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Turkish and Japanese modernisation: A comparison<br />

in terms of the concept of ‘civilizing process’<br />

This paper analyses the eclectic cultural patterns which combined Western and<br />

indigenous culture in the everyday lives of the Meici Japanese and the Ottoman<br />

Turkish elites during the nineteenth century. The uses of dress, home interiors,<br />

and etiquette by elites are discussed in the comparative framework of Norbert<br />

Elias’ “civilizing process” that engendered the modern individual in the West,<br />

The paper argues that the individual in both countries underwent a new “civilizing<br />

process” due to the introduction of Western culture to an existent milieu of<br />

civilization. The introduction engendered the politically charged symbolism of<br />

bi-cultural forms. In the process of constructing a “modern persona”, the individual<br />

in both societies faced the “double” tension stemming from the self-perception<br />

of the rational in Western and traditional culture representing “civilized<br />

behavior” in public spheres. Unlike the standard arguments that see tradition<br />

as the emotive haven of security from the tension of modernity, the individual<br />

in Japan and Turkey found emotive refuge in alternative eclectic cultural environments<br />

with less defined cultural boundaries in private interior spheres.

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