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The Cambridge Bibliography of English Literature ... - uogenglish

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essays were collected in anthologies, such as D. Ewen (ed), From Bach to<br />

Stravinsky, 1933 and E. Vivas and M. Krieger (ed), Problems <strong>of</strong> aesthetics,<br />

New York 1953.<br />

Editions and introductions<br />

Poems <strong>of</strong> <strong>English</strong> country life. Selected by and ed Hadow and H. B.<br />

George 1902.<br />

Songs <strong>of</strong> the British islands. Selected by and ed Hadow 1903.<br />

Tennyson, A. Select poems <strong>of</strong> Tennyson. Introd and notes for the use<br />

<strong>of</strong> schools by Hadow 1903.<br />

Bridges, R. Demeter: a mask. Lyrics and incidental music by Hadow,<br />

Oxford 1905.<br />

<strong>The</strong> Oxford treasury <strong>of</strong> <strong>English</strong> literature. Ed Hadow and G. E.<br />

Hadow 3 vols Oxford 1906–8.<br />

Shakespeare, W. Shakespeare’s sonnets and A lover’s complaint.<br />

Introd by Hadow 1907.<br />

Schumann, C. An artist’s life. 2 vols 1913. Tr and abridged by G. E.<br />

Hadow; preface by Hadow.<br />

Bain, A. W. <strong>The</strong> modern teacher. Introd by Hadow 1921.<br />

Brenet, M. (pseud <strong>of</strong> Marie Bobillier). Haydn. 1926. Tr from Fr by C.<br />

Leonard Leese. Commentary by Hadow 1926.<br />

Fisher, L. <strong>The</strong> citizen. Preface by Hadow 1927.<br />

Essays and studies by members <strong>of</strong> the <strong>English</strong> Association vol 17. Ed<br />

Hadow, Oxford 1932.<br />

§2<br />

Obits. <strong>The</strong> Times 10 Apr 1937; Musical Times May 1937; Music and<br />

Letters July 1937.<br />

Sheffield Univ Mag June 1938. [jmb]<br />

Philip Gilbert Hamerton 1834–94.<br />

See NRA for Hamerton’s correspondence with Macmillan’s in BL.<br />

§1<br />

Observations on heraldry. 1851.<br />

<strong>The</strong> isles <strong>of</strong> Loch Awe and other poems <strong>of</strong> my youth. 1855.<br />

A painter’s camp in the Highlands and Thoughts about art. 2 vols<br />

<strong>Cambridge</strong> 1862, 1866 (rev). Thoughts about art rptd separately<br />

Boston 1871.<br />

Contemporary French painters: an essay. 1868, Boston 1895<br />

(enlarged).<br />

Etching and etchers. 1868, 1876 (enlarged). Numerous later edns and<br />

reprints.<br />

Painting in France after the decline <strong>of</strong> classicism. 1869.<br />

Wenderholme: a story <strong>of</strong> Lancashire and Yorkshire. 3 vols 1869.<br />

<strong>The</strong> etcher’s handbook. 1871.<br />

<strong>The</strong> unknown river: an etcher’s voyage <strong>of</strong> discovery. 1871.<br />

<strong>The</strong> intellectual life. 1873. Numerous later edns and reprints.<br />

Chapters on animals. 1874.<br />

Harry Blount: passages in a boy’s life on land and sea. 1875.<br />

Round my house: notes <strong>of</strong> rural life in France in peace and war. 1876.<br />

<strong>The</strong> sylvan year: leaves from the notebook <strong>of</strong> Raoul Dubois. 1876.<br />

Marmorne: the story is told by Adolphus Segrave, the youngest <strong>of</strong><br />

three brothers [pseud]. 1878.<br />

Modern Frenchmen: five biographies. 1878. V. Jacquemont, H.<br />

Perreyve, F. Rude, J. J. A. Ampère, H. Regnault.<br />

<strong>The</strong> life <strong>of</strong> J. M. W. Turner. 1879.<br />

Hart, C. H. Hamerton’s Life <strong>of</strong> Turner: a review. Philadelphia 1879.<br />

