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54 2. the eastern empire: theodosius to anastasius<br />

wild-beast shows (498) and pantomimes (502). 124 <strong>Hi</strong>s decision to abolish<br />

the highly unpopular tax known as the collatio lustralis or chrysargyron (498)<br />

should perhaps also be understood in this context, as a more positive<br />

response to this problem. The chrysargyron was a tax on urban traders and<br />

craftsmen, and its abolition may have been an attempt to counteract<br />

popular hostility in the cities by gaining good will towards the emperor<br />

from at least one important sector <strong>of</strong> the urban community.<br />

Despite his abolition <strong>of</strong> this tax 125 and his granting <strong>of</strong> tax remissions in<br />

areas <strong>of</strong> the empire adversely affected by natural disasters or warfare, 126 and<br />

despite other significant expenses incurred during this reign – major building<br />

projects 127 and war against the Isaurians and, later, the Persians (see pp. 58,9<br />

below) – Anastasius nevertheless managed over the course <strong>of</strong> his reign to<br />

accumulate a massive reserve <strong>of</strong> 320,000 pounds <strong>of</strong> gold. 128 This figure is testimony<br />

to Anastasius’ skill in financial management, or at the very least to his<br />

skill in selecting <strong>of</strong>ficials with the requisite abilities in this area. Three policies<br />

seem to have played particularly important parts in achieving this astonishing<br />

result. The first, evident in Anastasius’ laws, was a concerted effort on the<br />

part <strong>of</strong> the emperor and his <strong>of</strong>ficials to minimize waste and unnecessary<br />

expenditure through such measures as increased use <strong>of</strong> adaeratio (commutation<br />

<strong>of</strong> the land-tax in kind to gold). The second was the creation by one <strong>of</strong><br />

Anastasius’ praetorian prefects, Marinus, <strong>of</strong> a new category <strong>of</strong> <strong>of</strong>ficials, the<br />

vindices, who assumed responsibility for overseeing the collection <strong>of</strong> the landtax<br />

in place <strong>of</strong> city councillors, a move which is likely to have reduced the<br />

scope for abuses on the part <strong>of</strong> the latter. 129 The third, perhaps less obviously,<br />

was Anastasius’ currency reform, modelled, interestingly, on recent changes<br />

in Vandalic Africa and the new Gothic regime <strong>of</strong> Theoderic in Italy. 130<br />

Although fourth-century emperors had managed to keep the value <strong>of</strong> the<br />

gold solidus stable, attempts to do the same for the copper nummus had been<br />

unsuccessful, and its steady loss <strong>of</strong> value encouraged the continuation <strong>of</strong><br />

inflationary trends. Anastasius’ reform <strong>of</strong> 498 created a new set <strong>of</strong> copper<br />

coins valued at forty, twenty and ten nummi. They had specified weights<br />

which fixed their relationship with the solidus; these weights were later<br />

doubled (512), at which time an additional five nummi denomination was<br />

added. 131 A number <strong>of</strong> significant consequences ensued. The initial issuing<br />

<strong>of</strong> the new coins in 498 slowed inflationary trends, while their doubling in<br />

124 Bans: Joshua Styl. Chron. 34, 46; cf. Procopius <strong>of</strong> Gaza, Panegyric 15–16, Priscian, De laude Anast.<br />

223–8; Cameron (1973) 228–32.<br />

125 In spite <strong>of</strong> its unpopularity, its abolition may not, in any case, have represented that great a loss<br />

to the government: Bagnall, Egypt 153–4. 126 Jones, LRE 237.<br />

127 Malal. p. 409; Capizzi (1969) ch. 6. 128 Procop. SH 19.7.<br />

129 Jones, LRE 235–6; Chrysos (1971); Chauvot (1987).<br />

130 Metcalf (1969); Hendy, Studies 478–90.<br />

131 Hendy, Studies 475–8, contra Jones, LRE 443 (who associates the five nummi coin with the initial<br />

reform <strong>of</strong> 498).<br />

<strong>Cambridge</strong> <strong>Hi</strong>stories Online © <strong>Cambridge</strong> University Press, 2008

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