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The Universal Language of Freemasonry - ArchiMeD - Johannes ...

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Chapter 6 - Peculiarities <strong>of</strong> Masonic <strong>Language</strong> 347<br />

drey Tempo zum Munde bringet und gedachte Gesundheit trincket.<br />

Wenn das Glas ausgeleeret ist, hält man es erst an die lincke, hernach an<br />

die rechte Brust und drittens mitten vor die Herzgrube alles auf dreymal<br />

Absetzen so wird es auch mit drey Tempo in gerader Linie wider auf<br />

den Tisch gesetzet. Endlich klatschet man dreymahl in die Hände und<br />

schreyet dreymal: Vivat! 1081<br />

<strong>The</strong> second banquet scene was described in the early 20 th century. <strong>The</strong><br />

compiler sees a connection between the peculiar drinking ceremonies <strong>of</strong> Masons<br />

and those <strong>of</strong> students (also the IFL states that the drinking habits <strong>of</strong> students<br />

were partly filched from Masonic forms, hence the expression "Salamander<br />

reiben") 1082 :<br />

Auch maurerische Mahlzeiten werden rituell gefeiert, rituell eröffnet<br />

und geschlossen. In ihnen wird, ähnlich wie in Studenten-Kommersen,<br />

nach Kommando auch getrunken: "nach dem wohlbekannten Maße."<br />

Eine Formel lautet:<br />

"Wir bringen ein dreifaches Feuer aus."<br />

"Ladet die Kanonen (Gläser)!"<br />

"Hand an die Waffen!" (Die Gläser werden angefaßt.)<br />

"Waffen hoch!" (Die Gläser werden aufgehoben)<br />

"Erstes Feuer!" (Es wird angetrunken.)<br />

"Verstärktes Feuer!" (Ueber halb ausgetrunken.)<br />

"Vollständiges Feuer!" (Es wird ausgetrunken.)<br />

"Waffen ab!" (In winkelmäßiger Bewegung, unter<br />

"1! - 2! - 3!" wird das Glas mit Stoß niedergesetzt.) 1083<br />

<strong>The</strong> Masonic "firing" does not consist in merely raising the glass and then<br />

rhythmically clapping it on the table. As shown in the German banquet scene, the<br />

glasses are held in front <strong>of</strong> the left and the right breast, and before the heart. This<br />

is comparable to putting the hand on the heart when singing a national anthem,<br />

and means that the toast spoken comes from the heart <strong>of</strong> the brethren. However,<br />

even more refined ceremonies exist in which the glass is moved in a particular<br />

way, thus reproducing geometrical figures. Chapter 8 on rituals shows that the<br />

Masons execute symbolic geometrical forms by steps or by movements <strong>of</strong> parts<br />

<strong>of</strong> their bodies (e.g. walking in triangular or circular form, "squaring," observing<br />

square corners when changing the direction, bending one knee in a right angle<br />

when kneeling before the altar during the obligation, or putting their feet in the<br />

form <strong>of</strong> a right angle, i.e. a square). Freemasons can also imitate these secular<br />

and metaphorical forms by moving their "cannons" when "firing." A most<br />

interesting example here<strong>of</strong> is given in the banquet ceremonies annexed to the<br />

Royal Arch Ritual as Taught in the Aldersgate Chapter <strong>of</strong> Improvement No.<br />

1081 IFL, p. 1593/1594.<br />

1082 Cf. IFL, p. 1594/1595.<br />

1083 Martens, p. 146.

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