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182<br />

Remembrance in Time<br />

solution in getting with all means, except working, a study certificate. So, with some<br />

„dirty jobs”, he gets his first school diploma when „having some few more teeth left in<br />

his mouth”. „Bucking with his ho<strong>of</strong> in a headmaster’s desk”, he gets a general certificate<br />

<strong>of</strong> education, then he signs up for faculty (extramural). When close to graduate „he was<br />

pulled by the ears and taken who knows where” 12 .<br />

The article Marginals to an overture by Romulus Zaharia 13 , was claimed because<br />

presented too realistic, and not after the regime’s wish, the doctor’s situation; similar facts<br />

but related to pr<strong>of</strong>essors, try to approach also Szilagyi Istvan in his article The Problems<br />

<strong>of</strong> the Countryside Teachers 14 . This kind <strong>of</strong> accounts „have been practised before” in<br />

materials regarding other fields <strong>of</strong> activity, such for example „Nowaday Oceanology” 15<br />

(where was criticized the lack <strong>of</strong> contribution <strong>of</strong> our country in the field <strong>of</strong> oceanologic<br />

explorations, underlining the fact that brought many benefits from others’ researches and<br />

discoveries), Cinematographic Repertoire facing the audience 16 (investigation made by<br />

St. Oprea regarding the Romanian cinematographic production, who had as a conclusion<br />

the fact that except the movie „The Dacians”, all others are at the bottom <strong>of</strong> the world’s<br />

contemporary cinematrography). Calumniouns accounts for the editing activity came<br />

from the narrator’s interview Ion Lancranjan, taken by Petru Sfetcu 17 . According to the<br />

author’s opinion, books fate in general was not determined by their value, but by the<br />

author’s position, by his situation. „If their author – it was said – is a boss somewhere, or<br />

is going to be a boss or a general, if he has high relations with some literary circles, very<br />

competent and able to cover ups, who guide an absent but very good „literary<br />

scholarship”, then obtaining the certificate <strong>of</strong> authenticity and constancy for the<br />

characters <strong>of</strong> different literary „creations”, those being poorly written, pauper or pratically<br />

gross, was vividly and for ever assured. Regarding the literary phenomenon from our<br />

country, the person interviewed was saying that „the analysis <strong>of</strong> this one is so badly<br />

made, that would be a shame for the writer who coult guide his activity following such an<br />

analysis” 18 .<br />

A second category contains those literary writings, prose and poetry, that debated the<br />

problems <strong>of</strong> the artistic creation and generated „the feeling <strong>of</strong> the lack <strong>of</strong> perspective, <strong>of</strong><br />

the impossible way <strong>of</strong> value expression, hinting social causes” 19 . A part <strong>of</strong> these<br />

materials, through symbol, or directly, „stands up fiercely against the so-called freedom’s<br />

limitation”. It’s designated for start, the short story Only with the right (treacherous style)<br />

by Romulus Vulcanescu 20 . Using an allegorical form, it was considered that the author<br />

protested against the so-called compulsoriness for poets to write ordered lines, without<br />

content and truth. In the short story, all the poets are called at the „grand merchant <strong>of</strong><br />

artistic products”, that for assuring the material daily standards, asked them to write lines<br />

in a certain way. Although he promises, demagogically, that they are free to write what<br />

they want and how they want, „the grand merchant” sets some rules, „in the agenda,<br />

12<br />

AN-SJBH, fond DGPT-UO, folder 9/1967, file 3.<br />

13<br />

From Tribuna (Cluj), no. 48/1 XII 1966.<br />

14<br />

From the magazine Utunk (Cluj), no. 10, 1967.<br />

15<br />

Tomis, no. 1/1967.<br />

16<br />

Cronica (Iasi), no. 39/30 II 1967.<br />

17<br />

From the rubric „Creation and contemporaneousness”, Tribuna’s magazine, no. 23/8 VI 1967.<br />

18<br />

AN-SJBH, fund DGPT-UO, folder 9/1967, files 4-5.<br />

19 Ibidem, file 6.<br />

20 From Iaşul literar, no. 9/1967.

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