10.12.2012 Views

Cambridge Ancient Hi.. - Index of

Cambridge Ancient Hi.. - Index of

Cambridge Ancient Hi.. - Index of

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

education in the roman empire 859<br />

in style and quality from teacher to teacher. However, some <strong>of</strong> the Latin<br />

manuals permit a glimpse <strong>of</strong> what went on in the classroom. Donatus’ Ars<br />

minor consists <strong>of</strong> a series <strong>of</strong> questions and answers designed to help teachers<br />

formulate their teaching and test how much <strong>of</strong> it the students had memorized<br />

and understood. Thus the section on the verb begins: Verbum quid<br />

est? Pars orationis cum tempore et persona sine casu aut agere aliquid aut pati aut<br />

neutrum significans. Verbis quot accidunt? Septem. Quae? Qualitas, coniugatio, genus,<br />

numerus, figura, tempus, persona. Each <strong>of</strong> these features <strong>of</strong> the verb is then<br />

defined and its subdivisions set out. 21<br />

The other principal activity <strong>of</strong> the grammarian was the explication <strong>of</strong><br />

poetic texts. This has a long history, in Greek going back beyond the<br />

Alexandrian grammarians to the schoolmaster in a fragment <strong>of</strong><br />

Aristophanes who quizzes his pupils on the meaning <strong>of</strong> Homeric words,<br />

and in Latin to Probus (late first century a.d.) and ultimately to Varro. No<br />

continuous commentary on a Greek poetic text survives from late antiquity.<br />

But we do possess the commentary on Virgil by Servius, written in<br />

the first half <strong>of</strong> the fifth century, and embodying much earlier material. 22<br />

Servius follows ancient practice in commenting on Virgil’s text line by line<br />

rather than discussing the structure <strong>of</strong> the poem as a whole or the place in<br />

it <strong>of</strong> particular episodes or particular characters. <strong>Hi</strong>s commentary is mainly<br />

linguistic, and he only occasionally touches upon mythological, historical<br />

or literary questions at any length. <strong>Hi</strong>s main principles <strong>of</strong> explanation are<br />

natura, auctoritas and usus, and he easily slides from linguistic description to<br />

linguistic prescription. He is alert to ambiguities and to semantic change,<br />

and <strong>of</strong>ten elucidates a Virgilian passage by quoting Lucretius or Horace or<br />

Lucan. But he scarcely ever refers to the spoken language <strong>of</strong> his own day,<br />

as Eustathios was to do in the twelfth century in commenting on Homer.<br />

Though he was aware <strong>of</strong> the existence <strong>of</strong> variant readings, he never tries to<br />

solve a problem <strong>of</strong> interpretation by emending the text <strong>of</strong> his manuscript<br />

as a modern scholar might do. Fortified by the accumulated learning <strong>of</strong> his<br />

predecessors, he interprets Virgil, not without complacency, in a hermetically<br />

sealed world.<br />

<strong>Hi</strong>s commentary clearly reflects his teaching. But how? Few pupils would<br />

have a text <strong>of</strong> Virgil. The grammarian presumably began his lesson by dictating<br />

a passage <strong>of</strong> the Aeneid, which his pupils would copy. Then he would<br />

go on to explain the passage, comment on its language and discuss its interpretation.<br />

It must have been a slow procedure, not likely to give the pupil<br />

a grasp <strong>of</strong> the larger structure <strong>of</strong> the poem or a sense <strong>of</strong> its grandeur. A<br />

twelfth-century Greek commentator on Aristotle remarks that schoolboys<br />

normally read about thirty lines <strong>of</strong> Homer a day, while only the brightest<br />

21 On the relation between the teacher’s written text and his oral exposition cf. Holtz (1981) 75–100.<br />

22 Thilo and Hagen (1881–7).<br />

<strong>Cambridge</strong> <strong>Hi</strong>stories Online © <strong>Cambridge</strong> University Press, 2008

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!