The Cambridge Bibliography of English Literature ... - uogenglish

Late Nineteenth-Century Drama
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Diego 1967; introd by W. Leyland, San Francisco 1984; New York
1984; ed J. McRae 1986.
[Bloxam, J. F.] The priest and the acolyte. In The Chameleon 1:1 Dec
1894, pp. 29–47; rptd [1894]; in Writings, New York 1907; The
priest and the acolyte with an introductory protest by Stuart
Mason [C. S. Millard]. 1907.
[Allinson, A. R.] The Satyricon of Petronius Arbiter . . . a new translation
. . . from the original Latin by Sebastian Melmoth (Oscar
Wilde). Paris 1902, New York 1934.
Barbey d’Aurevilly, J. A. What never dies [Ce qui ne meurt pas]. A
romance . . . translated . . . by Sebastian Melmoth, O[scar]. W[ilde].
Paris 1902. In Writings, New York 1907.
[Toon, Mrs C.] For love of the king: a Burmese masque.‘1923’ [1922].
In Collected works (ed Ross 1908) as added parallel vol 1922.
Smith, H. T. (ed). Psychic messages from Oscar Wilde. 1924; New
York 1926 as Oscar Wilde from purgatory: psychic messages from
Oscar Wilde.
The ghost-epigrams of Oscar Wilde as taken down through automatic
writing by Lazar. 1928.
Constance. Comédie en quatre actes reconstitution inédite par
Henri de Briel et Guillot de Saix. In Les Oeuvres Libres n.s. 101,
Paris Oct 1954.
§2
Text and theatre history
Much essential bibliographical information is contained in the introductions
to and apparatuses accompanying recent texts of single works. See especially
the edns of The picture of Dorian Gray by Murray (1974) and Lawler
(1988), Vera by Reed (1989), Lady Windermere’s fan (1980) and A woman
of no importance (1983; 1993) by Small, An ideal husband (1983; 1993) by
Jackson, and The importance of being earnest by Dickson (1956), Jackson
(1980), Berggren (1987), and Donohue (1995).
Meyerfeld, M. [on first German edn of De Profundis]. New York
Times Book Review 21 Dec 1924.
Mason, S. [C. S. Millard]. Who wrote For love of the king?
Birmingham [1926].
Bell, T. H. Oscar Wilde’s unwritten play [Mr and Mrs Daventry].
Bookman (New York) 71 1930.
Guillot de Saix, L. G. M. Une tragédie de femme [A wife’s tragedy]
par Oscar Wilde. Mercure 286 1938.
Agate, J. An unwise forgery. Princeton Univ Lib Chron 8 1947.
Thomas, J. D. The composition of Wilde’s The harlot’s house. MLN
65 1950.
Horodisch, A. Oscar Wilde’s Ballad of Reading gaol: a bibliographical
study. New York 1954.
Hyde, H. M. The importance of being earnest: the ‘lost’ scene from
Oscar Wilde’s play. Listener 4 Nov 1954.
O’Neill, M. J. Unpublished lecture notes of a speech by Oscar Wilde
at San Francisco. Univ Rev (Dublin) 1 1955.
Bolton, T. The importance of being earnest. PBSA 50 1956.
E., D. V. The importance of publishing Earnest [in four-act version].
BNYPL 60 1956; also Penultimate Earnest, BNYPL 60 1956.
Wilde’s comedy in its first version [review of Dickson’s four-act
Earnest]. TLS 1 Mar 1957.
Sims, G. Who wrote For love of the king, Oscar Wilde or Mrs Chan
Toon? BC 7 1958.
Ms of De profundis made available at British Museum. The Times 2
Jan 1960.
Hyde, H. M. The De profundis affair. Sunday Times 3 Jan 1960.
Harrod, R. Wilde’s De profundis. TLS 30 Aug 1963. Replies by J.
Lees-Milne 6 Sep; M. Seeker 13 Sep; H. M. Hyde 13 and 20 Sep, 4
Oct, 14 Nov; B. Bridgewater 27 Sep; C. H. Norman 27 Sep, 14
Nov.
