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the cities <strong>of</strong> the east 225<br />

fewer <strong>of</strong> them and there was less variety. Athletic games and gladiatorial<br />

shows came to an end. Theatrical shows continued, and chariot racing <strong>of</strong><br />

the Roman type – that is, as a pr<strong>of</strong>essional spectator sport – became more<br />

widespread. It seems to have become the principal entertainment in larger<br />

cities, perhaps in most provincial capitals – and not only in capitals. 138<br />

Organization <strong>of</strong> shows was fundamentally affected by the decline <strong>of</strong> the<br />

councils and the passing <strong>of</strong> power to the notables. Under curial government<br />

games were paid for and administered by decurions, who took turns<br />

to perform these duties. There must have been some permanent organizational<br />

infrastructure to maintain the buildings and equipment, and endowments<br />

to pay for them. There were also guilds <strong>of</strong> performers, with the help<br />

<strong>of</strong> which the decurions would be able to engage actors, hunters, gladiators,<br />

charioteers or whatever they needed for their particular show. This system<br />

<strong>of</strong> course depended on decurions and could not survive the loss <strong>of</strong> power<br />

and resources <strong>of</strong> the councils. Reorganization was inevitable. It seems that<br />

in the course <strong>of</strong> the fifth century the liturgical organization was replaced in<br />

very many, if not all, cities <strong>of</strong> the east by an organization ultimately modelled<br />

on that <strong>of</strong> the games at Rome and Constantinople. This gave a principal<br />

part in the production <strong>of</strong> shows to the ‘factions’, the Greens and the<br />

Blues. These were large organizations that provided all the personnel,<br />

animals and equipment needed for the show, and as there were two <strong>of</strong> them<br />

(in a sense, four), they provided the competition as well. 139 They thus took<br />

over the role <strong>of</strong> the decurions as well as <strong>of</strong> the guilds <strong>of</strong> performers, 140 and<br />

they were paid largely, but not entirely, out <strong>of</strong> taxation – that is, by the<br />

emperor. So the new organization involved a kind <strong>of</strong> ‘imperialization’.<br />

Subsequently the emperor paid, and his representative, the provincial governor,<br />

or at Constantinople the emperor himself, presided.<br />

What had been celebrations <strong>of</strong> the city-community became occasions <strong>of</strong><br />

celebration <strong>of</strong> the emperor. For the factions not only produced the games,<br />

but also had the duty <strong>of</strong> leading the spectators in formal acclamations 141 <strong>of</strong><br />

the emperor and his representative, and not only in the theatre or the hippodrome<br />

but on other ceremonial occasions as well. For this purpose each<br />

faction paid a chorus, which had the double duty <strong>of</strong> leading applause for<br />

the emperor and <strong>of</strong> rousing the fans to enthusiasm on behalf <strong>of</strong> the competitors<br />

<strong>of</strong> one colour or the other. The choruses were large and included<br />

not only the unemployed and the rootless, but also young men <strong>of</strong> good<br />

family with money to spend.<br />

Once the factions had come into existence, they attracted the permanent<br />

loyalty <strong>of</strong> very large numbers <strong>of</strong> fans. Cities became divided into supporters<br />

<strong>of</strong> the Greens and supporters <strong>of</strong> the Blues. The relationship <strong>of</strong> the fans<br />

138 Cameron, Alan, Factions 210–14, 314–17; Gascou (1976a).<br />

139 Cameron, Alan, Factions 214–21. 140 Roueché, Performers and Partisans 44–7.<br />

141 Roueché (1984) 181–99.<br />

<strong>Cambridge</strong> <strong>Hi</strong>stories Online © <strong>Cambridge</strong> University Press, 2008

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