The Cambridge Bibliography of English Literature ... - uogenglish

Early Nineteenth-Century Poetry
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Verse contributions to periodicals and to collaborative works
Edinburgh Annual Register (for 1815). 1818: Dirge of a highland
chief, executed after the Rebellion [anon], 8 (cclvi–cclvii).
Blackwood’s Edinburgh Magazine. 1818: On the death of the
Princess Charlotte (Apr). 1819: The meeting of Wallace and Bruce
on the banks of the Carron (Sep; later Wallace’s invocation to
Bruce). 1826: The heart’s dirge (Aug). 1827: The homes of England
(Apr); Song of emigration (July); The graves of the dead (Aug);
The tomb of de Bruce (Oct); To the memory of Lord Charles
Murray, Woman on the field of battle (Nov); The death-day of
Körner (Dec). 1828: The broken lute (Mar); The bridal day (May);
Nature’s farewell (June); The message to the dead (Sep); The two
voices (Oct); Tasso’s coronation, The voice of the wind (Nov); The
land of dreams, The Vaudois wife (Dec). 1829: The storm-painter
in his dungeon (Feb); Songs of the affections (i The recall, ii The
Indian with his dead child, iii The two homes) (Apr); Songs of the
affections (iv The return, v The wish) (May); Songs of the affections
(vi The soldier’s death-bed, vii The charmed picture, viii
The dreaming child) (June); Songs of the affections (ix The
guerilla leader’s vow, x Parting words, xi The summons) (July);
The heart of Bruce in Melrose Abbey (Oct). 1830: Love and death
(Jan); The lady of Provence (Feb); The requiem of genius (Mar);
Triumphant music (Apr); Music in a room of sickness (June); We
return no more (July); The shepherd poet of the Alps (Sep); To the
mountain winds (Nov); The palmer, A thought of paradise, To a
picture of the Madonna (Dec). 1831: Last song of Sappho, The penitent’s
return (Jan); Communings with thought, Flowers in a
room of sickness, The necromancer, The sisters (Feb); The burial
in the desert, The procession (Mar); Hymn of the mountain
Christian (June); Dreams of heaven, To a butterfly near a tomb
(Sep); The freed bird [rptd Feb 1832 with Latin version],
Marguerite of France (Oct). 1832: The flower of the desert, Let us
depart, The painter’s last work, a scene, The swan and the skylark
(Feb); A poet’s dying hymn (Apr); The song of the gifted (May);
Songs for music (i Oh, skylark, for thy wing, ii Let her depart, iii
Where shall we make her grave, iv Summer song, v Ancient
Norwegian war-song, vi The stream set free) (Aug); The English
martyrs: a scene of the days of Queen Mary (Oct); The burial of the
mighty [later The funeral day of Sir Walter Scott], The two monuments
(Dec). 1833: Prayer of the lonely student, The traveller’s
evening song (Jan); The child reading the Bible (Feb); Female
characters of Scripture: a series of sonnets (Invocation, The song
of Miriam, Ruth, The vigil of Rizpah, The reply of the Shunamite
woman) (Apr); Female characters of Scripture vii–xv (The
Annunciation – Mary Magdalene bearing tidings of the
Resurrection) (May); Hymns of life iii: Burial of a child in the
forest (July); Hymns of life iv: Wood-walk and hymn, The waterlily
(Aug); Hymns of life v: Easter-day in a mountain churchyard
(Oct); Hymns of life vii: Flowers and music in a room of sickness,
Songs of captivity (Introd, i The brother’s dirge, ii The Alpine
horn, iii Ye voices, iv I dream of all things free, v Far o’er the sea, vi
The invocation, vii A song of hope) (Dec). 1834: Keene, or funeral
lament of an Irish mother over her son, Scenes and hymns of life
viii: Prisoner’s evening service (Feb); The Indian’s revenge (Apr);
Thoughts and recollections (To a family Bible, On a remembered
picture of Christ, Mountain sanctuaries, The lilies of the field,
The birds of the air, The olive tree, Places of worship, A church in
north Wales, Old church in an English park) (May); The English
boy (July); Sonnets devotional and memorial i—ix: A prayer, The
return to poetry, To Silvio Pellico, To the same, released, On
reading Coleridge’s Epitaph, written by himself, Hope of future
communion with nature, Dreams of the dead (Dec). 1835: The
Huguenot’s farewell (Feb); Antique Greek lament (Mar);
Despondency and aspiration: a lyric (May); Sabbath sonnet (July).
Kaleidoscope. [Liverpool] 1819: The meeting of Wallace and Bruce
on the banks of the Carron (16 Nov).