Mikhail, E. H. The four-act version of The importance of being
earnest. Modern Drama 11 1968.
Donohue, J. W. The first production of The importance of being
earnest: a proposal for a reconstructive study. In Essays on nineteenth
century British theatre, ed K. Richards and P. Thomson,
1971.
Lawler, D. L. Oscar Wilde’s first manuscript of The picture of Dorian
Gray. SB 25 1972.
Murray, I. Some elements in the composition of The picture of
Dorian Gray. Durham Univ Jnl 33 1972.
Not so fond after all [review of Murray’s Dorian Gray]. TLS 26 July
1974; replies: H. M. Hyde 9 Aug and 13 Sep; O. D. Edwards 23 Aug;
K. Beckson 30 Aug.
Lawler, D. L. The revisions of Dorian Gray. Victorian Inst Jnl 3 1974.
Espey, J. Resources for Wilde studies at the Clark Library. In Oscar
Wilde: two approaches, Los Angeles 1977.
Fong, B. Oscar Wilde: five fugitive poems [from mss in Clark,
Beinecke, and Berg Collections]. ELT 22 1979.
Stokes, J. Wilde on Dostoevsky [Wilde’s review of Crime and punishment].
N & Q 225 1980.
Andrews, A. Horrible flesh and blood [Wilde’s stage directions]. TN
36 1982. See R. Jackson, Horrible flesh and blood – a rejoinder, TN
37 1983.
Shewan, R. (ed). A wife’s tragedy: an unpublished sketch for a play
by Oscar Wilde. ThR 7 1982.
Good, G. Early productions of Oscar Wilde’s Salomé. NCTR 11 1983.
Hyde, H. M. The riddle of De profundis: who owns the manuscript?
Antigonish Rev 54 1983.
O’Brien, K. H. F. Oscar Wilde: an unsigned book review. N & Q 228
1983.
Shewan, R. Oscar Wilde and A wife’s tragedy: facts and conjectures.
ThR 8 1983.
Schroeder, H. Oscar Wilde, The portait of Mr W. H. – its composition,
publication, and reception. Braunschweig 1984.
Reed, F. M. Oscar Wilde’s Vera; or, the nihilist: the history of a failed
play. ThS 26 1985.
Gagnier, R. Idylls of the marketplace: Oscar Wilde and the Victorian
public. Stanford CA 1986.
Lich, G. E. Anything but a misprint: comments on an Oscar Wilde
typescript [of An ideal husband]. South Central Rev 3 1986.
Schroeder, H. Annotations to Oscar Wilde: The portrait of Mr W. H.
Braunschweig 1986.
Glavin, J. Deadly earnest and earnest revised: Oscar Wilde’s four-act
play. Nineteenth-Century Stud 1 1987.
Small, I. and R. Jackson. Some new drafts of a Wilde play [A woman
of no importance]. ELT 30 1987.
Lawler, D. L. An inquiry into Oscar Wilde’s revisions of The picture
of Dorian Gray. New York 1988.
Lewis, R. C. A misattribution: Oscar Wilde’s unpublished sonnet on
Chatterton. VP 28 1990.
Murray, I. Some problems of editing Wilde’s poem The sphinx.
Durham Univ Jnl 51 1990.
Powell, K. Oscar Wilde and the theatre of the 1890s. Cambridge
1990.
Raby, P. The making of The importance of being earnest. TLS 20 Dec
1991.
Schroeder, H. Two cruces in Intentions: a source analysis. N & Q 236
1991.
Kaplan, J. H. A puppet’s power: George Alexander, Clement Scott,
and the replotting of Lady Windermere’s fan. TN 46 1992.
Stephens, J. R. The profession of the playwright: British theatre
1800–1900. Cambridge 1992.
Rowell, G. The truth about Vera. NCTR 1993.
Small, I. Oscar Wilde revalued: an essay on new materials and
methods of research. Greensboro NC 1993.
Cave, R. A. Wilde designs: some thoughts about recent British productions
of his plays. Modern Drama 37 1994.
Danson, L. Wilde in Arden, or the masks of truth [Wilde’s revision of
The truth of masks]. Modern Drama 37 1994.