The Cambridge Bibliography of English Literature ... - uogenglish

Baldensperger, F. English artistic prose and its debt to French
writers. Modern Language Forum Dec 1944.
Bisson, L. A. Proust, Bergson and George Eliot. MLR 40 1945.
Lefèvre, J. L’Angleterre et la Belgique à travers les cinq derniers
siècles. 1946.
Moraud, M. Le théâtre français à Londres sous la Restauration.
French Rev 22 1948.
Salvan, J.-L. Le romantisme français et l’Angleterre victorienne.
1949.
Voisine, J. Corneille vu par les anglais de 1800 à nos jours. French
Stud 3 1949.
Gilman, M. Revival and revolution in English and French romantic
poetry. Yale French Stud 6 1950.
Goldgar, H. A. de. Axël, de Villiers de l’Isle Adam, et The shadowy
waters de Yeats. Revue de Littérature Comparée 24 1950.
Häusermann, H. W. The Genevese background. 1952. On Shelley,
Maria Edgeworth, Meredith, Conrad et al.
Simon, J. J.-E. Blanche et l’Angleterre. Revue de Littérature
Comparée 26 1952.
Gilsoul, R. Les influences anglo-saxonnes sur les lettres françaises
de Belgique de 1850 à 1880. Brussels 1953.
Robinson, J. K. A neglected phase of the aesthetic movement:
English Parnassianism. PMLA 68 1953.
Dale, E. H. La poésie française en Angleterre 1850–90. 1954.
Jean, R. De Nerval et de quelques humoristes anglais. Revue de
Littérature Comparée 29 1955.
Stewart, W. M. Poésie français, poésie anglaise. Actes de l’Académie
Nationale de Bordeaux 4th ser 14 1955.
Kermode, F. Romantic image. 1957.
Prévost, J. Le dandysme en France 1817–39. Geneva 1957.
Guyard, M.-F. Barrès et les lettres anglaises. In Forschungsprobleme
der vergleichenden Literaturgeschichte, 2 vols Tübingen 1958.
Leathers, V. British entertainers in France. Toronto 1959.
Souffrin, E. Gringoire [i.e. Banville] en Angleterre à l’époque victorienne.
Revue de Littérature Comparée 33 1959.
Roche, A. Mireille chez les anglo-saxons. In Mirèio. Publications de
la Faculté des Lettres de Montpellier 16 1960.
Ross Roy, G. A bibliography of French symbolism in English language
publications to 1910. Revue de Littérature Comparée 34
1960.
Starkie, E. From Gautier to Eliot. 1960.
Barber, G. Galignani’s and the publication of English books in
France from 1800 to 1852. Library 5th ser 16 1961.
Heppenstall, R. The fourfold tradition. 1961.
Underwood, V. P. Rimbaud et les lettres anglo-saxonnes. Revue de
Littérature Comparée 35 1961.
Reboul, P. Le mythe anglais dans la littérature française sous la
Restauration. Lille 1962.
Duncan, B. The St James’s theatre 1835–1957. 1964.
Chambers, R. La comédie au château: contribution à la poétique du
théâtre. 1971.
Dibon, A.-M. Form and value in the French and English nineteenthcentury
novel. MLN 87 1973.
Mackworth, C. English interludes: Mallarmé, Verlaine, P. Valéry,
Valery Larbaud in England 1860–1912. 1974.
Brooks, P. The melodramatic imagination. Balzac, Henry James,
melodrama and the mode of excess. New Haven CT and London
1976.
Moers, E. Literary women: the great writers. 1976.
Sabin, M. English romanticism and the French tradition.
Cambridge MA and London 1976.
Gille-Maisani, J.-C. Ecritures de poètes de Byron à Baudelaire. 1977.
Maxwell, R. City life and the novel: Hugo, Ainsworth, Dickens.
Comparative Lit 30 1978.
Johnson, L. McKay. The metaphor of painting. Essays on
Baudelaire, Ruskin, Proust and Pater. Ann Arbor MI 1980.