Edinburgh Magazine. 1820: The Maremma: a tale [later The palace
of the Maremma] (Nov).
Literary Gazette. 1822: The Cid’s departure into exile [later Songs of
the Cid I] (12 Oct); England’s dead (19 Oct).
Belshazzar’s feast. In A collection of poems, ed Joanna Baillie, 1823.
New Monthly Magazine. 1823: The farewell to the dead, Greek song:
the bowl of liberty, Songs of the Cid I (The Cid’s death-bed, a
ballad) (Mar); Greek song: the voice of Scio, Songs of the Cid II
and III, The voice of spring (Apr); The bird’s release at the grave,
Greek song: the shade of Theseus, Song for a Swiss festival on the
anniversary of an ancient battle, The statue of a funeral genius
(June); The wild huntsman, Valkiur song (July); The treasures of
the deep [rptd in Poetical Album 1828], The sword of the tomb; a
northern legend (Aug); Ancient song of a Greek exile [later
Ancient Greek song of exile], Moorish bridal song, The isle of
founts: an Indian tradition (Sep); Our lady’s well (Oct); The
release of Tasso (Nov); The lost Pleiad, The sleeper on Marathon
(Dec). 1824: The hour of death (Jan); The child of the forests (Mar);
Bring flowers (Apr); The conqueror’s sleep, The messenger bird
(June); The vassal’s lament for the fallen tree (July); The cavern of
the three Tells, Troubadour songs (The warrior crossed, They
rear’d no trophy) (Aug); Troubadour song: the captive knight,
And I too in Arcadia (Sep); The revelers (Oct); The bended bow,
The crusader’s return (Dec). 1825: Coeur de Lion at the bier of his
father, Thekla’s song: or the voice of a spirit (Jan); The Suliote
mother (Mar); Greek funeral chant, The parting song [rptd in
Poetical Album 1830] (Apr); Records of woman 1: Imelda, The
stranger in Louisiana (May); The bard’s prophecy, A voyager’s
dream of land (July); Records of woman 2: Costanza, The Sicilian
captive (Aug); The hour of romance, The lady of the castle (Sep);
Records of woman 3: The bride of the Greek isle (Oct); Bernardo
del Caprio, The landing of the Pilgrim Fathers in New England
(Nov); The graves of a household, Records of woman 4: The
Indian city (Dec). 1826: Records of woman 5: The Switzer’s wife
(Jan); The effigies (Feb); The birds of passage, The vigil of arms
(Mar); Records of woman 6: The American forest-girl (Apr);
Records of woman 7: Gertrude, The sunbeam (May); The invocation
(June); The Vaudois valleys (July); The burial of William the
Conqueror, The mourner for the Barmecides (Aug); The departure
[later The departed] (Sep); Records of woman 8: Joan of Arc
in Rheims, Roman girl’s song (Oct); The sound of the sea, The
Spanish chapel (Nov); The Kaiser’s feast (Dec). 1827: The last tree
of the forest (Jan); Records of woman 10: Pauline (Feb); The
deserted house, The parting ship (Mar); The graves of martyrs
(Apr); Breathings of spring (May); The memorial pillar (June);
The grave of a poetess, Records of woman 11: Edith (July); The
antique sepulchre (Aug); The image in lava, The streams (Sep);
Joanna [later Juana], The subterranean stream (Oct); Fairy
favours, The meeting of the brothers (Dec). 1828: Haunted
ground (Jan); The chamois hunter’s love, Mozart’s requiem (Apr);
The dying improvisatore, Song (If thou hast crushed) (May); The
beings of the mind (June); The lyre’s complaint (Sep); The boon of
memory (Oct); The coronation of Inez de Castro, No more (Dec).
1829: The fountain of oblivion, Thekla at her lover’s grave (Jan);
Sadness and mirth (Feb); The image of the dead [later The image
in the heart] (Apr); The ruined house (June); The nightingale’s
death song (Sep); A thought of the future (Nov). 1830: The diver
(Jan); Music in a room of sickness (June); A thought of paradise
(Dec). 1831: Flowers in a room of sickness, The sisters (Feb); The
haunted house (Mar); The prayer in the wilderness (Aug). 1832: To
a flower brought from the field of Grütli (May); The home of love,
To the blue anemone (Sep); Cathedral hymn (Dec). 1833: Repose of
the Holy Family: a sonnet, The rising of the dead (May); Words
for melodies (Dirge at sea, Sister! since I met thee last, Far away,
Echo song, The lyre and flower, Pilgrim’s evening song to the
evening star, The lonely bird) (Dec). 1834: Songs of Spain (The Rio