The Universal Language of Freemasonry - ArchiMeD - Johannes ...

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4.2.5 The 24-Inch Gauge
Chapter 4 - Signs & Symbols
Together with the common gavel, the twenty-four inch gauge is the working
tool of the Entered Apprentice. Its twenty-four equal parts mean in a figurative
sense that the Mason has to divide up his day reasonably - the same number of
hours has to be spent on the service of God and distressed brethren, on his usual
work, and on relaxation:
The Twenty-four inch Gauge is an instrument used by operative masons
to measure and lay out their work; but we, as Free and Accepted
Masons, are taught to use it for the more noble and glorious purpose of
dividing our time. It being divided into twenty-four equal parts, is
emblematical of the twenty-four hours of the day, which we are taught
to divide into three equal parts; whereby are found eight hours for the
service of God and a distressed worthy brother; eight for our usual
vocations; and eight for refreshment and sleep. 426
4.3 Clothing & Equipment
Worshipful Master: How should a candidate be prepared for the first degree
of Masonry?
Senior Steward: By being divested of all metallic substances, neither
naked nor clothed, barefoot nor shod, left knee and
breast bare, hoodwinked, and a cabletow about his
neck.
Worshipful Master: Repair to the preparation room where Mr. A. B. is in
waiting; when thus prepared, cause him to make the
usual alarm at the inner door. 427
The above-quoted dialogue between two lodge officers shows that a
candidate has to put on special attire before he is admitted into the lodge room.
This equipment and clothing is different in each of the three degrees of Craft
Masonry (see also illustrations in Sections 7.1.1.1 - 7.1.1.3), and is symbolic of
the moral teachings that the candidates receive. However, not only the candidates
but also the other lodge members have to be "properly clothed," which is a
technical term for wearing the right outfit: "On arrival of the Master, and the
hour of meeting, the Master repairs to his seat in the east, puts on his hat, sash,
426 Simons, p. 24/25.
427 Nizzardini, p. 23. Bold print added.