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court and ceremony 157<br />

distinctions. Senate and consistorium had changed from earlier days: once they<br />

had been institutions where important decisions were made, but now they<br />

had become places where decisions were manifested. The connection<br />

between precedence and emperor was intimate. Indeed, when western dignitaries<br />

arrived at the eastern court to obtain recognition for their emperor<br />

– or, later, king – their ranks were studiously ignored during their initial audience,<br />

since recognizing their precedence meant recognizing their ruler. 110<br />

‘Leva!’ ‘Raise the curtain!’ With these words began the central act <strong>of</strong> the<br />

most solemn imperial audiences. As the great curtain (velum) rose in the consistorium<br />

to reveal the Roman emperor seated on an elevated throne beneath<br />

a golden baldaquin, the subject prostrated himself on a porphyry marker<br />

and adored him (proskynesis). After a final screening in the antechamber,<br />

each person or group was summoned to the adoration when their names<br />

and ranks had been read aloud (citatio). Precedence governed admission: the<br />

highest-ranking person entered last, and the silentiaries and ushers had to<br />

guard against people entering out <strong>of</strong> rank and usurping undue precedence.<br />

After adoring the emperor – and, in privileged circumstances, kissing his<br />

feet – each person joined his peers. He stood in the spot fixed for his personal<br />

rank, as determined by his <strong>of</strong>fice, his dignities and their seniority, and<br />

watched while the higher ranks repeated the procedure. When all had<br />

entered and adored the emperor in this way, the main ceremonial transactions<br />

began – audiences <strong>of</strong> ambassadors, reading out <strong>of</strong> new laws, promotions,<br />

retirements, etc. Afterwards the court was dismissed and exited by<br />

precedence, the highest-ranking individuals first. 111<br />

Eating with the emperor created a bond, and the growing significance <strong>of</strong><br />

state banquets in court life can be seen in Justin II’s Chrysotriklinos and<br />

Justinian’s gold tableware depicting his victories. Here, too, the most powerful<br />

men at court were easily identified: they shared the emperor’s couch;<br />

when the emperor sent part <strong>of</strong> his own meal to the Persian ambassador,<br />

this could only signify perfect concord between the two great powers. 112<br />

The prominence <strong>of</strong> banquets explains why Justinian could signal the<br />

court’s pr<strong>of</strong>ound and public mourning at a catastrophic earthquake by cancelling<br />

one. By the time Maurice celebrated his marriage to the late<br />

Tiberius’ daughter, state banquets figured on a par with comedy shows and<br />

circus races as elements <strong>of</strong> public rejoicing in the capital. 113<br />

When the emperor returned from excursions, the court was convoked<br />

to meet him at various places designated by his wishes and itinerary. Even<br />

if he sailed quietly to the Great Palace, key <strong>of</strong>ficials were expected to assemble<br />

to welcome him on the landing. 114 Alternatively, the emperor’s travels<br />

110 Const. Porph. De Cer. i.87–8.<br />

111 Coripp. Iust. iii.191–256; Cyr. Scyth. V. Sabae x, John Lyd. De Mag. ii.9, Const. Porph. De Cer.<br />

i.84–8; Jones, LRE i.528–35. 112 Theoph. AM 6065; Const. Porph. De Cer. i.90–1.<br />

113 McCormick, Eternal Victory 105 n. 109. 114 Const. Porph. De Cer. Append. 497.<br />

<strong>Cambridge</strong> <strong>Hi</strong>stories Online © <strong>Cambridge</strong> University Press, 2008

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