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eligious architecture 963<br />

Juliana. Now destroyed, its substructures and debris (including pr<strong>of</strong>use<br />

exotic sculptural decoration) have been excavated. Its plan and elevation<br />

have been reconstructed as a centralized church with a dome on massive<br />

piers surrounded on four sides by aisles, narthex and sanctuary, all <strong>of</strong> about<br />

equal widths. On the north and south sides <strong>of</strong> the central space stood a pair<br />

<strong>of</strong> two-storey exedrae composed <strong>of</strong> three niches with a pier in between.<br />

The spaces around the domed bay would have been covered with barrel or<br />

cross-vaults. 73<br />

St Sophia, Constantinople, built in 532–7 to replace the cathedral <strong>of</strong><br />

Theodosius II – a timber-ro<strong>of</strong>ed basilica dedicated in 415, which was<br />

burned down in the Nika riot – represents a high point in Byzantine technological<br />

achievement (Fig. 59, and Fig. 34, p.904 above). The design <strong>of</strong><br />

St Sophia has been described as achieved by splitting Sts Sergius and<br />

Bacchus (Fig. 58) in half and inserting a central dome. 74 St Sophia’s dome<br />

on pendentives, 100 Byzantine feet (31 metres) in diameter, stands 56<br />

metres above floor level. The webs between the forty dome ribs are<br />

pierced by forty windows. The four main and four secondary piers are <strong>of</strong><br />

stone up to the springings <strong>of</strong> the gallery vaults; the four buttress piers are<br />

<strong>of</strong> stone up to the springing <strong>of</strong> the aisle vaults. The arches, vaults, semidomes,<br />

pendentives and dome are constructed <strong>of</strong> brick, while the springing<br />

course <strong>of</strong> the dome is a cornice <strong>of</strong> Proconnesian marble. The<br />

monolithic marble columns <strong>of</strong> the galleries do not stand directly above<br />

those at ground level, but redistribute the vertical loads from above.<br />

When the church was first built, the nearest comparable domed space was<br />

that <strong>of</strong> the Pantheon in Rome, which was completely centralized, its<br />

hemispherical dome set on a cylindrical base <strong>of</strong> walls. By contrast, St<br />

Sophia is a complex domed structure which combines the centrality <strong>of</strong> an<br />

aisled tetraconch with the axiality <strong>of</strong> a normal basilica. A primary system<br />

<strong>of</strong> masonry (Fig. 59a), located mainly within the nave, carries the principal<br />

weight load, and secondary systems, mostly within the enveloping<br />

spaces (narthexes, aisles and galleries) support only themselves.<br />

The technological achievement in building St Sophia was, however,<br />

flawed: twenty years after completion its dome collapsed and had to be<br />

rebuilt. Most scholars attribute the collapse <strong>of</strong> this original dome to its<br />

shallow pitch, which directed its force outwards, creating lateral pressure<br />

against the four main piers. According to Agathias, the new dome was built<br />

taller, and thus its weight is transmitted downwards in a more vertical path,<br />

reducing lateral pressure. However, the dome again collapsed in part in the<br />

tenth and in the fourteenth century, so that the present structure incorporates<br />

several stages <strong>of</strong> construction, while retaining the pr<strong>of</strong>ile <strong>of</strong> the dome<br />

as rebuilt after 557. 75<br />

73 Harrison (1989). 74 Mango, Byzantine Architecture 106–21, 123. 75 Mainstone (1988).<br />

<strong>Cambridge</strong> <strong>Hi</strong>stories Online © <strong>Cambridge</strong> University Press, 2008

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