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Handbook of the History of Logic: - Fordham University Faculty

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36 John Marenbon<br />

it presents itself stretching beyond our usia and makes God himself’. ‘Nothing’<br />

renders us a truer account <strong>of</strong> it than any predication. Ano<strong>the</strong>r <strong>of</strong> <strong>the</strong>se glosses<br />

[Marenbon, 1981, 202; no. XXIII] talks <strong>of</strong> usiae in <strong>the</strong> plural, as Eriugena also<br />

does, to mean particular substances. Whereas usiae can be seen and understood<br />

without accidents, accidents can be understood apart from a body only in <strong>the</strong> mind<br />

— <strong>the</strong> glossator seems here to have in mind <strong>the</strong> type <strong>of</strong> ma<strong>the</strong>matical abstraction<br />

spoken about by Boethius in his second commentary on <strong>the</strong> Isagoge. The gloss<br />

<strong>the</strong>n goes on to explain, in line with <strong>the</strong> ideas <strong>of</strong> <strong>the</strong> Periphyseon, that accidents<br />

are <strong>the</strong> cause <strong>of</strong> bodies. The lack <strong>of</strong> genuinely logical interest and concern with<br />

metaphysical or <strong>the</strong>ological questions is typical <strong>of</strong> this strand <strong>of</strong> glosses.<br />

Looking at <strong>the</strong> standard glosses, and at how this Gloss Tradition evolves from<br />

<strong>the</strong> ninth to <strong>the</strong> eleventh century, <strong>the</strong> impression is <strong>of</strong> a gradual turning away from<br />

extrinsic <strong>the</strong>ological and metaphysical concerns and an attempt to understand <strong>the</strong><br />

letter <strong>of</strong> <strong>the</strong> text, as witnessed by glosses that put <strong>the</strong> paraphraser’s (already simplified)<br />

points in elementary terms. The more sophisticated questions about <strong>the</strong><br />

doctrine <strong>of</strong> Categories, raised in <strong>the</strong> Greek commentary tradition and transmitted<br />

by Boethius, do not figure in <strong>the</strong> standard Ten Categories glosses. There is one<br />

exception. In MS Saint Gall 274, Eriugenian material and standard glosses are<br />

joined by some glosses peculiar to this manuscript, which show that this glossator<br />

did know Boethius’s commentary on <strong>the</strong> Categories and was using it to help understand<br />

<strong>the</strong> pseudo-Augustinian paraphrase. He takes careful note, for instance,<br />

<strong>of</strong> Boethius’s description <strong>of</strong> <strong>the</strong> subject-matter <strong>of</strong> <strong>the</strong> treatise as <strong>the</strong> utterances<br />

that signify things in that <strong>the</strong>y are significant [cf. Marenbon, 1997a, 28-9].<br />

The ‘Isagoge’<br />

According to Yukio Iwakuma [his information is presented in Marenbon, 2000b,<br />

99], <strong>the</strong> early medieval Gloss Tradition on <strong>the</strong> Isagoge has two strands, each found<br />

in full form in two manuscripts, while one late-ish (11th-12th-century) manuscript<br />

combines <strong>the</strong> two. The glosses belonging to one strand have been edited in full from<br />

MS Paris BN 12949 [Von Waltersharsen and Baeumker, 1924], under attribution<br />

to a certain ‘Icpa’, because a line in <strong>the</strong> explicit reads ‘I, Icpa|||| , wrote this<br />

little book, glossing it in some way’. More recent research [Jeauneau, 1985] has<br />

shown that <strong>the</strong> name is that <strong>of</strong> ‘Israel’ (written in Greek letters), a tenth-century<br />

grammarian <strong>of</strong> Irish origin, whose interests can be seen more widely in this richly<br />

annotated manuscript that includes a set <strong>of</strong> Ten Categories glosses containing<br />

<strong>the</strong> Eriugenian strand. The Isagoge glosses <strong>the</strong>mselves are simply a patchwork <strong>of</strong><br />

quotations, especially from both <strong>of</strong> Boethius’s commentaries, though Macrobius’s<br />

Commentary on <strong>the</strong> Somnium Scipionis, Isidore <strong>of</strong> Seville, Alcuin’s Dialectica and<br />

<strong>the</strong> Ten Categories glosses are also used. The glosses are well chosen to illustrate<br />

<strong>the</strong> text, but no individual approach to <strong>the</strong> material emerges from <strong>the</strong>m.

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