ceremony into the third degree, that <strong>of</strong> Mistress, the Lodge<br />

room and the adherent apartments are again changed. Thus, there is a<br />

transparency in front <strong>of</strong> the Inspectress representing the Nile, and on his bank<br />

Pharaoh's daughter with her attendants, one <strong>of</strong> whom drawing the small ark with<br />

the infant Moses out <strong>of</strong> the water; and at a distant standing his young sister. <strong>The</strong><br />

transparency in front <strong>of</strong> the Preceptress illustrates a scene in the Arabian desert, a<br />

woman (Hagar) sitting on the sand, and beside her under a bush lying her son<br />

Ishmael, above them being a cloud, and in the cloud a glory (III., p. 7). Between<br />

these transparencies, there is a third which represents a volcanic eruption at a<br />

distance, and in the foreground stand Lot and his daughters, and a little behind<br />

his wife, looking back at the destroyed city (III., p. 7).<br />

<strong>The</strong> lights are as in the previous degrees, with exception <strong>of</strong> six tall lights <strong>of</strong><br />

blue wax, standing in front <strong>of</strong> the presiding <strong>of</strong>ficers in Asia in the form <strong>of</strong> a<br />

passion cross, with its head to the East, in this way (III., p. 7):<br />

*<br />

* * *<br />

*<br />

*<br />

This time, on the open Bible upon the altar lies a black passion cross, and on<br />

the table to the North in Asia there is a vessel <strong>of</strong> silver, containing eau de<br />

cologne, which is colored red like blood, with a small brush for sprinkling. On<br />

the table to the South in Asia there are a censer and a vessel <strong>of</strong> perfume for<br />

burning, as well as a wreath <strong>of</strong> evergreen and flowers. <strong>The</strong>re are four veils in<br />

Europe, at the extreme western end <strong>of</strong> the Hall, from the North to the South,<br />

parallel to each other. Each is composed <strong>of</strong> two curtains, which can be drawn<br />

away to the sides by a cord. <strong>The</strong> first veil is black, the second crimson, the third<br />

orange, and the fourth green.<br />

Part <strong>of</strong> the preparation room, with only a chair or two and a small table, is<br />

needed, as well as a "workshop," e.g. a well-lighted small room with a table and<br />

chairs, on the table lying "stuff, materials, and implements for female labor:

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