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The Universal Language of Freemasonry - ArchiMeD - Johannes ...

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Chapter 7 - Rituals 601<br />

Shall we proceed with these, our mystic rites, or shall we mercy show?" (p. 50).<br />

<strong>The</strong> brethren mumble slowly and in a low tone "Mercy - mercy - show!" (p. 50).<br />

All this is intended to frighten the candidate, but the whole situation and<br />

especially the inversion <strong>of</strong> words create a rather ridiculous atmosphere when the<br />

Conductor answers: "<strong>The</strong>n mercy I will show, but will first a solemn warning<br />

give" (p. 50). <strong>The</strong> Conductor addresses the candidate with "Man in darkness and<br />

in chains!" (p. 50), and tells him <strong>of</strong> a lesson that will be imparted to him "<strong>of</strong> great<br />

moment and deep solemnity; a faithful exhibition <strong>of</strong> the vanity <strong>of</strong> worldly things<br />

- <strong>of</strong> the instability <strong>of</strong> wealth and power - <strong>of</strong> the certain decay <strong>of</strong> all earthly<br />

greatness" (p. 50/51). This lesson consists in the exhibition <strong>of</strong> the corpse.<br />

Meanwhile, the two Scene Supporters have lightened their torches and placed<br />

themselves one at each end <strong>of</strong> the c<strong>of</strong>fin. <strong>The</strong> blindfold <strong>of</strong> the candidate is taken<br />

<strong>of</strong>f, and the Conductor and the Supporters hold a long speech on death and the<br />

vanity <strong>of</strong> life.<br />

Hereafter, the candidate is again blindfolded and led to the Warden, who is<br />

disguised as an old man. Here, the blinds are removed again, and the Warden,<br />

with much ado about his old age (trembling limbs, wrinkled brow, etc.),<br />

admonishes the candidate to listen to the voice <strong>of</strong> wisdom and to practice<br />

friendship, love, and truth. <strong>The</strong> candidate is blindfolded once more and led to the<br />

Vice Grand, who orders him restored to light and liberty, which has a parallel in<br />

<strong>Freemasonry</strong>. Thus, the blinds are taken <strong>of</strong>f again, and the candidate is finally<br />

obligated. <strong>The</strong> obligation, similar to the Masonic one, concerns mostly the<br />

secrecy <strong>of</strong> the lodge proceedings.<br />

<strong>The</strong> obligated "friend" is now led to the Noble Grand, while the initiation ode<br />

is sung, which contains again the tenets <strong>of</strong> the order and stress the brotherly<br />

bond. Even after his obligation, the candidate is still referred to as a "stranger,"<br />

and thus is presented to the highest <strong>of</strong>ficer. For this procedure, the curtain that<br />

hides the Noble Grand is thrown back, after the Right Supporter has passed<br />

behind it to hold a conversation with his superior on the admittance <strong>of</strong> the<br />

candidate. <strong>The</strong> Noble Grand now delivers his charge and explains the symbols<br />

and secret grips to the candidate.<br />

<strong>The</strong> symbolic meaning <strong>of</strong> the blindfold is explained thus: "<strong>The</strong> eyes blinded<br />

by the darkness <strong>of</strong> a dungeon are nought to the blindness <strong>of</strong> the moral sense<br />

obscured by indulgence in selfishness and sensuality," 1556 thus showing how<br />

vices can blind man. This symbol is clearly taken over from <strong>Freemasonry</strong>, as is<br />

the chain:<br />

You were blindfolded to represent to you the darkness and doubt<br />

through which man gropes his way to a knowledge <strong>of</strong> himself, his duty,<br />

and his destiny; a darkness not only <strong>of</strong> reason, but <strong>of</strong> the moral nature.<br />

And you were bound with chains, to illustrate that slavery <strong>of</strong> soul to<br />

sense - that subjection to things outward and perishable, into which man<br />

is brought by his own passions. (p. 60)<br />

1556 Quoted from Grosh's Manual in Revised Oddfellowship Illustrated, p. 56.

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