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The Universal Language of Freemasonry - ArchiMeD - Johannes ...

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Chapter 4 - Signs & Symbols 133<br />

mythological figure sets limits and helps people to cross them. <strong>The</strong> bread alludes<br />

to the vital transformation from the raw to the cooked, and the water is a symbol<br />

<strong>of</strong> fertility. Salt and sulfur are an image <strong>of</strong> ambivalence representing life and<br />

death. According to Béresniak 366 , "[f]or Masons, the sojourn in the Chamber <strong>of</strong><br />

Reflection is the 'trial and pro<strong>of</strong> <strong>of</strong> earth'." <strong>The</strong> first lesson the candidate has to<br />

learn is that nothing is intrinsically good or bad, but depends on how it is<br />

employed. <strong>The</strong> people, as builders, have the power to make things good or bad,<br />

according to how they use them.<br />

<strong>The</strong> hourglass, which came into the lectures in the late 18 th century as one <strong>of</strong><br />

the eight hieroglyphic emblems, is a symbol <strong>of</strong> the passage <strong>of</strong> time or the brevity<br />

<strong>of</strong> life, being more effective than a clock, because one can observe the sand<br />

slowly but steadily wasting away. Coupled with the scythe it alludes to the<br />

certainty <strong>of</strong> death. Thus, Sickels writes in his General Ahiman Rezon, dated<br />

1885: "Behold! How swiftly the sands run, and how rapidly our lives are<br />

drawing to a close!" And he says with regard to the scythe: "[it] cuts the brittle<br />

thread <strong>of</strong> life, and launches us into eternity. Behold! What havoc the scythe <strong>of</strong><br />

Time makes among the human race!" 367 <strong>The</strong> scythe is said to be more commonly<br />

used in Ireland than in England. 368<br />

366<br />

Béresniak, p. 22.<br />

367<br />

Sickels, p. 213/214.<br />

368<br />

Cf. Scottish Rite Masonic Museum <strong>of</strong> Our National Heritage, Bespangled Painted &<br />

Embroidered, p. 120.

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