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The Universal Language of Freemasonry - ArchiMeD - Johannes ...

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430<br />

Chapter 7 - Rituals<br />

<strong>The</strong> first sign <strong>of</strong> a Mark Master Mason is the "Heave-over," which has<br />

changed during the course <strong>of</strong> time; in Richardson's Monitor, it was described as<br />

being made with interlaced fingers 1323 , whereas Duncan explains it as follows:<br />

Place the flat back <strong>of</strong> the right hand in the flat palm <strong>of</strong> the left hand, and<br />

hold them down in front opposite to the right hip, then bring them up to<br />

the left shoulder with a quick motion, as though you were throwing<br />

something over your left shoulder. In putting your hands together, do so<br />

with a sharp slap, the palms facing your shoulder. In old times this sign<br />

was made by interlacing the fingers. 1324<br />

This sign alludes to the rejection <strong>of</strong> the keystone, which was heaved over<br />

among the rubbish. After the completion <strong>of</strong> this sign, there follows immediately<br />

the sign which alludes to the penalty mentioned in the obligation, that <strong>of</strong> having<br />

the ear smitten <strong>of</strong>f: It is the second sign <strong>of</strong> a Mark Master, and is made by<br />

dropping the arms to each side <strong>of</strong> the body, clinching the last two fingers <strong>of</strong> the<br />

right hand, leaving the first two and thumb open, parallel with each other, and<br />

about one inch apart. This sign alludes to the way how the candidate is told to<br />

carry the keystone. 1325<br />

<strong>The</strong> punishment for impostors as predicted in the obligation is also illustrated<br />

by manual signs: <strong>The</strong> penalty <strong>of</strong> having one's ear smitten <strong>of</strong>f is demonstrated by<br />

the second part <strong>of</strong> the sign before mentioned: "You then raise the right hand<br />

rapidly to the right ear, still holding the thumb and first two fingers open, and<br />

with a circular motion <strong>of</strong> the hand pass the fingers around the ear, as though you<br />

were combing back your earlock, the ear passing between the two fingers and<br />

1323 Richardson, p. 42.<br />

1324 Duncan, p. 154.<br />

1325 Ibid.

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