Tanner, T. Adultery and the novel. Contract and transgression. 1980.
Dougherty, S. B. Taine, James and Balzac: towards an aesthetic of
romantic realism. The Henry James Rev 2 1980–1.
Winner, A. Characters in the twilight. Hardy, Zola and Chekhov.
Charlottesville VA 1981.
Garber, F. The autonomy of self from Richardson to Huysmans.
Princeton 1982.
Pilling, J. An introduction to fifty modern European poets. 1982.
Bowlby, R. Just looking: consumer culture in Dreiser, Gissing and
Zola. 1985.
Peterson, C. L. The determined reader: gender and culture in the
novel from Napoleon to Victoria. New Brunswick NJ 1986.
Sabiston, E. J. The prison of womanhood: four provincial heroines
in nineteenth-century fiction. 1987.
Bermann, S. L. The sonnet over time: a study in the sonnets of
Petrarch, Shakespeare and Baudelaire. Chapel Hill NC 1988.
Vest, J. M. The French face of Ophelia from Belleforest to
Baudelaire. 1990.
Durey, J. F. Realism and narrative modality. The hero and heroine in
Eliot, Tolstoy and Flaubert. 1993.
Yarrington, A. and K. Everest (eds). Reflections of revolution:
images of romanticism. 1993.
Kelly, G. Women, writing and revolution 1790–1827. 1993.
French authors
For trns of English plays into French, see M. Horn-Monval, Répertoire
bibliographique des traductions et adaptations françaises du
théâtre étranger vol 5, 1963. For selected articles on French authors from A
to M in English periodicals, see H. Talvart and J. Place, Bibliographie des
auteurs modernes de langue française 1801–1927, 15 vols 1928– .
Balzac, Honoré de (1799–1850). See also under De Quincey, James, G.
Moore and Scott, cols 121, 123, 124, 125 below.
Les chouans. 1829; The chouans, tr G. Saintsbury 1889.
Les contes drolatiques. 3 vols 1832–7; tr G. Sims 1874; tr R. Whittling
1896.
Histoire des treize. 2 vols 1834; The mystery of the rue Soly, tr Lady
Knutsford 1894. An extract.
La recherche de l’absolu. 1834; Balthazar: or science and love, tr W.
Robson 1859.
Le père Goriot. 1835; Daddy Goriot: or unrequited affection, 1860,
1878.
Histoire de la grandeur et de la décadence de César Birotteau. 2 vols
1838; History of the grandeur and downfall of Cesar Birotteau, tr
J. H. Simpson 1860.
Scènes de la vie privée. Vol 1, 1842; The cat and battledore and other
tales, tr P. Kent, 3 vols 1879.
Le cousin Pons. 1847; Poor relations: cousin Pons, tr P. Kent 1880.
Honoré de Balzac. Ed H. van Laun 1869, 1877, 1878, 1880, 1884. A
selection, in French.
Correspondance 1819–50. 2 vols 1876; Correspondence, with a
memoir by his sister, tr C. Lamb Kenney 2 vols 1878.
Public and private life of animals. 1877. Adaptations from Balzac,
Janin, Musset, Sand et al by J. Thomson.
Balzac’s novels in English. Tr K. P. Wormeley 12 vols 1886–91. A
selection.
Shorter stories from Balzac. Tr W. Wilson and Count Stenbock 1890.
Comédie humaine. Ed G. Saintsbury 40 vols 1895–8.
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The style of Balzac and Thackeray. Dublin Univ Mag Dec 1864.
Walker, H. H. The Comédie humaine and its author. 1879. With trns
of La bourse, Gaudissart II and Albert Savarus.
Garnand, H. J. The influence of Scott on the works of Balzac. New
York 1926.
Badensperger, F. Orientations étrangères chez Balzac. Paris 1927.
Decker, C. R. Balzac’s literary reputation in Victorian society. PMLA
47 1932.
French
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