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The Cambridge Bibliography of English Literature ... - uogenglish

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Early Nineteenth-Century Poetry<br />

227 | 228<br />

A series <strong>of</strong> plays: in which it is attempted to delineate the stronger<br />

passions <strong>of</strong> the mind. Each passion being the subject <strong>of</strong> a tragedy<br />

and a comedy. Vol 3 (Orra, <strong>The</strong> dream, <strong>The</strong> siege, <strong>The</strong> beacon).<br />

1804, 1805, 1812, 1821.<br />

Epilogue to the theatrical representation [<strong>of</strong> Mary Berry’s ‘<strong>The</strong> fashionable<br />

friends’] at Strawberry-Hill. Written by Joanna Baillie,<br />

and spoken by the Hon Anne S. Damer, Nov 1800. [1804.]<br />

Miscellaneous plays. 1804, 1805 (including Rayner, <strong>The</strong> country inn,<br />

Constantine Paleologus: or the last <strong>of</strong> the Caesars).<br />

De Montfort; a tragedy in five acts . . .. [1807], 1808, 1809, [1816].<br />

<strong>The</strong> family legend: a tragedy. Edinburgh 1810, London 1810, New<br />

York 1810.<br />

<strong>The</strong> election. Philadelphia 1811.<br />

Orra: a tragedy in five acts. New York 1812.<br />

<strong>The</strong> siege: a comedy in five acts. New York 1812.<br />

Metrical legends <strong>of</strong> exalted characters. 1821 (2 edns).<br />

A collection <strong>of</strong> poems, chiefy manuscript, and from living authors.<br />

Ed for the benefit <strong>of</strong> a friend, by Joanna Baillie. 1823.<br />

A lesson intended for the use <strong>of</strong> the Hampstead School. 1826.<br />

<strong>The</strong> martyr: a drama in three acts. 1826.<br />

<strong>The</strong> bride: a drama in three acts. 1828 (2 edns), Philadelphia 1828; tr<br />

Fr Paris 1830 (by Elisa Rivers, Countess de Molé or by C. F. A.<br />

Fayot).<br />

A view <strong>of</strong> the general tenour <strong>of</strong> the New Testament regarding the<br />

nature and dignity <strong>of</strong> Jesus Christ; including a collection <strong>of</strong> the<br />

various passages in the Gospels, Acts <strong>of</strong> the Apostles, and the<br />

Epistles which relate to that subject. 1831, 1838.<br />

Lines on the death <strong>of</strong> Sir Walter Scott. [1832.]<br />

Dramas by Joanna Baillie. 3 vols 1836 (including Romerio, <strong>The</strong> alienated<br />

manor, Henriquez, <strong>The</strong> martyr, <strong>The</strong> separation, <strong>The</strong><br />

stripling, <strong>The</strong> phantom, Enthusiasm, Witchcraft, <strong>The</strong> homicide,<br />

<strong>The</strong> bride, <strong>The</strong> match).<br />

Epistles to Literati. Fraser’s Mag 14 1836.<br />

Fugitive verses. 1840, 1842.<br />

Ahalya Baee: a poem[for private circulation]. 1849, Allahabad 1904.<br />

Letters<br />

Plarr, V. G. Sir Walter Scott and Joanna Baillie. Edinburgh Rev<br />

216–17 1912–13.<br />

Sutton, D. Joanna Baillie and Sir George Beaumont. N & Q 26 Feb<br />

1938.<br />

Unpublished letters <strong>of</strong> Joanna Baillie to a Dumfrieshire Laird. Ed<br />

Mrs W. H. O’Reilly, Trans <strong>of</strong> the Dumfrieshire and Galloway<br />

Natural History and Antiquarian Soc vol 17, Dumfries 1939.<br />

Cunningham, W. R. Mrs Hemans at Mount Rydal. TLS 23 Oct 1943.<br />

(Letter from Joanna Baillie.)<br />

Miller, F. Newspaper cuttings <strong>of</strong> some unpublished letters <strong>of</strong><br />

Joanna Baillie.<br />

§2<br />

Remarks on the general tenour <strong>of</strong> the New Testament, regarding<br />

the nature and dignity <strong>of</strong> Jesus Christ: addressed to Mrs Joanna<br />

Baillie. [A reply to ‘A view <strong>of</strong> the general tenour <strong>of</strong> the New<br />

Testament regarding the nature and dignity <strong>of</strong> Jesus Christ’.]<br />

1851. Thomas Burgess was successively Bishop <strong>of</strong> Saint David’s<br />

and <strong>of</strong> Salisbury.<br />

Sadler, T. <strong>The</strong> Father seen in Christ: a sermon preached on the occasion<br />

<strong>of</strong> the death <strong>of</strong> Mrs Joanna Baillie. [1851.]<br />

