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The Cambridge Bibliography of English Literature ... - uogenglish

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Drama<br />

1951 | 1952<br />

<strong>The</strong> prompter and the footlights: a music hall and theatrical review.<br />

No 1 [1889].<br />

<strong>The</strong> weekly comedy: a review <strong>of</strong> the drama, music and literature.<br />

Nos 1–11 1889. Ed J. T. Grein and C. W. Jarvis.<br />

<strong>The</strong> foot-lights. Nos 1–11 1890.<br />

<strong>The</strong> actor. No 1 1891.<br />

Dramatic opinions: an impartial weekly leaflet for players and playgoers.<br />

Nos 1–28 1891–2. Weekly, nos 26–8 monthly.<br />

<strong>The</strong> encore: a music hall and theatrical review. Nos 1–1,972<br />

1892–1930. Weekly.<br />

<strong>The</strong> sporting and dramatic mirror. n.s. no 1 1892. Continued as <strong>The</strong><br />

sporting mirror and dramatic and music hall record, n.s. nos<br />

2–441 1892–1900, weekly.<br />

<strong>The</strong> prompter: the organ <strong>of</strong> the Scottish amateur dramatic and<br />

musical federation. Nos 1–5 Glasgow 1892–3. Monthly.<br />

Continued as <strong>The</strong> prompter: an illustrated dramatic and musical<br />

record, n.s. nos 1–21 1893, monthly until end July, then weekly.<br />

Birmingham amusements and souvenir <strong>of</strong> the stage. Nos 2–65<br />

[Manchester and Birmingham] 1893–4.<br />

<strong>The</strong> theatrical ‘world’ for 1893. 1893–7. Annually. By W. Archer 1893–4.<br />

Paisley society and dramatic mirror. Nos 1–3 Paisley [1894]. Weekly.<br />

<strong>The</strong> Glasgow pantomime annual and theatrical review. Glasgow<br />

1894–5. Continued as <strong>The</strong> Glasgow theatrical annual, 1895–1901,<br />

annually.<br />

<strong>The</strong> dramatic world: a monthly epitome <strong>of</strong> the stage. Vols 1–3<br />

1894–7. Continued as <strong>The</strong> dramatic illustrated world, vols 3–9<br />

1897–1902, monthly. Ed E. and H. Gordon-Clifford.<br />

<strong>The</strong> graphic guide to the London theatres. Nos 1–7 1894.<br />

Pearson’s photographic portfolio <strong>of</strong> footlight favourites by eminent<br />

photographers. Nos 1–8 1894–5; n.s. nos 1–5 1895–6. Monthly.<br />

Boorman’s theatrical directory <strong>of</strong> the United Kingdom, 1895. Vol 1<br />

1895.<br />

<strong>The</strong> dramatic times: the only organ devoted to amateur theatricals.<br />

Nos 1–13 1895. Fortnightly.<br />

<strong>The</strong> London Bridge theatre diary and amusement list. Nos 2–7 1895.<br />

Monthly.<br />

<strong>The</strong> Glasgow harlequin. Nos 1–5 Glasgow [1895–6]. Weekly.<br />

<strong>The</strong> stage news: the new theatrical paper. Nos 1–2 Glasgow 1897.<br />

Weekly. Continued as <strong>The</strong> stage news and musical notes, nos 3–8<br />

1897.<br />

<strong>The</strong> playgoer: a journal <strong>of</strong> amusement. Nos 1–14 1897–8. Weekly.<br />

<strong>The</strong> programme and playbill. Nos 1–197 1898–9. Daily.<br />

<strong>The</strong>atrical and music hall life. No 1 1898.<br />

<strong>The</strong> theatrical public guide. Nos 1–7 1898. Monthly.<br />

<strong>The</strong>atrical and public life. Nos 1–8 1898–9. Monthly, weekly in Mar.<br />

Variety and ‘variety critic’. Nos 1–13 1898. Weekly. Ed Bernard<br />

Hounsell.<br />

<strong>The</strong> Anglo-French stage chronicle. Nos 1–2 1899. Every Friday.<br />

Continued as <strong>The</strong> Anglo-French chronicle: political, literary and<br />

theatrical, no 3 1899, every Saturday, bilingual.<br />

Beltaine: the organ <strong>of</strong> the Irish literary theatre. No 1–3 1899–1900.<br />

Ed W. B. Yeats.<br />

Footlights: the bulletin <strong>of</strong> the London and New York dramatic<br />

exchange. No 1 1899.<br />

<strong>The</strong> Irish playgoer. Nos 1–30 Dublin 1899–1900.<br />

<strong>The</strong> London theatre, entertainment and concert guide. Nos [1]–16<br />

1900–1. Continued as <strong>The</strong> London theatre, concert and fine art<br />

guide, nos 17–623, weekly from no 2.<br />

For further titles to this summary list, see C. J. Stratman, A bibliography <strong>of</strong><br />

British dramatic periodicals 1962; and J. F. Arnott and J. W. Robinson,<br />

<strong>English</strong> theatrical literature 1559–1900; a bibliography, 1969. [bjo’c]<br />

