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The Universal Language of Freemasonry - ArchiMeD - Johannes ...

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Chapter 9 - Masonic and Anti-Masonic Literature 749<br />

a more complex sentence like "he lives in the son," or if one utters a secret word<br />

such as Macbenac, even if the meaning is unclear. Especially, if it is unclear,<br />

because this raises the tension. Now, there is a loss <strong>of</strong> secrecy and atmosphere.<br />

<strong>The</strong> translation <strong>of</strong> the "Lost Word" Jehovah with "faith" is simply false; the<br />

Masons do not go on a quest for faith but for the unutterable word, the name <strong>of</strong><br />

God, the word which the Master Mason in the Hiramic Legend refused to tell<br />

and that he died for. <strong>The</strong> erasure <strong>of</strong> the passwords Tubalcain, Shiboleth and<br />

Acacia for anti-semitic reasons is a damage to the ritualistic tradition, and it is<br />

not obvious why acacia has not been substituted by "evergreen" or simply by the<br />

German translation Akazie, denoting only a plant without a Jewish background.<br />

It is interesting that the Grand Master has included the expression "bis auf<br />

Widerruf," perhaps in the hope <strong>of</strong> restituting the old usages some day.<br />

In the principles <strong>of</strong> the "Nationaler Christlicher Orden Friedrich der Große",<br />

the orientation to the Fascist ideology becomes evident in the choice <strong>of</strong> words<br />

and the pseudo-historic derivation <strong>of</strong> the cultic elements:<br />

1. Wir bekennen uns zu einem deutschen Christentum [sic] mit dem<br />

der altarische Lichtkult unserer Urväter viel Gemeinsames hat.<br />

Symbole sind uns das Licht und das Kreuz.<br />

2. Wir bekennen uns zum Ideal rein deutschen Volkstums, als dessen<br />

Hauptsymbole wir den Hammer Thors und das Schwert der<br />

Wehrhaftigkeit wählten.<br />

3. Wir glauben an den Aufstieg des deutschen Volkes durch deutsche<br />

Arbeit. Ihre wichtigsten Sinnbilder sind uns die alten deutschen<br />

Steinmetzsymbole des Winkelmaßes und des Zirkels. 1870<br />

<strong>The</strong> history <strong>of</strong> <strong>Freemasonry</strong> is not traced back to the Greek and Egyptian<br />

mysteries as it was common among the Freemasons, but to the Germans'<br />

predecessors' "altarian light cult." "Altar" as a positive image <strong>of</strong> veneration and<br />

"light cult" as a seemingly harmless form <strong>of</strong> Pagan worship create the impression<br />

<strong>of</strong> a Proto-Germanic ritual which still bears many features in common with<br />

German Christianity. <strong>The</strong> symbols <strong>of</strong> light and cross are taken from Christianity,<br />

and although the light (e.g. the Three Great Lights, the Three Lesser Lights) is<br />

symbolically stressed in <strong>Freemasonry</strong>, it is given new importance. Maybe the<br />

name <strong>of</strong> the one porch pillar can thus be explained. <strong>The</strong> cross in many different<br />

shapes has always been employed in <strong>Freemasonry</strong>, but here it equally receives a<br />

Christian interpretation. <strong>The</strong> gavel is seen as an allusion to "Thor's hammer," the<br />

Nordic god hinting at the "deutsches Volkstum," however, historically gavels<br />

have ever been a device <strong>of</strong> power, already for Egyptian princes, and Thor is not<br />

the first symbol bearer, he just fits perfectly into the Nazi ideology. <strong>The</strong> Masonic<br />

sword (e.g. the Tyler's Sword) as an image <strong>of</strong> "Wehrhaftigkeit" underlines the<br />

1870 Quoted from Neuberger, vol. II, p. 296; cited from "Allgemeine Grundsätze des 'Nationalen<br />

Christli- chen Ordens Friedrich der Große' ".

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