The Cambridge Bibliography of English Literature ... - uogenglish

Jessy Lea. O. (Gallery of Illustration 2 Nov 1863). Music by G. A.
Macfarren. Novello, Ewer and Co [nd].
The monastery of St Just. D. (P’cess 27 June 1864). Lacy 63.
A young lad from the country. F. (DL 21 Nov 1864). Lacy 64.
Billing and cooing. Ca. (Roy 16 Jan 1865). Lacy 65.
Felix or The festival of roses. O. (Roy 23 Oct 1865). Music by Meyer-
Lutz. [1865].
A cleft stick. C. (Olym 8 Nov 1865). Lacy 68.
Please to remember the grotto or The manageress in a fix. Bsq. (StJ
26 Dec 1865). Lacy 70. With W. S. Emden.
East Lynne. MD. (Sur 5 Feb 1866). Kilgariff.
The life chase. D. (Gai 11 Oct 1869). T. H. Lacy [1869].
Down in a balloon. F. (Adel 10 Apr 1871). Lacy 92.
A waltz by Arditi. F. (Adel 7 Mar 1874). Lacy 101.
The two orphans. D. (Olym 14 Sep 1874). 1874; Lacy 106.
Contributions to periodicals
For Oxenford’s contributions to the Athenaeum, see the Athenaeum
Index, City Univ, London. For contributions to other periodicals, see
Wellesley vol 5.
Molière. In The Penny Cyclopaedia, 1839.
A bundle of German legends. Ainsworth’s Mag 2 1842.
Cibber detected. Punch 6 1844.
Physiology of an ‘occasional correspondent’. Punch 6 1844.
The seven wise men. Punch 7 1844.
The bubble of life. Cruikshank’s Table Book 1845.
The demon of 1845. By a dreamer of realities. Cruikshank’s Table
Book 1845.
Selections from Jean Paul Friedrich Richter. Ainsworth’s Mag 7
1845; NMM 74 1845.
Tales from the Spanish dramatists. NMM 78 1846; 79 1847; 81 1847.
Sonnet [by ‘N. D.’]. Musical World 21, Sep 1846–25, Jan 1850 [173
sonnets]. Identification of Oxenford’s authorship based on Music
during the Victorian era . . . being the memoirs of J. W. Davison,
ed H. Davison, 1912.
Viennese legends. NMM 81 1847.
Legends of Gastein. NMM 82 1848.
Legends of Salzburg. NMM 82 1848.
Austrian legends. NMM 83 1848.
Castle Schildheiss. NMM 84 1848.
The giants’ invasion. NMM 85 1849.
Legends of Breslau. NMM 86 1849.
Legends of Leubus. NMM 86 1849.
Legends of Trachenberg.NMM 87 1849.
A French audience. Household Words 7 1853.
Iconoclasm in German philosophy. Westminster Rev 59 1853.
The dwarf’s bubble. A fantasia. The Train 1 1856.
Touching the Lord Hamlet. Household Words 16 1857.
Popular music of the olden times. Quart Rev 106 1859.
Stage adaptations of Shakespeare. Cornhill Mag 8 1863.
Faust dramatic and legendary. Belgravia 1 1867.
The present aspect of the London stage. Temple Bar 40 1874.
Stage decorum. Theatre 1 1877.
The toy theatre. Era Almanack 1871.
Lord Dundreary. Theatre n.s. 1 1878.
Translations
Oxenford’s numerous translations of individual poems, mainly from the
German, have not been included here.
Calderón. Life is a dream. Tr from the Sp. NMM 96 1842.
Tales from the German. Tr Oxenford and C. A. Feiling. 1844.
Spanish ballads. Tr and ed Oxenford, NMM 76 1846; 77 1846.
Goethe, J. W. von. Affinities. Musical World 21–2 1846–7.
Aristotle on poetry. Musical World 23 1848.
Winckelmann’s history of ancient art. Musical World 23 1848; 24 1849.
