28.02.2013 Views

The Universal Language of Freemasonry - ArchiMeD - Johannes ...

The Universal Language of Freemasonry - ArchiMeD - Johannes ...

The Universal Language of Freemasonry - ArchiMeD - Johannes ...

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

768<br />

Chapter 9 - Masonic and Anti-Masonic Literature<br />

people were excluded from this order, as it was the case in many Masonic<br />

jurisdictions. <strong>The</strong> climax arrives when even Bricktop's sweetheart asks him to<br />

become a Knight <strong>of</strong> Pythias. Finally, he submits to the demand <strong>of</strong> the society and<br />

becomes initiated.<br />

Bricktop then describes in a chapter headed "Terrible Doings" how he finds<br />

himself in a dim little anteroom with a wicket, where he has to give an alarm.<br />

When asked to name his object for giving the alarm, he gives the false reply, like<br />

"because I was told to" and "to get rid <strong>of</strong> persecution," while it is expected <strong>of</strong><br />

him to answer something earnest, such as the Masonic formula "in search <strong>of</strong> light<br />

and truth." Bricktop is literally "roped into" this order, since he does not<br />

understand the metaphorical meaning <strong>of</strong> the cabletow: "[...] a lasso was thrown<br />

over my head, and in the twinkling <strong>of</strong> a sheep's tail I was roped into another and<br />

a larger room [...]." 1918 Bricktop satirizes both in words and illustrations the<br />

armor and disguise <strong>of</strong> the investigating committee who ask the "man <strong>of</strong> the outer<br />

world" to deliver all his valuables, and <strong>of</strong> the other members: "It certainly<br />

seemed as though the antipodes <strong>of</strong> creation had been brought together to see how<br />

they felt in each other's company. Black spirits and white, red spirits and gray<br />

would not express it by half. Every conceivable uniform, from the complete<br />

Knight <strong>of</strong> Edward II. to a Bloomer <strong>of</strong> the period, was there [...]." 1919<br />

<strong>The</strong> narrator further ridicules the stage effects, such as the noises: "<strong>The</strong> next<br />

thing that greeted my waiting senses was a most infernal whanging <strong>of</strong> gongs and<br />

hewgags, followed by a cavalry-call blast upon a bugle or an unlicensed fishhorn<br />

[...]." 1920<br />

1918 Ibid, p. 32.<br />

1919 Ibid, p. 36.<br />

1920 Ibid, p. 34.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!