The Cambridge Bibliography of English Literature ... - uogenglish

drawings, also reproduces painting A caprice, and facs of letters.
Also contains works by others.
Reproductions of eleven designs omitted from the first edition of Le
morte darthur illustr Aubrey Beardsley and pbd in 1893. With a
foreword by A. Vallance and a note on the omitted designs by R.
A. Walker. 1927. 14 drawings. Generally known as the ‘Morte
darthur portfolio’ and issued in conjunction with 3rd edn of Le
morte darthur.
The uncollected work of Aubrey Beardsley. With an introd by C.
Lewis Hind. [1925.] 154 drawings, facsimiles of letters, etc. (Front
cover design, spine ornament and title page design by Beardsley;
includes some forgeries.)
Walker, R. A. The best of Beardsley. [1948.], [1956?], 1983, New York
1983. 134 drawings (front cover design adapted from cover for
Volpone).
The collected drawings of Aubrey Beardsley. With an appreciation
by Arthur Symons. Ed B. S. Harris, New York [1967]. 79 drawings,
pages from books, book covers, etc. (Also includes 49 forgeries.)
Reade, B. Beardsley. Introd by J. Rothenstein [1967], New York 1967
(under title Aubrey Beardsley, rptd New York [1974?]),
Woodbridge 1987 (rev with minor changes and without
Rothenstein’s introd). 503 drawings, posters, pages from books,
book covers, etc.
Beardsley’s illustrations for Le morte darthur: reproduced in facs
from the Dent edition of 1893–94. Arranged by Edmund V.
Gillon, Jr. New York [1972].
Clark, K. The best of Aubrey Beardsley. New York [1978], London
1979. 66 drawings.
Wilson, S. Beardsley. Oxford [1976], new edn Oxford [1983] (rev text
and more illus), Tokyo 1985 (Japanese trn). 54 drawings, pages
from books, book covers, etc.
Reed, A. Aubrey Beardsley. Leicester 1991.
Aubrey Beardsley: sixty selected drawings. With an essay by B.
Elliott. 1995.
Principal works illustrated by Beardsley
Smith, Sydney and R. Brinsley Sheridan. Bon-mots of Sydney Smith
and R. Brinsley Sheridan: Edited by Walter Jerrold. With
grotesques by Aubrey Beardsley. 1893. 74 grotesques, title page
design and front cover ornament – subsequently used for further
vols in Bon-mots ser: Bon-mots of Charles Lamb and Douglas
Jerrold, 1893 (adds 29 new designs, reprints 39 from first vol);
Bon-mots of Samuel Foote and Theodore Hook, 1894 (adds 25
new designs, reprints 41 from earlier vols).
Malory, Sir Thomas. The birth, life, and acts of King Arthur, of his
noble knights of the Round Table . . . With an introd by Prof Rhys,
and original designs by Aubrey Beardsley. 1893–4. Pbd in 12 pts
then in 2 vols, special issue in 3 vols; facs of 2-vol version pbd
Woodbridge 1985; 2nd edn 1 vol 1909 (adds 10 chapter headings),
facs pbd New York 1990; 3rd edn 1 vol 1927 (adds 1 chapter
heading and sketch, includes notes by A. Vallance and R. A.
Walker), facs pbd New York 1985; New York 1972, 1988.
Egerton, George [pseud of Mary Chavelita Dunne]. Keynotes. 1893.
Front cover design (also adapted for title page) and key monogram
by Beardsley. The clothbound issue formed the first vol in
the Keynotes ser (33 vols 1893–7); Beardsley provided front
cover/title page designs for a further 21 vols in ser pbd 1894–6
(also key monograms for at least 17), reproduced in 1896 advertising
booklet Keynotes series of novels and short stories, 21 designs
by Aubrey Beardsley (front cover/title page design by the artist)
and in 20 miniature posters, drawn by Aubrey Beardsley, representing
the title designs of the ‘Keynotes Series’. Boston [c. 1896].
Davidson, J. Plays: being An unhistorical pastoral, A romantic farce,
Bruce: a chronicle play, Smith: a tragic farce, and Scaramouch in
Naxos: a pantomime. 1894. Frontispiece and title page vignette
(repeated on front cover) by Beardsley.