Goethe, J. W. von. The autobiography. 1848; ed E. Bell, 1888; ed W.
Knoblauch 1904; introd by G. Sebba 1969, 1971.
John Oxenford | Watts Phillips
Göthe’s [sic] epigrams from Venice. Musical World 23 1848; 24 1849.
The Enterpe of Herodotus. Musical World 24 1849; 25 1850.
Epigrams from the Greek. Musical World 24 1849; 25 1850.
Boiardo. Musical World 25 1850 [discontinued].
Eckermann, J. P. Conversations of Goethe with Eckermann and
Soret. Tr from the Ger 2 vols 1850, 1874, 1930 (EL abridged).
Molière. Tartuffe. C. Tr Oxenford. (H 25 Mar 1851). Webster’s
National acting drama 17.
Callery, J. M. and M. Yvan. History of the insurrection in China. Tr
from the Fr 1853, 1853, 1854.
Bürger, G. A. Lenora. Birmingham 1855.
The illustrated book of French songs from the sixteenth to the nineteenth
century. 1855, 1868.
Jacobs, F. C. W. Hellas or The home, history, literature and art of the
Greeks. Tr from the Ger 1855.
Fischer, K. Francis Bacon of Verulam. Realistic philosophy and its
age. 1857.
Fluegel, J. G. Flugel’s Complete dictionary of the German and
English languages. Adapted to the English student by C. A.
Fielding, A. Heinemann, J. Oxenford. 1857, 1861, 1880.
Weber, C. M. von. Der Freischütz. O. Tr Oxenford. (Astleys 2 Apr
1866). Lacy 69.
Wagner, R. Lohengrin. 1872.
Bach, J. S. The passion (according to St Matthew). [1877].
Wagner festival, Royal Albert Hall, May 1877. With English versions
by Dr Hueffer and J. Oxenford. 1877, 1877.
§2
Hawkins, F. John Oxenford. Theatre 30 1897.
Stierstorfer, K. John Oxenford (1812–1877) as farceur and critic of
comedy. Frankfurt am Main 1996. [ks]
Watts Phillips 1825–74
§1
The model republic: or Cato Potts in Paris. [1848?] Etchings.
A case in bankruptcy. [1850.] Etchings.
Showing how the Honourable Mr Teddington Locke MP was not
returned for the incorruptible borough of Bubengrub; drawn
and etched by Watts Phillips, from notions by Edward Grant.
[1850?]
The wild tribes of London. 1855. On the slums.
The dead heart. D. (Adel 21 Nov 1859). Lacy 82. This play had considerable
renown, and was revived by Irving at the Lyceum in 1889. 2
novels were founded on it: C. Gibbon, The dead heart: a tale of
the Bastille, 1865; and A. R. Phillips, Love in death, 1889.
The hooded snake: a story of the secret police. [1860.]
Amos Clark, or the poor dependent: a story of country life in the seventeenth
century. 1862.
Canary bird, a story of town life in the seventeenth century: a sequel
to Amos Clark. 1862.
His last victory. D. (StJ 21 June 1862). Lacy 59.
Camilla’s husband. D. (Olym 22 Nov 1862). Lacy 59.
Paul’s return. C. (P’cess 15 Feb 1864). Lacy 62.
Theodora, actress and empress. Historical Romance (New Sur 9 Apr
1866). Lacy 74.
Lost in London. D. (Adel 16 Mar 1867). Lacy 80; Bailey.
Nobody’s child. D. (Sur 14 Sep 1867). French 1155.
Maud’s peril. D. (Adel 23 Oct 1867). Lacy 80.
Not guilty. D. (Queen’s 13 Feb 1869). Lacy 84.
On the jury. D. (P’cess 16 Dec 1871). Lacy 1137.
Who will save her? 3 vols 1874. Novel.
For other dramatic works, see Nicoll 5, p. 523.
§2
Era Almanack. 1863.
Cook, D. Nights at the play. 2 vols 1883.
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