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The Universal Language of Freemasonry - ArchiMeD - Johannes ...

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Chapter 9 - Masonic and Anti-Masonic Literature 721<br />

<strong>of</strong> this drama is taken from Luke: "And he shall go before him in the spirit and<br />

power <strong>of</strong> Elias, to turn the hearts <strong>of</strong> the fathers to the children." Thus, Elias the<br />

Clown symbolizes Christ, who has turned the heart <strong>of</strong> Bro. Dyke to his daughter.<br />

<strong>The</strong> interesting part <strong>of</strong> the drama is the entry <strong>of</strong> Elias the Clown into the<br />

lodge room. <strong>The</strong> Junior Deacon heals the alarm, given on the door by the Tiler,<br />

and reports to the Worshipful Master that the visiting brother <strong>of</strong> the circus is<br />

there. <strong>The</strong> Worshipful Master orders him to admit the guest, but the Junior<br />

Deacon objects: "But, Worshipful, he's got a - a - there's someone with him." 1772<br />

He admits that the second guest is a vouched-for Master Mason, and the<br />

Worshipful Master commands him once again to let them in. "But, Worshipful!<br />

He's not - he aint [sic]- he's - (stops)". <strong>The</strong> Worshipful Master gets impatient and<br />

asks the Junior Deacon to continue. "<strong>The</strong> Tiler says - well, all I can get out <strong>of</strong><br />

him is that the vouched-for brother isn't - isn't dressed right!" 1773 When the<br />

Worshipful Master hears that the guest is "not Masonically clothed," he sends the<br />

Junior Deacon to verify that, and the latter returns with the report: "He's - he's<br />

got an apron on all right, Worshipful, but - but - he - but..." 1774 Finally, the<br />

Junior Deacon gets it out that the visiting brother still has his circus clothes on<br />

under the apron. <strong>The</strong> Worshipful Master is very liberal, and - what other, stricter<br />

lodges possibly would not have done - admits him by stating that "Doric Lodge<br />

has never denied any brother, properly vouched for. It is not for us to criticize a<br />

brother's apparel." 1775 <strong>The</strong> other brethren also have difficulties to accept their<br />

guest's outward appearance; thus, Bro. Dyke exclaims: "Why do you come here,<br />

dressed like a - like a ..." - "Dressed like a clown, sir. I'm sorry. I'm 'shamed I<br />

had to come in my workin' clothes, sir." 1776 <strong>The</strong>n follows the recital <strong>of</strong> the family<br />

drama. When all pleas to Bro. Dyke to assume responsibility for his child fail,<br />

the clown, in conformity with Masonic law, asks the lodge be called from labor<br />

to refreshment, and brings in the girl: "Excuse me, Worshipful [...], for bringing<br />

a cowan into the Lodge like this - but she's asleep." 1777<br />

As to Masonic phraseology, it is evident that the technical term "cowan,"<br />

denoting eavesdropper or pr<strong>of</strong>ane, is in no wise antiquated, being used in this<br />

play dated 1939. We learn from this play that the great tolerance <strong>of</strong> the Master <strong>of</strong><br />

this country lodge has made it possible again to trespass Masonic customs.<br />

Although it has to be admitted that the <strong>of</strong>fense was not so big since the girl was<br />

sleeping and even when she awoke she could not cause any damage since she<br />

was too young to understand any <strong>of</strong> the "secrets" going on in lodge. Besides, the<br />

lodge was not in action but was called to refreshment, which also lessens the<br />

<strong>of</strong>fense.<br />

1772 Ibid, p. 122.<br />

1773 Ibid.<br />

1774 Ibid.<br />

1775 Ibid, p. 123.<br />

1776 Claudy, p. 124.<br />

1777 Ibid, p. 127.

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