28.02.2013 Views

The Universal Language of Freemasonry - ArchiMeD - Johannes ...

The Universal Language of Freemasonry - ArchiMeD - Johannes ...

The Universal Language of Freemasonry - ArchiMeD - Johannes ...

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Chapter 5 - Technical Terminology 269<br />

5. Brute Stone (Rough Ashlar) vs. Perfect Ashlar<br />

<strong>The</strong> EOF translates "ashlar" with "freestone as it comes out <strong>of</strong> the quarry," 763<br />

and states that the rough ashlar is such a freestone in an unpolished condition,<br />

being emblematic <strong>of</strong> the uncultured and vicious man. By education and<br />

restraining <strong>of</strong> his passions, man expands his intellect and purifies his life, until he<br />

is represented by the perfect ashlar, a freestone smoothed and squared, which fits<br />

into its place in the building. In short: "Rather obvious symbolic use is made <strong>of</strong><br />

the rough ashlar to represent man in his rude, natural state, and <strong>of</strong> the perfect<br />

ashlar to represent man educated, disciplined, and cultured; or material man and<br />

spiritual man." 764 <strong>The</strong> same symbolism is <strong>of</strong>fered by the French Masonic<br />

dictionary under the entry "pierre brute," designating a stone "informe et<br />

attendant d'être dégrossie, à l'aide du maillet et du ciseau," and symbolizing "la<br />

nature humaine non encore travaillée." 765 In Section 4.2 on the working tools,<br />

and here under the category <strong>of</strong> gavel/mallet and chisel, the symbolism <strong>of</strong> these<br />

devices is explained, which are used to represent education and to smooth away<br />

the human vices.<br />

This beautiful imagery has one inherent error which Coil lays open in his<br />

encyclopedia by stating that it is a common mistake to suppose that the principal<br />

work <strong>of</strong> the operative masons consisted in the making <strong>of</strong> square or prismatic<br />

stones to be laid in walls. Coil argues that apprentices did this kind <strong>of</strong> work,<br />

while the Gothic artists primarily designed and built the round and curved arches<br />

and columns, and did the carving and sculpturing. 766<br />

6. Cement<br />

<strong>The</strong> trowel as the Master's symbol serves to cement the spiritual temple with<br />

brotherly love. Thus, the cement is explained in a Masonic encyclopedia as<br />

follows:<br />

763 Cf. EOF, p. 81.<br />

764 CME, p. 72.<br />

765 DFM, p. 185.<br />

766 Cf. CME, p. 72.<br />

767 EOF, p. 138.<br />

<strong>The</strong> cement which in Operative Masonry is used to unite the various<br />

parts <strong>of</strong> a building into one strong and durable mass, is borrowed by<br />

Speculative Masonry as a symbol to denote that brotherly love which<br />

binds the Masons <strong>of</strong> all countries in one common brotherhood. As this<br />

brotherhood is recognized as being perfected among Master Masons<br />

only, the symbol is very appropriately referred to the Third Degree. 767

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!