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REMEMBRANCE IN TIME - Index of

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<strong>IN</strong>STITUTIONAL MECHANISMS AS A<br />

REGULATOR <strong>IN</strong> THE FIELD OF<br />

MONUMENTAL ARTS DUR<strong>IN</strong>G THE<br />

SOCIALISM PERIOD<br />

Anelia ALEKSANDROVA 1<br />

Abstract: Numerous State Institutions have established a National programme for new advance in<br />

the development <strong>of</strong> Bulgarian Architecture and Art Synthesis until 1990. In that programme, some<br />

particular measures for the realization <strong>of</strong> certain institutional requirements have been set up. A<br />

uniform art policy has been implemented for the construction <strong>of</strong> architectural sites, for the<br />

formation <strong>of</strong> architectural environment and accomplishment <strong>of</strong> art synthesis, as well as for the<br />

establishment <strong>of</strong> the look <strong>of</strong> towns and villages. For the accomplishment <strong>of</strong> Art Synthesis, a<br />

complete system has been established for planning, funding and conducting creative cooperation<br />

between architects and artists in producing pieces <strong>of</strong> Art tightly related to the architectural<br />

environment. That leads to a complete policy in ordering and producing Monumental Art works.<br />

Through the means <strong>of</strong> Art Synthesis the ideological and educational task <strong>of</strong> Mural-monumental<br />

Arts is completed and the artistic taste <strong>of</strong> man is shaped up. All those mechanisms for producing<br />

Monumental Art works during the Socialism period are aimed at the accomplishment <strong>of</strong> pieces <strong>of</strong><br />

Art <strong>of</strong> high aesthetic and emphatic ideological impact in architectural environment.<br />

During the Socialism period a crucial importance is rendered to the development,<br />

humanizing and aesthetic modification <strong>of</strong> man’s “living environment”. The main role for<br />

the accomplishment <strong>of</strong> that goal belongs to architecture and its relation with other arts,<br />

including monumental forms. Architecture and Monumental Arts are considered to be “a<br />

powerful means for the formation <strong>of</strong> a harmonious living environment, for development<br />

<strong>of</strong> versatile personalities, for the spiritual and aesthetic evolution <strong>of</strong> people”. 1<br />

Through the years following the April Plenum /1956/ <strong>of</strong> the CC <strong>of</strong> BCP 2 , changes have<br />

taken place first in the development <strong>of</strong> Bulgarian Architecture, since a complex idea for<br />

the building <strong>of</strong> space living environment has been created. That has conditioned the<br />

creation in both interior and exterior spaces <strong>of</strong> a series <strong>of</strong> monumental works, providing<br />

synthesis with Architecture. The intensive pace and enormous scale <strong>of</strong> construction, the<br />

typification and industrialization are a prerequisite for a new type <strong>of</strong> creative solutions<br />

within Architecture. In the time <strong>of</strong> industrialized construction, problems connected with<br />

architectural compositions, their unity and variety, tradition and creative attitude,<br />

architectural image and art synthesis have received new contents. For the construction <strong>of</strong><br />

“fully valuable, aesthetic and humanized living environment” a uniform policy has to be<br />

introduced for building architectural sites, for shaping the architectural environment and<br />

achieving art synthesis, as well as for building up towns and villages. That has led to a<br />

complete policy in ordering and producing monumental works. A uniform programme for<br />

aesthetic education <strong>of</strong> people and especially the youth has been established.<br />

1 National Academy <strong>of</strong> Art, S<strong>of</strong>ia, Bulgaria.

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