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The Universal Language of Freemasonry - ArchiMeD - Johannes ...

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Chapter 7 - Rituals 417<br />

Mouth to ear, that we should be ever ready to whisper wise counsels<br />

in the ear <strong>of</strong> an erring brother, and warn him <strong>of</strong> approaching danger. (p.<br />

171)<br />

Hereafter follows a short catechetical instruction for the candidate. <strong>The</strong>n, in<br />

the third section <strong>of</strong> the Master Mason's Degree, a historical lecture is being held<br />

that deals with details at the building <strong>of</strong> King Solomon's temple, e.g. the<br />

symbolism <strong>of</strong> the monument erected over the final grave <strong>of</strong> the Grand Master<br />

Hiram Abiff near the unfinished Sanctum Sanctorum (cf. illustration <strong>of</strong> weeping<br />

virgin in our chapter on symbolism):<br />

[...] over his grave was erected a monument <strong>of</strong> the finest marble, on<br />

which were delineated a broken column and a weeping virgin; in her<br />

right hand a sprig <strong>of</strong> acacia, in her left an urn, before her an open book,<br />

and Time behind, unfolding and counting the ringlets <strong>of</strong> her hair. <strong>The</strong><br />

broken column denotes that one <strong>of</strong> the principal supports <strong>of</strong><br />

<strong>Freemasonry</strong> has fallen; the virgin weeping, the untimely death <strong>of</strong><br />

G.M.H.A.; the sprig <strong>of</strong> acacia, that which lead [sic!] to the timely<br />

recovery <strong>of</strong> his remains; the urn, that his ashes are safely deposited; the<br />

open book, that his memory is on perpetual record among Masons;<br />

Time denotes that although G.M.H.A. is no more and the secret word <strong>of</strong><br />

Master Mason is lost, yet time, patience and perseverance, which<br />

accomplish all things, may yet discover, and bring to light the true<br />

word. (p. 180)<br />

After the rehearsal <strong>of</strong> the Hiramic legend, the teachings <strong>of</strong> the two previous<br />

degrees are reviewed, and the candidate is explained the connection between the<br />

death and raising <strong>of</strong> Hiram Abiff and his own life. He gets to know that <strong>of</strong> the<br />

three ruffians, Jubela (J-A.) and Jubelo (J-O.) do not represent physical dangers<br />

but threats from within, and that Jubelum (J-M.) signifies death:<br />

Thus it is with man. Strong in youth and confident in his strength, he<br />

starts forth to execute the designs which he has drawn upon the great<br />

trestle-board <strong>of</strong> his life; but at the very outset he meets his first enemy,<br />

his J-A., in his own evil passions - in envy, hate, licentiousness and<br />

debauchery [...]. But these may be overcome; and, still strong in faith<br />

and hope, he passes forward on life's journey to meet his second and<br />

still stronger enemy, his J-O., fitly represented by sorrow and<br />

misfortune, by disease or poverty, by the coldness <strong>of</strong> false friends or the<br />

hostility <strong>of</strong> open enemies.<br />

Weary and faint from the conflict, still struggling for the right,<br />

upward looking with eyes <strong>of</strong> faith [...], he meets in the evening <strong>of</strong> his<br />

days, his third and terrible enemy, his J-M. To him this enemy is Death<br />

[...]. (p. 184)

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