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Body and Soul in Ancient Philosophy

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96<br />

Anthony A. Long<br />

true] th<strong>in</strong>gs <strong>in</strong> accordance with their nature”, echoes Heraclitus’ programmatic<br />

statements <strong>in</strong> B 1, where he presents himself as the spokesman<br />

of nature’s logos, sett<strong>in</strong>g forth an account of the way th<strong>in</strong>gs are. 14<br />

His audience, as he regretfully says there, cont<strong>in</strong>ually fail to heed his account,<br />

because they retreat <strong>in</strong>to their private worlds. Here, <strong>in</strong> B 112, he<br />

asks us to take the message of B 1 to constitute the essence of sôphrone<strong>in</strong>,<br />

gloss<strong>in</strong>g that virtue as speak<strong>in</strong>g <strong>and</strong> do<strong>in</strong>g th<strong>in</strong>gs that are true.<br />

What does Heraclitus mean by “do<strong>in</strong>g th<strong>in</strong>gs that are true”? Kahn<br />

(1979, 122) puzzles over this curious <strong>and</strong> seem<strong>in</strong>gly unparalleled expression.<br />

He suggests that Heraclitus wants to say that “the man whose<br />

th<strong>in</strong>k<strong>in</strong>g is sound will not hide the truth but signify it <strong>in</strong> his actions<br />

as <strong>in</strong> his words”. This suggestion does not go far enough, <strong>in</strong> my op<strong>in</strong>ion.<br />

Tak<strong>in</strong>g our lead from Plato, we shall hardly go wrong if we endow Heraclitus’<br />

alÞthea with connotations of straightness, balance, <strong>and</strong> due proportion.<br />

Thus his “truths”, as the context of B 112 requires, are<br />

norms of properly measured action as much as they are norms of<br />

thought <strong>and</strong> speech.<br />

Plato regularly couples “balanced” (metrios) with such commendatory<br />

words as sôphrôn, kalos, katharos, aristos, <strong>and</strong> bebaios. 15 In the Republic<br />

(3, 412a5) the most musical <strong>and</strong> harmonious person is the one who<br />

best comb<strong>in</strong>es physical <strong>and</strong> musical education <strong>and</strong> applies them to his<br />

soul <strong>in</strong> the most measured way (metriôtata). The mark of an unmusical<br />

<strong>and</strong> unshapely soul is ametria (6, 486d5). These contexts are <strong>in</strong> l<strong>in</strong>e<br />

with the passage I already discussed from the Gorgias, but the Republic<br />

proposes still more precise connexions between rationality <strong>and</strong> balance<br />

or proportion.<br />

Review<strong>in</strong>g the newly formulated community, Socrates <strong>in</strong>vites his<br />

<strong>in</strong>terlocutors to agree that it could be called sôphrôn <strong>and</strong> “master of itself”<br />

if its better constituent rules over its worse one (4, 431b). He cont<strong>in</strong>ues:<br />

You would also f<strong>in</strong>d especially among its children <strong>and</strong> women <strong>and</strong> slaves<br />

… a multitude of all k<strong>in</strong>ds of desires <strong>and</strong> pleasures <strong>and</strong> pa<strong>in</strong>s … but simple<br />

<strong>and</strong> moderate ones, which are guided by logismos <strong>in</strong> association with <strong>in</strong>tellect<br />

<strong>and</strong> correct op<strong>in</strong>ion – these you would encounter only among a few<br />

people, ones with the best natural constitution <strong>and</strong> the best education.<br />

ja· lµm ja·t²rcepokk±r ja·pamtodap±r 1pihul¸ar ja· Bdom²r teja·<br />

k¼par 1m pais· l²kista %m tir evqoi ja· cuma<strong>in</strong>· ja· oQj´tair … t±r d´ce<br />

14 I fail to see why Kirk 1962, 390, characterizes B 112 as “a banal paraphrase”.<br />

15 E.g. R. 3, 399b8: syvqºmyr te ja· letq¸yr; 5, 466b6: l´tqior ja· b´baior ja·<br />

%qistor; Phd. 86c2: jak_r ja·letq¸yr; 108c3: jahaq_r teja·letq¸yr.

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