Art essays. 2 vols New York [c. 1880]. Rptd from International Rev<br />

and Princeton Rev.<br />

<strong>The</strong> graphic arts: a treatise on the varieties <strong>of</strong> drawing, painting and<br />

engraving. 1882, Boston 1882 (enlarged).<br />

. . . Her picture. Boston 1882.<br />

Human intercourse. 1884, ed R. Ishikawa, Tokyo 1928 (selected).<br />

Numerous other edns and reprints.<br />

Landscape. 1885.<br />

Francis Hindes Groome | Philip Gilbert Hamerton<br />

Paris in old and present times, with especial reference to changes in<br />

its architecture and topography. 1885.<br />

Exploration <strong>of</strong> the Arroux, a canoe voyage: etchings in 4 monthly<br />

parts. 1887.<br />

Imagination in landscape painting. 1887, Boston 1895 (enlarged).<br />

<strong>The</strong> Saône: a summer voyage. 1887, Boston 1889 (as A summer<br />

voyage on the river Saone).<br />

French & <strong>English</strong>: a comparison. 1889; tr Fr 1891. Largely rptd from<br />

the Atlantic Monthly.<br />

Portfolio papers. 1889. Rptd from Portfolio.<br />

Turner. Paris [1889]. Written in Fr and distinct from the Eng work<br />

above.<br />

Drawing and engraving: a brief exposition <strong>of</strong> technical principles<br />

and practice. 1892.<br />

Man in art: studies in religious and historical art, portrait and<br />

genre. 1892.<br />

<strong>The</strong> present state <strong>of</strong> the fine arts in France. 1892.<br />

<strong>The</strong> art <strong>of</strong> the American wood-engraver. 2 vols New York 1894. With<br />

a bibliography by J. B. Carrington in vol 1.<br />

<strong>The</strong> etchings <strong>of</strong> Rembrandt. 1894, 1896 (together with L. Binyon’s<br />

Dutch etchings <strong>of</strong> the seventeenth century), 1905 (with an annotated<br />

catalogue <strong>of</strong> all Rembrandt’s etchings by Campbell<br />

Dodgson).<br />

<strong>The</strong> mount: narrative <strong>of</strong> a visit to the site <strong>of</strong> a Gaulish city on Mont<br />

Beuvray, with a description <strong>of</strong> the neighbouring city <strong>of</strong> Autun.<br />

Ed Mrs E. Hamerton 1897.<br />

Philip Gilbert Hamerton: an autobiography 1834–1858, and a<br />

memoir by his wife 1858–94. 1897.<br />

<strong>The</strong> quest <strong>of</strong> happiness. Ed M. R. F. Gilman, Boston 1897.<br />

Armorial bearings, their use and inheritance. nd.<br />

Editions, introductions and translations<br />

Twelve etchings by French and <strong>English</strong> artists. With notes by<br />

Hamerton 1874.<br />

Examples <strong>of</strong> modern etching. With notes by Hamerton 1875.<br />

Hamerton, E. <strong>The</strong> mirror <strong>of</strong> truth and other marvellous stories.<br />

Introd by Hamerton 1875.<br />

Ménard, R. Entretiens sur la peinture. (Chapters on painting . . .<br />

translated under the superintendence <strong>of</strong> Hamerton.) Paris 1875<br />

(Fr and Eng).<br />

Eighteen etchings by <strong>English</strong>, French and German artists. With<br />

notes by Hamerton 1877.<br />

Keppel, F. & Co. <strong>The</strong> print-collector’s bulletin: an illustrated catalogue<br />

<strong>of</strong> painter-etchings for sale by Frederick Keppel & Co New<br />

York 1908. Three catalogues <strong>of</strong> etchings with notices <strong>of</strong> the<br />

etchers by Hamerton and others.<br />

Méryon, C. Old Paris: twenty etchings by Charles Méryon with an<br />

essay on the etcher by Hamerton. Liverpool 1914.<br />

Contributions to periodicals and collaborative works<br />

Hamerton was editor <strong>of</strong> Portfolio: an artistic periodical, Jan 1870–Dec<br />

1893, and he started the series Portfolio: Monographs on Artistic<br />

Subjects, 1894–1907. He wrote articles for Atlantic Monthly,<br />

Contemporary Rev, Cornhill Mag, Fortnightly Rev, International<br />

Rev, Longman’s Mag, Princeton Rev (see also Wellesley 5 1989). He contributed<br />

to various collective works such as <strong>English</strong> painters <strong>of</strong> the<br />

present day, 1871; A. T. J. M. Potémont’s Nouveau traité de la gravure,<br />

1873; Encyclopaedia Britannica, 9th edn 1875 etc; Higher education<br />

and a common language, 1879; R. Johnson’s Little classics, [1880];<br />

Irving classics, 1885.<br />

§2<br />

Benson, E. Philip Gilbert Hamerton as an art critic. Atlantic<br />

Monthly 16 1865.<br />

Powers, H. N. Philip Gilbert Hamerton. Old and New 8 1873.<br />

Philip Gilbert Hamerton and his works. International Rev 21 1877.<br />

Philip Gilbert Hamerton as an artist. Southern Rev n.s. 21 1877.<br />

2353 | 2354

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