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REMEMBRANCE IN TIME - Index of

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368<br />

Remembrance in Time<br />

Museum in the town <strong>of</strong> Kotel, Vasil Levski Museum in the town <strong>of</strong> Lovech, Yordan<br />

Yovkov Museum in the town <strong>of</strong> Dobrich. In the halls <strong>of</strong> these museums experts maintain<br />

more factual exhibitions which contain significant amount <strong>of</strong> artifacts and documents.<br />

Representative and pleasant stone or bronze monuments <strong>of</strong>ten take place in the area <strong>of</strong><br />

museum complex.<br />

Museum exhibitions<br />

Typically exhibitions are arranged in a traditional way. Most <strong>of</strong> them consist <strong>of</strong> two<br />

parts – a reconstruction <strong>of</strong> the antithetic interior and a classical museum exposure.<br />

Personal belongings <strong>of</strong> the famous person are key components <strong>of</strong> the museum narrative.<br />

The biographical facts are also described in relevant texts. In some cases copies <strong>of</strong> the<br />

original artifacts are exposed. This is valid for personalities which public cult is presented<br />

in several museums. Pieces <strong>of</strong> art, manuscripts, first editions <strong>of</strong> significant books,<br />

personal letters are strongly preferred as major components <strong>of</strong> museum exhibitions. There<br />

are some controversial exponents in the Bulgarian memorial museums. For example in<br />

the hall <strong>of</strong> the Aleko Konstantinov Museum in Svishtov the preserved heart <strong>of</strong> the great<br />

Bulgarian writer is shown in a glass vessel.<br />

The permanent exhibitions <strong>of</strong> memorial museums are highly contextual. Almost<br />

everywhere the local story and the concrete event are laid in the national frame. This<br />

repeatability gives some uniformity <strong>of</strong> the museum landscape. On the other hand the<br />

approach creates conditions for drawing larger historical images trough specific museum<br />

items. Furthermore the museum exhibitions reconstruct family contacts, strengths<br />

friendships, and pr<strong>of</strong>essional clans around prominent personalities.<br />

The majority <strong>of</strong> Bulgarian museums trace the life and carrier <strong>of</strong> public personalities<br />

chronologically. The museum narrative focuses the attention <strong>of</strong> the audience on<br />

significant activities <strong>of</strong> the prominent historical figure. The emphasis is mostly<br />

achieved with traditional means – combination <strong>of</strong> text, photographs, and artifacts.<br />

The Bulgarian model <strong>of</strong> museum expression has a specific feature – a strong<br />

preference for facsimiles, documents, books. Thus museum exhibitions acquire the<br />

appearance <strong>of</strong> archival collections. In many cases museum exhibition highlights<br />

history events rather via texts than vision effects. This makes a significant part <strong>of</strong> the<br />

exposures boring for young people whose consciousness is obsessed with the vision<br />

and digital technology.<br />

Museum perspectives<br />

Memorial museums are highly appreciated in Bulgarian society. Their impact is<br />

connected to the cult <strong>of</strong> national heroes. Part <strong>of</strong> the museums is included in the system <strong>of</strong><br />

celebration <strong>of</strong> public holidays. Museums <strong>of</strong> prominent artists – writers, musicians,<br />

painters – are centers <strong>of</strong> educational activities. Often the memorial museum is a major<br />

cultural institution in the area. This situation is typical for small towns and villages. For<br />

these reasons the museum network associated with memory to the great personalities<br />

should be strengthened and improved.

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