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370 13. specialized production and exchange<br />

In part, this is a debate born out <strong>of</strong> the nature <strong>of</strong> the evidence.<br />

Archaeologists find a mass <strong>of</strong> imported pottery and no indication <strong>of</strong> how<br />

it got there and, not unnaturally, think in terms <strong>of</strong> the obvious modern<br />

means <strong>of</strong> distribution: trade. The ancient texts, by contrast, tell us much<br />

about aristocrats and the state, but are notably silent about many <strong>of</strong> the<br />

products that archaeologists discover, so that we are <strong>of</strong>ten forced to make<br />

do with a cumbersome modern term (‘Oxford ware’, ‘African red-slip<br />

ware’, etc.) for a common archaeological find. Between the abundance <strong>of</strong><br />

the archaeological evidence and the silence <strong>of</strong> the texts, there is obviously<br />

room for much debate.<br />

In recent years there has been some convergence <strong>of</strong> the ‘historical’ and<br />

the ‘archaeological’ positions. 41 It does indeed seem likely that both mechanisms<br />

<strong>of</strong> distribution (commercial and non-commercial) were <strong>of</strong> great<br />

importance, probably to mutual advantage. For instance, in the fifth- and<br />

sixth-century east, it is not unreasonable to hypothesize that a great deal <strong>of</strong><br />

the Phocaean red-slip ware that reached the near east was taken there commercially<br />

in empty ships returning to Egypt, whose main purpose had been<br />

to carry grain for the state to Constantinople.<br />

Similarly, it must have been the building projects <strong>of</strong> the emperors that<br />

principally sustained the quarries <strong>of</strong> Proconnesos, in the Sea <strong>of</strong> Marmara<br />

near Constantinople, since Proconnesian marble was the main fine material<br />

used for both secular and ecclesiastical imperial projects throughout the<br />

fourth, fifth and earlier sixth century. It is also possible that some <strong>of</strong> the<br />

Proconnesian marble found in non-imperial buildings was a gift from<br />

the emperor to influential patrons whose good will was worth cultivating.<br />

Anicia Juliana for her church <strong>of</strong> St Polyeuktos in Constantinople, and<br />

Julianus Argentarius and Theoderic the Ostrogoth for their many buildings<br />

in Ravenna, perhaps received as gifts the large quantities <strong>of</strong> Proconnesian<br />

marble that they needed. 42<br />

However, it is equally possible that these rich patrons had to buy their<br />

marble from the imperial quarries. Certainly, at a humbler level, it is far<br />

easier to explain the very extensive distribution <strong>of</strong> basic architectural elements<br />

in Proconnesian marble, like capitals and chancel-screens, in terms<br />

<strong>of</strong> commerce rather than political favour, and, as we have seen at the beginning<br />

<strong>of</strong> this chapter, there is even a scrap <strong>of</strong> literary evidence to confirm<br />

this (see Fig. 15,p.359 above). State production and distribution and commerce<br />

may indeed have been closely interlinked. The commercial sale <strong>of</strong><br />

Proconnesian probably depended on a state-run quarry, and it was certainly<br />

the massive imperial projects which set the fashion for humbler patrons to<br />

emulate; yet the state quarries perhaps also needed sales to a wider private<br />

market in order to maintain large-scale production.<br />

41 E.g. Hopkins in Garnsey et al. (1983) ix–xxv; Garnsey and Saller (1987) 43–63; Peacock and<br />

Williams (1986) 54–63.<br />

42 St Polyeuktos: Harrison (1989) 77–124. Ravenna: Angiolini Martinelli et al.(1968–9).<br />

<strong>Cambridge</strong> <strong>Hi</strong>stories Online © <strong>Cambridge</strong> University Press, 2008

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