Dix, J. Lions: living and dead. 1852.<br />

Gilfillan, G. In his Galleries <strong>of</strong> literary portraits vol 1, 1856.<br />

Tytler, S. and J. L. Watson. Songstresses <strong>of</strong> Scotland. Vol 2, 1871.<br />

Druskowitz, H. Drei <strong>English</strong>e Dichterinnen, etc [on Joanna Baillie,<br />

E. B. Browning and George Eliot]. 1885.<br />

Pieszczek, R. Joanna Baillie; Ihr Leben, ihre Dramatischen <strong>The</strong>orien<br />

und ihre Leidenschaftsspiele. Berlin 1910.<br />

Badstuber, A. Joanna Baillie’s Plays on the passions. Vienna 1911.<br />

Meynell, A. In her Second person singular and other essays, 1921.<br />

Carhart, M. S. <strong>The</strong> life and work <strong>of</strong> Joanna Baillie, with bibliography.<br />

New Haven CT and London 1923.<br />

Nicoll, A. British drama. 1925.<br />

Carswell, D. Sir Walter Scott; a four part study in biography [Scott,<br />

Hogg, Lockhart, Baillie]. 1930.<br />

Grierson, H. <strong>The</strong> letters <strong>of</strong> Sir Walter Scott. 12 vols 1932–7.<br />

Evans, B. Gothic drama from Walpole to Shelley. Berkeley 1947 (ch<br />

11).<br />

Norton, M. <strong>The</strong> plays <strong>of</strong> Joanna Baillie. RES 23 1947. [km]<br />

Marianne Baillie, Mrs Alexander 1795?–1831<br />

Guy <strong>of</strong> Warwick: a legende, and other poems. Kingsbury 1817, 1818.<br />

First impressions on a tour upon the Continent. 1819. Prose.<br />

Lisbon in the years 1821, 1822 and 1823. 1824, 1825. Prose.<br />

Trifles in verse. Ed [A. Baillie] 1825 (priv ptd).<br />

Alexander Balfour 1767–1829<br />

<strong>The</strong> genius <strong>of</strong> Caledonia . . .. Edinburgh 1798. Anon.<br />

Contemplation, with other poems. Edinburgh and London 1820.<br />

Characters omitted in Crabbe’s parish register . . .. Edinburgh 1825.<br />

Weeds and wildflowers . . . with a memoir [by D. M. Moir].<br />

Edinburgh, London and Dublin 1830. Prose and verse.<br />

King Robert Bruce’s breakfast, a traditionary story. Brechin 1835.<br />

<strong>The</strong> old maid and widow, or the widow the best wife. Brechin 1835.<br />

Author <strong>of</strong> several novels.<br />

William Ball 1801–78<br />

Nugae sacrae, or psalms and hymns and spiritual songs. 1825. Anon.<br />

<strong>The</strong> crowning <strong>of</strong> the British poetesses. 1827. Anon.<br />

Humanity, or the cause <strong>of</strong> the creatures advocated . . . by the author<br />

<strong>of</strong> Nugae sacrae. 1828. Anon.<br />

<strong>The</strong> transcript, also <strong>The</strong> memorial and other poems. [1853] (not pbd)<br />

(anon), 1855 (acknowledged).<br />

<strong>The</strong> tribute: (the sequel). 1862.<br />

Hymns or lyrics. Edinburgh 1864.<br />

Notices <strong>of</strong> kindred and friends departed. Edinburgh 1865.<br />

Salome’s verse-book. Edinburgh 1866.<br />

Verses composed since 1870, some elegiac, others occasional and miscellaneous.<br />

[London?] 1875, 2nd ser 1876, 3rd ser 1877 (not pbd).<br />

Some other religious prose pbns.<br />

William Ball fl. 1830–8<br />

Creation: a poem. 1830.<br />

Belshazzar’s feast: a sacred lyrical drama. 1834.<br />

Night watches: a poem. Naples 1834, 1835 (as Vigiliae, or night<br />

watches).<br />

Freemen and slaves: an historical tragedy in five acts. 1838.<br />

Anne Bannerman 1765–1829<br />

Poems. Edinburgh and London 1800; Edinburgh 1807.<br />

Tales <strong>of</strong> superstition and chivalry. 1802. Anon.<br />

Richard Harris Barham, also ‘Thomas<br />

Ingoldsby’ 1788–1845<br />

Collection<br />

Favorite poems. New York 1891. With H. Carey.<br />

§1<br />

Verses spoken at St Paul’s School. 1807.<br />

Baldwin, or a miser’s heir: a serio-comic tale, by an old bachelor. By<br />

[‘G. H. E.’]. 2 vols 1820. Anon. Prose.

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