(8) collections <strong>of</strong> plays<br />

<strong>The</strong> plays to be found in many <strong>of</strong> the early collections listed were usually sold<br />

individually as well as in bound vols. In the larger edns there are occasional<br />

discrepancies between extant bound sets. For more information on some<br />

principal British nineteenth-century acting edns and the problems <strong>of</strong><br />

bibliographical description, see two articles by R. C. Rhodes, Library 4th ser<br />

16 1936. See also Nicoll 7, pp. 357–64, and Readex Index, pp. 314–36. <strong>The</strong><br />

short titles given at the end <strong>of</strong> entries are used throughout the Drama<br />

section.<br />

<strong>The</strong> British drama: comprehending the best plays in the <strong>English</strong><br />

language. 3 vols London and Edinburgh 1804.<br />

<strong>The</strong> <strong>English</strong> and American stage. 35 vols New York 1807.<br />

<strong>The</strong> British theatre: or a collection <strong>of</strong> plays, which are acted at the<br />

theatres royal, Drury Lane, Covent Garden, and Haymarket. Ed<br />

E. Inchbald 25 vols 1808; 20 vols 1824 (new edn). Inchbald.<br />

A collection <strong>of</strong> farces and other afterpieces which are acted at the<br />

theatres royal, Drury-Lane, Covent-Garden and Haymarket. Ed<br />

E. Inchbald 7 vols 1809, 1815. Inchbald Farces.<br />

<strong>The</strong> modern theatre: a collection <strong>of</strong> successful modern plays, as<br />

acted at the theatres royal, London. Ed E. Inchbald 10 vols 1811.<br />

Inchbald Mod Th.<br />

<strong>The</strong> rejected theatre: or a collection <strong>of</strong> dramas which have been<br />

<strong>of</strong>fered for representation but declined by the managers <strong>of</strong> the<br />

playhouses. [c. 15 nos] 1814.<br />

<strong>The</strong> new British theatre: a selection <strong>of</strong> original dramas, not yet<br />

acted; some <strong>of</strong> which have been <strong>of</strong>fered for representation, but<br />

not accepted; with critical remarks by the editor [John Galt]. 4<br />

vols 1814–15. An expanded version <strong>of</strong> <strong>The</strong> rejected theatre, above.<br />

<strong>The</strong> London theatre. Ed T. J. Dibdin 12 vols 1815.<br />

<strong>The</strong> London theatre: a collection <strong>of</strong> the most celebrated dramatic<br />

pieces, correctly given, from copies used in the theatres. Ed T.<br />

Dibdin 26 vols 1815–18. An expanded version <strong>of</strong> <strong>The</strong> London<br />

theatre, above.<br />

<strong>The</strong> British drama: a collection <strong>of</strong> the most esteemed dramatic productions,<br />

with biography <strong>of</strong> the respective authors, and critique<br />

on each play. Ed R. Cumberland 14 vols 1817.<br />

<strong>The</strong> new <strong>English</strong> drama. Ed W. Oxberry; with prefatory remarks,<br />

stage business and stage directions. Issued as separate plays, two<br />

per month, with dated title pages, 1818–24, 20 vols (also 21, 22-vol<br />

sets) 1818–25; (as Oxberry’s edition and in different vol<br />

configuration) Boston 1819–26?. Oxberry.<br />

[John] Duncombe’s new acting drama. 12 nos [one play each] 1821–5.<br />

[Thomas] Dolby’s British theatre. 12 vols 1823–5. Contains 84 plays,<br />

each with separate title page. Continued as Cumberland, below,<br />

with same vol nos. Dolby.<br />

<strong>The</strong> British drama: a collection <strong>of</strong> the most approved tragedies,<br />

comedies, operas, and farces. 2 vols 1824.<br />

<strong>The</strong> British drama: a collection <strong>of</strong> the most esteemed tragedies,<br />

comedies, operas and farces in the <strong>English</strong> language. 2 vols<br />

1824–6, 1828–9, 1831; Philadelphia 1832, 1833, 1837, 1838, 1842,<br />

1850, 1854, 1859. A variant <strong>of</strong> the above. BD.<br />

<strong>The</strong> London stage: a collection <strong>of</strong> the most reputed tragedies, comedies,<br />

operas, melo-dramas, farces, and interludes. 4 vols<br />

[1824–7]. LSt.<br />

[John] Cumberland’s British theatre, with remarks, biographical<br />

and critical, by D.–G. [i.e. George Daniel]. 48 vols 1826–[55?].<br />

Contains 398 plays, each with separate title page, but including<br />

many originally issued in Dolby, above, and several in<br />

Cumberland Minor, below. From c. 1849 pbd as Davidson’s<br />

shilling volume <strong>of</strong> Cumberland’s plays by G. H. Davidson, who<br />

amalgamated Cumberland and Cumberland Minor, and<br />

assigned new vol nos. Absorbed by Lacy, below. Cumberland.<br />

<strong>The</strong> acting American theatre. [Ed M. Lopez] Philadelphia 1826–?.<br />

British theatre: comprising tragedies, comedies, operas and farces;<br />

with biography, critical account and explanatory notes by an<br />

<strong>English</strong>man [Owen Williams]. Leipzig 1828; London 1830, 1831<br />

(2nd edn).<br />

Ames series <strong>of</strong> standard and minor drama. Compiled and pbd by A.<br />

D. Ames, Clyde OH. 180?– .

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