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The Universal Language of Freemasonry - ArchiMeD - Johannes ...

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Chapter 7 - Rituals 393<br />

<strong>The</strong> metaphysical content <strong>of</strong> a Masonic ritual consists <strong>of</strong> the three existential<br />

questions - "who am I?", "the role <strong>of</strong> the individual in society," and "death." <strong>The</strong><br />

ritual has the function <strong>of</strong> meditation, the renewal <strong>of</strong> the inner self, the clearing <strong>of</strong><br />

one's thoughts, and the heightening <strong>of</strong> one's awareness, while the ritualistic<br />

language is marked by a "lucid harmony." As Reinalter puts it, "[d]ie Stimmung<br />

ist die einer luziden Harmonie, die Ritualsprache einfach und geprägt von der<br />

Bauhüttentradition [...]. Letztlich ist das freimaurerische Ritual ein System der<br />

Verinnerlichung, der inneren Erneuerung, der Gedankenklärung und der<br />

Bewußtseinserweiterung." 1257 According to Reinalter, the principle <strong>of</strong> Masonic<br />

thinking is anthropology. <strong>The</strong> rituals are created in order to lead the individual<br />

Mason on the right path to self-perfection, which is achieved through "existential<br />

aesthetic":<br />

Der wesentliche Kern des freimaurerischen Denkens liegt in der<br />

masonischen Anthropologie. Innerhalb ihrer liegt auch der Schwerpunkt<br />

auf der Initiation, auf den Ritualen, die die Freimaurerei verwendet, um<br />

den Menschen auf den Weg zur Selbstvervollkommnung zu führen.<br />

Dies geschieht über ein ethisches Konzept, das man "Ästhetik der<br />

Existenz" oder auch als "Einübungsethik" bezeichnen könnte. Hier ist<br />

die Freimaurerei als Lebenskunst angesprochen. In der Freimaurerei als<br />

Lebensform (Lebenskunst) geht es um Dasein, um das Erreichen des<br />

Lebens in seiner Präsenz. Das Wesen der Freimaurerei ist nicht durch<br />

eine wissenschaftliche Methode erfaßbar, sondern nur durch die<br />

Ästhetik der Existenz. 1258<br />

<strong>The</strong> quotation above is the viewpoint <strong>of</strong> a learned German Mason. An<br />

American Masonic scholar expresses his thoughts a little different, with less<br />

emphasis on aesthetic and more stress on the three roles that a Mason assumes,<br />

all on the basis <strong>of</strong> the Christian doctrine <strong>of</strong> resurrection. Thus, Newton puts it as<br />

follows: "[O]ur Masonry is a symposium <strong>of</strong> symbolism in which three streams or<br />

strands <strong>of</strong> faith unite, by which man is a Builder <strong>of</strong> a Temple, a Pilgrim in quest<br />

<strong>of</strong> a lost Truth, and [...] a Finder <strong>of</strong> sublime Secret <strong>of</strong> Life."<br />

He is, first, a builder, taking the rough stones <strong>of</strong> the world and shaping<br />

them into forms <strong>of</strong> beauty, building upon the will <strong>of</strong> God, by His design<br />

[...]. He is, second, a seeker, a pilgrim journeying from the West, a land<br />

<strong>of</strong> sunset and death, toward the East, the place <strong>of</strong> sunrise and life; a<br />

pilgrimage <strong>of</strong> the soul [...]. He is, finally, [...] a finder <strong>of</strong> the greatest<br />

secret man may know, whereby he is reborn to Eternal Life [...]. 1259<br />

1257<br />

Ibid.<br />

1258<br />

Ibid, p. 38.<br />

1259<br />

Bro. Joseph Fort Newton, in: "<strong>The</strong> Religion <strong>of</strong> Masonry," printed in <strong>The</strong> Master Mason, Sept.,<br />

1925, p. 728.

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