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Archives of Peking University News - PKU English - 北京大学

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<strong>北京大学</strong>英语新闻网/<strong>Peking</strong> <strong>University</strong> <strong>News</strong><br />

Pr<strong>of</strong>. Shimamura Teru: Animation with<br />

its Cultural Background<br />

By Zhang Yuan<br />

<strong>PKU</strong> NEWS 2005--11—17<br />

http://ennews.pku.edu.cn/news.php?s=132295079<br />

Beijing Hotel, Beijing, Nov.17th, 2005: During the second round talk <strong>of</strong> popular<br />

culture panel session <strong>of</strong> Beijing Forum 2005, morning <strong>of</strong> Nov. 17th, Pr<strong>of</strong>essor<br />

Shimamura Teru from Joshibi <strong>University</strong> <strong>of</strong> Art and Design made his keynote speech<br />

on the topic ―Japan Animation: from Commercialism to Art‖. As a pr<strong>of</strong>essor <strong>of</strong> art and<br />

media, Pr<strong>of</strong>. Teru presented an insightful survey <strong>of</strong> a group <strong>of</strong> creative and artistic<br />

Japanese animations which are ―relatively independent <strong>of</strong> the main stream<br />

commercial animations‖. Through a detailed analysis <strong>of</strong> three high quality animations<br />

<strong>of</strong> the above category, Pr<strong>of</strong>. Teru reached his conclusion that a promising branch <strong>of</strong><br />

Japanese animation is tending to keep its distance from both ―Americanization and<br />

narrow-minded economical nationalism‖ and to become ―a kind <strong>of</strong> total visual art‖,<br />

where fostered the ―possibility <strong>of</strong> collaboration between literature and animation‖.<br />

Because <strong>of</strong> the tight schedule and time limitation, Pr<strong>of</strong>. Teru had to compress his<br />

inspiring paper in his speech. Interested in a more elaborated illustration <strong>of</strong> his idea,<br />

the reporter managed a brief interview with him during the short break time.<br />

-- Japanese Animation vs. American Animation—Cultural Difference --<br />

Japan has a highly advanced and prosperous animation industry <strong>of</strong> a world<br />

reputation; on the other hand, it is also a huge industry in the US, best represented<br />

by Disney animations. When asked about the comparison <strong>of</strong> the two, Pr<strong>of</strong>. Teru<br />

commented:<br />

―Animation is part <strong>of</strong> general culture, so it well represents the background <strong>of</strong> that<br />

culture it belongs to. Therefore the animation produced in the US with American<br />

background and that in Japan are <strong>of</strong> course different from each other. For example,<br />

one major theme <strong>of</strong> the Disney animation, which is the best representative <strong>of</strong><br />

American animations, is the ―American dream‖—American ideology that is prevailing<br />

in almost every Disney animation one saw. In Japan, some high quality animations<br />

such as those produced by Studio GIBRI, the famous and popular animation<br />

production company in Japan, keep a very clear ideology based on Japanese<br />

tradition and depiction <strong>of</strong> peace and happiness <strong>of</strong> ordinary people. That is quite<br />

different from the ideology <strong>of</strong> America.‖<br />

882

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