Aubrey Vincent Beardsley
Wilde, Oscar. Salome: a tragedy in one act. Tr from the French of
Oscar Wilde. Pictured by Aubrey Beardsley. 1894. 13 illus and
front and back cover ornaments, San Francisco 1896, London
1904 (adds 3 drawings for total of 16), ‘1907’ [1906] (16 illus, text
rev; includes note by R. Ross and programmes for first English
production and for Strauss’s opera), rptd 1912; Boston 1906 (13
illus from 1894 edn); Boston 1907 (16 illus), facs pbd Boston
[1964?] and 1989; Paris 1907 (16 illus); Leipzig [1907] (16 illus), rptd
1919, 1924, 1959; ‘1912’ [1911] (16 illus); Boston 1912 (15 illus);
Warsaw 1914 (16 illus, Polish trn by Leona Choromanskiego);
Hanover 1918 (16 illus, Ger trn by Paul Steegemann); Hanover
1919 (16 illus, Ger trn by Curt Moreck); London 1920 (16 illus,
includes note by R. Ross and programmes for first English production
and for Strauss’s opera), rptd 1927 and 1930; Boston 1920
(16 illus, Fr text); Salome and other stories: illustr Aubrey
Beardsley [after 1920?] (9 illus); Paris 1920 (16 illus, Fr text);
[Tokyo 1929] (16 illus, text in Eng and Jap, tr Arakawa
Kinnosuko); New York 1930 (16 illus); New York [1930?]; New
York [1931] (16 expurgated illus), rptd [1931?]; Cleveland OH
[1931?] (16 illus), rptd Grand Rapids MI 1969; Tokyo 1938 (16 illus,
Jap trn by Konosuke Hinatsu, possibly a pseud), rptd 1954;
London 1938 (16 illus, introd by H. Jackson, pbd by Limited
Editions Club with companion vol containing Fr text illustr
André Derain); Stockholm 1946 (16 illus, Swed trn); New York
[1947?] (16 illus); Socking[?], Germany 1949 (15 illus, Fr text);
Garden City NY [1950?]; London 1957 (18 illus, 17 from 1907 portfolio
– substituting unexpurgated version of Enter Herodias –
and J’ai baisé ta bouche Jokanaan: Salomé with the head of John
the Baptist, trn and introd by R. A. Walker); Tokyo 1958 (16 illus,
Jap trn by Tsuneari Fukuda), rptd 1959; Paris [1966] (16 illus); New
York [1967] (20 illus, 17 from 1907 portfolio, plus front and back
cover ornaments from 1894 edn and J’ai baisé ta bouche
Jokanaan: Salomé with the head of John the Baptist, text and
illus an amalgam from various edns, includes note by R. Ross);
Barcelona 1979 (tr Sp); Jerusalem 1981 (Hebrew trn); [1989] (13
illus, introd by Steven Berkoff, in part facs 1907, ed with note by
R. Ross).
Grahame, K. Pagan papers. 1894. Title page design by Beardsley.
Yeats, W. B. The land of heart’s desire. 1894, Chicago 1894 (frontispiece
only). Design for title page (also used for front cover) by
Beardsley also appeared on a series of programmes for the play.
The Yellow Book: an illustrated quarterly. 1894–5. Beardsley served
as art editor for the first 4 vols, Apr 1894–Jan 1895; these vols
contain 20 illus (2 signed with pseuds Philip Broughton and
Albert Foschter), cover designs and title pages. (Back cover and
spine of vol 5 Apr 1895 also by Beardsley, used by mistake after he
was dismissed from editorship.) Beardsley also provided designs
(most repeated as title pages) for the magazine’s prospectuses
and posters.
Lucian. Lucian’s true history: translated by Francis Hickes. Illustr
W. Strang, J. B. Clark and Aubrey Beardsley. With an introd by C.
Whibley. 1894 (priv ptd). 2 illus by Beardsley. Special issue of 54
copies has additional illustration, variant version of A snare of
vintage, rptd in special issue of The uncollected work, 1902.
Davidson, John. A full and true account of the wonderful mission of
Earl Lavender . . .. 1895. Frontispiece by Beardsley.
Ruding, W. An evil motherhood: an impressionist novel. 1896.
Frontispiece by Beardsley. Earliest issue has Black coffee
(intended for The Yellow Book) bound in; later issues substitute
Portrait of the author.
The Savoy. 1896. 8 nos, collected 1896 in 3 vols (with front cover and
spine designs by Beardsley). 30 illustrations, front cover designs,
title and contents pages and publisher’s device by Beardsley, also
1 illustration ptd on separate Christmas card in no 1. The mag pbd
Beardsley’s poems The three musicians and The ballad of a
barber, trn of Catullus’s Carmen ci, and ch i–iv of Under the hill,
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