The Cambridge Bibliography of English Literature ... - uogenglish

Orpington 1879–81, 1881–5, 1884–8, 1888–90, New York 1890 (in 1
vol); ed C. E. Norton, New York 1891; Orpington 1892, 1894, 1896,
1897, 1900, 1902, 1904, 1905, Leipzig 1906; tr Fr 1906 (with
preface, also ptd separately, by R. de la Sizeranne).
[Wedderburn, A. D. O.] The stones of Venice: index. 1886 (priv ptd).
Selections from The stones of Venice. Ed E. A. Parker 1925.
The stones of Venice (text in English and Italian). Ed and abridged
D. Gazzoni-Pisani, Rome 1975.
Ruskin’s Venice. Ed A. Whittick 1976.
The stones of Venice: selections. Ed J. Morris 1981.
Notes on the construction of sheepfolds. 1851, 1851, New York 1851
etc (with Pre-Raphaelitism), Orpington 1875, New York 1876,
Orpington 1879, New York 1885 (2 edns), London 1910 (EL); rptd
in On the old road vol 2, 1885.
Dyce, W. Notes on shepherds and sheep. 1851.
A reply to Notes on the construction of sheepfolds by a graduate of
the University of Cambridge. 1851, Prospective Rev 7 1851.
Two letters concerning Notes on the construction of sheepfolds
addressed to the Rev F. D. Maurice by John Ruskin in 1851. Ed F. J.
Furnivall 1890 (priv ptd).
John Ruskin and F. D. Maurice on Notes on the construction of
sheepfolds. Ed T. J. Wise 1896 (priv ptd). See also F. D. Maurice,
Three letters concerning Ruskin’s Notes on the construction of
sheepfolds, in Literary anecdotes of the nineteenth century, ed
W. R. Nicoll and T. J. Wise, vol 2 1896.
Pre-Raphaelitism, by the author of Modern painters. 1851, New York
1851 etc, London 1862 (with Ruskin’s name), New York 1876 (with
other essays), Chicago 1876, New York 1885, 1891, 1895; ed W. M.
Rossetti, Boston 1899; ed L. Binyon 1907 etc (EL) (with other
essays by Ruskin); also rptd in On the old road vol 1, 1885.
Art Jnl n.s. 3 Nov 1851.
Irish Quart Rev 1 Dec 1851.
Rippingille, E. V. A reply to the author of Modern painters in his
defence of Pre-Raphaelitism. 1852.
Young, E. Art, its constitution and capacities. Bristol 1854.
Ballantyne, J. What is Pre-Raphaelitism? Edinburgh 1856.
Young, E. Pre-Raphaelitism: or a popular enquiry into some newlyasserted
principles of art. 1857.
Thomas, W. C. Pre-Raphaelitism tested by the principles of
Christianity. 1860 (priv ptd).
National Gallery. Two letters to the Editor of The Times by the
author of Modern painters. 1852. A forgery executed 1880–90; see
The works of Ruskin, ed E. T. Cook and A. D. O. Wedderburn, vol
12 p. 396; J. Carter and H. G. Pollard, An enquiry into the nature of
certain nineteenth-century pamphlets, 1934, pp. 227–9, and J. S.
Dearden, BC 18 Summer 1969, pp. 171–2. The letters appeared in
The Times 7 Jan 1847, 29 Dec 1852; rptd in Arrows of the chace vol
1, 1880.
‘Verax’. The abuses of the National Gallery. 1847. Includes Ruskin’s
first letter.
Moore, M. Revival of vandalism at the National Gallery: a reply to
Messrs Ruskin, Heaphy and Wornum’s letters in The Times.
1853.
Giotto and his works in Padua: being an explanatory notice of the
series of woodcuts executed for the Arundel Society after the frescoes
in the Arena Chapel. 1854. Really 3 pts 1853, 1854, 1860,
bound up as 1 vol 1877; New York 1872 (in Miscellanea: minor
writings of Ruskin, vol 1), 1885 (2 edns), 1886, 1887 etc (with Poetry
of architecture and Poems), 1890, 1899, Orpington 1900, 1905.
Lectures on architecture and painting delivered at Edinburgh in
November 1853, with illustrations drawn by the author. 1854,
New York 1854 etc, London 1855, New York 1885 (2 edns),
Orpington 1891; ed C. E. Norton, New York 1892; Orpington 1899,
London 1902 etc; ed L. Binyon 1907 etc (EL) (with other essays by
Ruskin).
