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Body and Soul in Ancient Philosophy

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Anima Christiana 461<br />

to the <strong>in</strong>ward man but that he does noth<strong>in</strong>g himself except the <strong>in</strong>ward<br />

man energizes him. And when he is so energized, who does the talk<strong>in</strong>g?<br />

The outward man is a ventriloquist’s doll.<br />

And yet that can hardly be Tertullian’s considered theory. It implies<br />

an extravagant reduplication on the part of the div<strong>in</strong>e artificer: why did<br />

he give bodies ears if they can’t hear or mouths if they can’t talk? And it<br />

goes aga<strong>in</strong>st several propositions which Tertullian advances <strong>in</strong> On the<br />

<strong>Soul</strong>. For example, some th<strong>in</strong>gs, he says, are visible to the eyes of the<br />

flesh <strong>and</strong> others to the eyes of the soul. The outward man can see – although<br />

he cannot see everyth<strong>in</strong>g which the <strong>in</strong>ward man can see. (And<br />

can the <strong>in</strong>ward man see everyth<strong>in</strong>g the outward man sees? Or is there a<br />

division of ocular labour between the two chaps?)<br />

But it is idle to press the question of which of the two men can do<br />

what: the texts supply no clear <strong>and</strong> comprehensive answer, <strong>and</strong> it may<br />

be suspected that Tertullian himself had never imag<strong>in</strong>ed th<strong>in</strong>gs through.<br />

If Tertullian’s theory is hazy at the edges, it is sharp enough <strong>in</strong> the centre.<br />

Men, accord<strong>in</strong>g to Tertullian, are not featherless bipeds: they are<br />

featherless quadrupeds. They have two bra<strong>in</strong>s <strong>and</strong> two hearts, four<br />

lungs <strong>and</strong> four kidneys. A week ago I heard Alfred Brendel play<strong>in</strong>g<br />

some Schubert. He looked (<strong>and</strong> sounded) as though he were us<strong>in</strong>g<br />

two h<strong>and</strong>s on the keyboard. In fact – if Tertullian is right – he was<br />

us<strong>in</strong>g four. Not that he could have played music composed for four<br />

h<strong>and</strong>s. But then such music is <strong>in</strong> reality composed for eight h<strong>and</strong>s.<br />

Tertullian’s theory of the human soul is not a flight of fancy. On the<br />

contrary, it is a theory constructed with some care <strong>and</strong> diligence on a<br />

foundation made of philosophical reason<strong>in</strong>g <strong>and</strong> div<strong>in</strong>e revelation.<br />

But it is a batty theory – no more batty, to be sure, than (say) Plato’s<br />

theory of the soul, but nonetheless quite, quite, batty.<br />

What are the reasons or causes of this batt<strong>in</strong>ess? Does it derive from<br />

certa<strong>in</strong> peculiarities of Tertullian’s thought? Does it depend on some<br />

more general Christian conceptions? Is it due to still broader <strong>and</strong> philosophical<br />

notions? Undoubtedly, some of the oddities <strong>in</strong> Tertullian’s<br />

account derive from his own theological idiosyncrasies – for example,<br />

his <strong>in</strong>terpretation of the story of Lazarus, which provides him with important<br />

pieces of evidence, is unorthodox. Undoubtedly, some of the<br />

oddities <strong>in</strong> the account are the consequences of general Christian doctr<strong>in</strong>e<br />

– <strong>and</strong> <strong>in</strong> particular, of the universally held doctr<strong>in</strong>e of the General<br />

Resurrection of the dead. But at bottom, what is wrong with Tertulli-

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