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Handbook of the History of Logic: - Fordham University Faculty

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Alcuin as a <strong>Logic</strong>ian<br />

The Latin Tradition <strong>of</strong> <strong>Logic</strong> to 1100 23<br />

Alcuin (d. 806) was educated at <strong>the</strong> Ca<strong>the</strong>dral school <strong>of</strong> York and managed,<br />

from <strong>the</strong> 780s until he was made Abbot <strong>of</strong> Tours in 796, to gain a position and,<br />

ultimately, a good deal <strong>of</strong> influence, in Charlemagne’s court at Aachen. Among<br />

his compositions are text-books on grammar, rhetoric and logic. The one on logic,<br />

Dialectic (Dialectica) [Alcuin, 1863], written in <strong>the</strong> form <strong>of</strong> a dialogue between<br />

Alcuin and Charlemagne himself, can claim to be <strong>the</strong> first medieval work on this<br />

discipline. In setting out <strong>the</strong>se three linguistic arts <strong>of</strong> what came to be called <strong>the</strong><br />

‘trivium’ as basic elements <strong>of</strong> education, Alcuin was, in a sense, merely following<br />

<strong>the</strong> lead <strong>of</strong> Cassiodorus, though unlike him neglecting <strong>the</strong> ma<strong>the</strong>matical arts <strong>of</strong><br />

<strong>the</strong> quadrivium. But in a preface to <strong>the</strong> three works, pointedly called On True<br />

Philosophy (De vera philosophia) [Alcuin, 1863, 951-76], Alcuin makes explicitly<br />

<strong>the</strong> case for <strong>the</strong> liberal arts as pillars in an education that will finally lead to <strong>the</strong><br />

temple <strong>of</strong> Biblical wisdom (cf. [Marenbon, 1984, 172-4]). This was an educational<br />

programme that Alcuin ensured was politically underwritten; Charlemagne’s role<br />

as pupil and interlocutor in Dialectic is a flattering endorsement <strong>of</strong> <strong>the</strong> direction<br />

<strong>of</strong> royal policy.<br />

Alcuin did not just help to place <strong>the</strong> arts <strong>of</strong> <strong>the</strong> trivium at <strong>the</strong> centre <strong>of</strong> medieval<br />

education: he helped to make logic <strong>the</strong> foremost among <strong>the</strong>m. But from Dialectic,<br />

a text not only wholly derivative, but copied in <strong>the</strong> main — with one important<br />

exception — verbatim from <strong>the</strong> encyclopaedic accounts <strong>of</strong> Cassiodorus and Isidore<br />

[Prantl, 1885, 16-19; Lehmann, 1917], perhaps with some use <strong>of</strong> Boethius’s first<br />

commentary on On Interpretation (queried in [Kneepkens, 1998]; but [Bullough,<br />

2004, 404] upholds its use), it is not easy at first to see how. Certainly not because<br />

<strong>of</strong> any logical thinking done by Alcuin himself: <strong>the</strong> one section for which <strong>the</strong>re is no<br />

obvious source, Chapter XII on ‘Arguments’, is simple in <strong>the</strong> extreme and avoids<br />

giving even <strong>the</strong> summary accounts <strong>of</strong> types <strong>of</strong> categorical syllogisms or modes <strong>of</strong><br />

hypo<strong>the</strong>tical syllogisms available in <strong>the</strong> encyclopaedias.<br />

Yet Alcuin manages his material with a clear sense <strong>of</strong> his own particular purpose.<br />

In Isidore’s Etymologies, his main source, <strong>the</strong> presentation centres on logic as a tool<br />

for devising and judging arguments: <strong>the</strong> section on syllogisms is <strong>the</strong> longest, and<br />

as in Cassiodorus it comes at <strong>the</strong> end <strong>of</strong> <strong>the</strong> work, along with <strong>the</strong> presentation <strong>of</strong><br />

topical arguments, punctuated by <strong>the</strong> discussion <strong>of</strong> definitions. Alcuin ends with<br />

his treatment <strong>of</strong> material from On Interpretation, and, as mentioned, he gives a<br />

very simple and brief treatment <strong>of</strong> syllogistic. The emphasis <strong>of</strong> Dialectic in terms<br />

<strong>of</strong> space and detail falls on <strong>the</strong> exposition <strong>of</strong> <strong>the</strong> Categories. Here alone Alcuin<br />

turns to a non-encyclopaedic source, <strong>the</strong> Ten Categories, <strong>the</strong> intelligent paraphrase<br />

produced in <strong>the</strong> circle <strong>of</strong> Themistius (see above, 2.1). The excerpts from it occupy<br />

two fifths <strong>of</strong> <strong>the</strong> whole treatise. To judge from Dialectic, logic is above all about<br />

<strong>the</strong> doctrine <strong>of</strong> <strong>the</strong> Categories.<br />

There is every reason to believe that Alcuin would have been happy to leave<br />

this impression. He believed that <strong>the</strong> Ten Categories was <strong>the</strong> work <strong>of</strong> Augustine,<br />

no less, and he wrote a prefatory poem for it which would accompany it in <strong>the</strong>

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