The opening of the Crystal Palace considered in some of its relations
to the prospects of art. 1854, New York 1885; rptd in On the old
road vol 1, 1885.
Notes on some of the principal pictures exhibited in the rooms of
the Royal Academy, 1855. 1855, 1855 (anon), 1855 (with suppl); ed
E. T. Cook in Ruskin on pictures vol 2, 1902; ed L. Binyon 1907 etc
(EL). Modern painters vol 2 (2nd edn) had included as
Addendum: Notes on pictures exhibited in the Royal Academy,
1848. The later notes below are also included in Ruskin on pictures
(1902), and EL 1907.
Notes on so much of the catalogue of the present exhibition of the
Royal Academy as relates to the works of the members. 1855 (priv
ptd). A reply to Ruskin.
Notes on some of the principal pictures exhibited in the rooms of
the Royal Academy, and the Society of Painters in Water Colours,
no 2, 1856. 1856, 1856, 1856 (adds Postscript; 4 edns).
Notes on some of the principal pictures exhibited in the rooms of
the Royal Academy, and the Society of Painters in Water Colours,
no 3, 1857. 1857, 1857.
Notes on some of the principal pictures exhibited in the rooms of
the Royal Academy, the Old and New Societies of Painters in
Water Colours, the Society of British Artists and the French
Exhibition, no 4, 1858. 1858.
Hamley, Sir Edward. Mr Dusky’s opinions on art. Blackwood’s Mag
84 July 1858.
Notes on some of the principal pictures exhibited in the rooms of
the Royal Academy, the Old and New Societies of Painters in
Water Colours, the Society of British Artists, and the French
Exhibition, no 5, 1859. 1859.
Notes on some of the principal pictures exhibited in the rooms of
the Royal Academy, 1875. Orpington 1875 (4 edns).
[Morgan, J.] [Index to Notes on the Royal Academy.] Aberdeen 1888
(priv ptd), 1890.
The harbours of England, engraved by Thomas Lupton, from original
drawings made expressly for the work by J. M. W. Turner,
with illustrative text by J. Ruskin. 1856, [1857?], [1859?], 1872,
1877; [ed T. J. Wise] Orpington 1895, London 1902, 1905, 1907.
Notes on the Turner Gallery at Marlborough House, 1856. 1857 (5
edns, 4th adds Preface, 5th rev); ed E. T. Cook in Ruskin on pictures
vol 1, 1902; ed L. Binyon 1907 etc (EL) (with other essays by
Ruskin).
The elements of drawing in three letters to beginners, with illustrations
drawn by the author. 1857, New York 1857, 1857 etc, London
1857 (adds second appendix), 1859, 1860, 1861, New York 1876,
1885 (2 edns), 1885 (with Aratra pentelici), London 1887,
Orpington 1892; ed C. E. Norton, New York 1893; Orpington 1895,
1898, 1900, 1901, 1904, London 1904, 1907 (EL) (with The elements
of perspective); ed B. Dunstan, London 1991; tr Ital 1898 etc, Ger
[1901] (abridged). Partly rptd in R. St J. Tyrwhitt, Our sketching
club: letters and studies in landscape art, with an authorised
reproduction of the lessons and woodcuts in Professor Ruskin’s
Elements of drawing, 1874, 1875, Boston 1875, London 1882, 1886,
1896.
Br Quart Rev 26, Oct 1857.
The political economy of art: being the substance (with additions) of
two lectures delivered at Manchester, July 10th and 13th 1857.
1857, New York 1858 etc, London 1867, 1868, New York 1876, 1895;
ed O. Lodge 1907 etc (EL) (with Unto this last); ed C. F. G.
Masterman 1907. Rptd with 3 supplementary papers: (1)
Education in art (first pbd in Trans Nat Assoc for Promotion of
Social Science, 1858, pp. 311–16); (2) Remarks addressed to the
Mansfield art night class, Oct 14th [1873] (priv ptd [1873]); (3)
Social policy must be based on the scientific principle of natural
selection (read before Metaphysical Soc 11 May 1875; priv ptd
1875), in Collected works vol 11, Orpington 1880 as A joy for ever.
Later rptd in this form New York 1885, 1886 etc, Orpington 1887,
1889; ed C. E. Norton, New York 1891, Orpington 1893 (adds
John Ruskin
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