05.11.2013 Views

Body and Soul in Ancient Philosophy

Body and Soul in Ancient Philosophy

Body and Soul in Ancient Philosophy

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Heraclitus on measure <strong>and</strong> the explicit emergence of rationality 95<br />

tice, moderation, straightness, control, <strong>and</strong> proportion. The truth of<br />

someth<strong>in</strong>g, accord<strong>in</strong>g to this model, is normative. Just as ly<strong>in</strong>g falls outside<br />

the norms of proper discourse, so truth also characterizes the way<br />

someth<strong>in</strong>g should actually be if it is function<strong>in</strong>g optimally where the<br />

condition of function<strong>in</strong>g optimally is balance, straightness, <strong>and</strong> proper<br />

proportion. Hence Plato’s lik<strong>in</strong>g for musical <strong>and</strong> mathematical illustrations<br />

of truth. A harmonious sound is true to the relevant ratios of<br />

the tetrachord. A well-constructed square is true to the pr<strong>in</strong>ciple that<br />

its four sides are equal <strong>and</strong> subtend four right angles.<br />

The beauty of truth, then, is a highly theoretical notion, grounded<br />

on ideas of symmetry <strong>and</strong> balance. This notion, as we see <strong>in</strong> the Gorgias,<br />

enables Plato to represent a tyrannnical soul as devoid of truth precisely<br />

because such a soul is unbalanced, given to excess, <strong>and</strong> therefore ugly.<br />

Such a soul fails to impose a proper ratio on itself <strong>and</strong> its actions. Like<br />

irrationals <strong>in</strong> mathematics, which defy whole number ratio relationships,<br />

a disorderly soul is irrational, <strong>and</strong> irrational by virtue of its lack<br />

of proportion.<br />

Accord<strong>in</strong>gly, when Plato talks about the beauty of truth he is not<br />

say<strong>in</strong>g that the content of any true statement (or fact) must be beautiful.<br />

The beauty of truth picks out the relation that anyth<strong>in</strong>g with a purchase<br />

on truth (whether a soul or an action or a statement) has to the norms of<br />

straightness <strong>and</strong> proper proportion. Hence we can see why Plato could<br />

regard truth tell<strong>in</strong>g itself as beautiful, <strong>in</strong> as much as it corresponds <strong>and</strong><br />

coheres with what is the case.<br />

There is much more one could say about Plato’s conceptualization<br />

of rationality <strong>in</strong> terms of measure <strong>and</strong> proportion. This cluster of ideas is<br />

especially prom<strong>in</strong>ent <strong>in</strong> the Philebus, where it is measure that heads the<br />

classification of goods (66a). But, I th<strong>in</strong>k I have said enough here to provide<br />

a Platonic perspective or retrospective on Heraclitus. Let us return<br />

with some detail to Heraclitus B 112:<br />

Sôphrone<strong>in</strong> is the greatest virtue <strong>and</strong> wisdom: to speak <strong>and</strong> do th<strong>in</strong>gs that are<br />

true, underst<strong>and</strong><strong>in</strong>g them <strong>in</strong> accordance with their nature.<br />

syvqome?m !qetµ lec¸stg ja· sov¸g, !kgh´a k´ceim ja· poie?m jat± v¼sim<br />

1paýomtar.<br />

Like Kahn (1979, ad loc.), I punctuate the fragment after sov¸g, thus<br />

mak<strong>in</strong>g the entire text a comment on good sense or practical wisdom,<br />

which is how we may gloss sôphrone<strong>in</strong>. This punctuation, rather than the<br />

plac<strong>in</strong>g of a comma after lec¸stg, suits the sense <strong>and</strong> rhythm of the passage,<br />

with its division <strong>in</strong>to three cola. The last colon, “underst<strong>and</strong><strong>in</strong>g [sc.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!