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The Universal Language of Freemasonry - ArchiMeD - Johannes ...

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Chapter 7 - Rituals 487<br />

"Mistress <strong>of</strong> myself, the ill-nature <strong>of</strong> others shall not provoke me to retaliation by<br />

censure or sarcasm [...]," etc. (III., p. 81). If the candidate refuses to sign this<br />

paper, she is not allowed to go farther. When she has signed it, the Introducer<br />

tells her the password for the veil <strong>of</strong> Mercury, which is the Hebrew word<br />

denoting "magnanimity," or "nobleness <strong>of</strong> mind": RAMANOTH RUACH (cf.<br />

"<strong>The</strong> 'Arcana'," p. 9). She is led again to "enter the place <strong>of</strong> Light" (III., p. 32),<br />

and gives the password to the guard <strong>of</strong> the green veil, which is drawn apart. She<br />

passes through, and the guard immediately extinguishes his lights, so that there<br />

are only the transparencies illuminated. Overhead glows the letter I:: in the east,<br />

and the five-pointed Star in front <strong>of</strong> the Master and the Mistress, below. <strong>The</strong><br />

symbols <strong>of</strong> the Sun, the Moon, and the five planets are illuminated as well.<br />

While s<strong>of</strong>t music plays, the candidate is led round the extremity <strong>of</strong> the white<br />

curtain and seated in front <strong>of</strong> the transparencies between the two columns, facing<br />

the east. <strong>The</strong> Most Venerable Master explains to her the symbolic significance <strong>of</strong><br />

the four gates and their guards, and why they have been chosen as a component<br />

<strong>of</strong> the third degree:<br />

[...] you have passed the four Veils, and the way to the Place <strong>of</strong> Light is<br />

open to you. <strong>The</strong> Veils represent four <strong>of</strong> the seven planetary spheres or<br />

gates, through which, according to the old Oriental faith, the soul had to<br />

pass in reascending to its original home, the place <strong>of</strong> its birth or source,<br />

above the stars; and at each <strong>of</strong> which it was purified <strong>of</strong> some alloy <strong>of</strong><br />

earthly vice or passion.<br />

<strong>The</strong>se Archangels, Michael, Gabriel, Auriel, and Raphael, <strong>of</strong> the South,<br />

North, East, and West, also represented the four elements, Water, Fire,<br />

Air, and Earth, and the four letters <strong>of</strong> the sacred Hebrew name <strong>of</strong> the<br />

Deity. To these also were assigned, in the same order, the four symbolic<br />

animals <strong>of</strong> Ezekiel's vision and the Apocalypse, the Lion, the Ox, the<br />

Eagle, and the Man, borne on the respective standards <strong>of</strong> the Tribes <strong>of</strong><br />

Judah, Ephraim, Dan, and Reuben. To each Planet was assigned the<br />

color <strong>of</strong> its veil [...]; and upon each veil you saw the symbolic character<br />

<strong>of</strong> its Planet. (III., p. 34)<br />

In the following, the Most Venerable Master recites the Biblical account <strong>of</strong><br />

how Sarah caused her husband Abraham to expel her slave-woman Hagar and<br />

the latter's son Ishmael into the desert, and how God created a well to prevent<br />

that they died <strong>of</strong> thirst, because he wanted to create from Ishmael a great nation.<br />

Next, the Master relates the tale how the Pharao's daughter found little Moses in<br />

an ark on the river, and after that he quotes the fate <strong>of</strong> Lot's wife who looked<br />

back at the destruction <strong>of</strong> Sodom, undoubtedly sighing "at parting with the<br />

amusements and gaieties, the pleasures and frivolities, the scandal and gossip,<br />

and perhaps the vices <strong>of</strong> the city" (III., p. 39). From all these recitals, the future<br />

Mistress Masoness is to tear her lesson and example. <strong>The</strong>n, the Master speaks<br />

about how Joshua took his shoes <strong>of</strong>f, when he was standing on holy ground,

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