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REMEMBRANCE IN TIME - Index of

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THE BRIEF HISTORY OF THE<br />

TORNYAI JÁNOS MUSEUM AND<br />

THE ARCHAEOLOGICAL RESEARCH<br />

<strong>IN</strong> HÓDMEZİVÁSÁRHELY DUR<strong>IN</strong>G THE<br />

COMMUNIST PERIOD (1945-1989)<br />

Viktor CSÁNYI 1<br />

The first decades <strong>of</strong> the Hódmezıvásárhely museum<br />

The idea <strong>of</strong> the necessity <strong>of</strong> a local museum in Hódmezıvásárhely emerged at the end<br />

<strong>of</strong> the 19th century for the first time. In 1892, when the reformed church changed the<br />

interior furniture <strong>of</strong> the Vásárhely reformed old temple, the cassettes, painted by<br />

carpenters from Gyula were removed and given to the Museum <strong>of</strong> Applied Arts. In the<br />

consequence János Tornyai wrote in the local newspaper, that if the town had had a local<br />

museum, those valuable cassettes could have stayed in Vásárhely (KISS 1958, 7).<br />

The foundation <strong>of</strong> the Hódmezıvásárhely museum was highly supported by the<br />

industrial and agricultural exhibition organized in 1904. According to suggestion <strong>of</strong> the<br />

artists <strong>of</strong> Hódmezıvásárhely – mainly János Tornyai – a relaxing room has been<br />

furnished for the visitors <strong>of</strong> the exhibition. They put there different ethnographic and<br />

folk-art objects. A part <strong>of</strong> these objects were lent by János Tornyai, who had got a serous<br />

ethnographic and folk-art collection. After the exhibition had closed, the artists succeeded<br />

to convince the city leaders to base the local museum (NAGY 2001). In 1904 the city<br />

committee accepted the plan <strong>of</strong> the foundation <strong>of</strong> the museum, and in 1905 they issued a<br />

decree to establish it (DÖMÖTÖR 2004, 13).<br />

In the beginning it was a constant problem to find the right place for the collection.<br />

Within some years the objects were replaced to different rented rooms. At the same time<br />

Lajos Kiss – who later became an excellent ethnographer – collected the object in a<br />

persistent way. In 1912 Lajos Kiss moved to Nyíregyháza, however, he wrote his works,<br />

inspired by his experience, and collections: “The life <strong>of</strong> a poor man” (1939); “Famous<br />

markets in Vásárhely” (1956), “Art life in Vásárhely” (1957) and “Weekdays in<br />

Vásárhely” (1958). After Lajos Kiss had left, clerks <strong>of</strong> the city were appointed to deal<br />

with the management and administration <strong>of</strong> the museum.<br />

In 1914 the city bought the two-storey house, formerly owned by the eye-specialist<br />

Dr. József Imre, at 16 Szentes Street (Szántó Kovács Str. today) for the purposes <strong>of</strong> the<br />

museum. The building also gave place to the city library. The firs pr<strong>of</strong>essional<br />

ethnographic exhibition – open for the public – opened in 1928. It was directed by Károly<br />

Cs. Sebestyén, the vice-director <strong>of</strong> the museum <strong>of</strong> Szeged (DÖMÖTÖR 2004, 21-22).<br />

1 Tornyai János Museum, Hódmezıvásárhely, Hungary.

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