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Encyclopedia of French Film Directors

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490 • HADZIHALILOVIC, LUCILE<br />

(1995 Départementale 968, short, Pierre-Yves Touzot;<br />

967 et les Anges, Pierre-Yves Touzot) before directing<br />

his fi rst short.<br />

<strong>Film</strong>ography<br />

1996 Cuit à la Vapeur (short)<br />

1997 Black Valise (short)<br />

1999 Comme un Poisson hors de l’Eau / US video:<br />

Like a Fish Out <strong>of</strong> Water (also screenwriter,<br />

dialogist)<br />

Television <strong>Film</strong>ography<br />

2007 Les Oubliées (6 52'; also co-screenwriter,<br />

co-dialogist)<br />

HADZIHALILOVIC, LUCILE (May 7, 1961, Lyon,<br />

Rhône, France–)<br />

The daughter <strong>of</strong> Bosnian parents, she lived in Morocco<br />

until age seventeen. She attended the IDHEC<br />

after studying the history <strong>of</strong> art. Then she edited<br />

several fi lms (1986 Festin, short, Sylvain Ledey;<br />

1987 Horizons artifi ciels (Trois Rêves d’Architecture),<br />

medium-length documentary, Alain Bourges; 1991<br />

Carne, short, also producer, actor, Gaspar Noé; 1994<br />

La Baigneuse, short, Joël Leberre; 1997 Le Marquis de<br />

Slime, short, Quelou Parente; 1998 Seul contre Tous<br />

/ USA: I Stand Alone, Gaspar Noé).She also played<br />

in a short (1986 Mademoiselle Solange, Pr<strong>of</strong>esseur de<br />

Danse et de Maintien, Stéphane Violet) and a featurelength<br />

fi lm (1988 Les Cinéphiles / Les Cinéphiles: Le<br />

Retour de Jean, Louis Skorecki).<br />

<strong>Film</strong>ography<br />

1987 La Première Mort de Nono (short; also screenwriter,<br />

dialogist, editor)<br />

1997 La Bouche de Jean-Pierre (short; also screenwriter,<br />

dialogist, producer, editor)<br />

1998 Good Boys Use Condoms (short; also screenwriter)<br />

2004 Innocence (also screenwriter, dialogist)<br />

HAGUET, ANDRÉ (November 9, 1900, Suresnes,<br />

Hauts-de-Seine, France–August 20, 1973, Cannes,<br />

Alpes-Maritimes, France)<br />

He studied at the National School <strong>of</strong> Decorative<br />

Arts. After beginning a fi lm career in the Paramount<br />

administration in 1924, he wrote several plays (Une<br />

Jeune Fille savait; Si Jeunesse savait; La Bride est sur le<br />

Cou; Tout est parfait; Mon Ami le Cambrioleur; L’Ecole<br />

des Parents). He occasionally co-produced fi lms (1933<br />

Le Sexe faible, Robert Siodmak; 1955 Lola Montès /<br />

Lola Montez / UK: The Fall <strong>of</strong> Lola Montes / USA: The<br />

Sins <strong>of</strong> Lola Montes, Max Ophüls, France / West Germany)<br />

and collaborated on screenplays and dialogue<br />

<strong>of</strong> several movies (1938 Trois Artilleurs à l’Opéra, as<br />

screenwriter, André Chotin; 1947 Le Destin s’amuse,<br />

as co-dialogist, Emile-Edwin Reinert; 1948 Mandrin,<br />

as co-screenwriter, two parts: “Le Libérateur,” “La<br />

Tragédie d’un Siècle,” René Jayet; Une Jeune Fille<br />

savait, as author <strong>of</strong> original play, Maurice Lehmann;<br />

Sombre Dimanche, as co-adapter, Jacqueline Audry;<br />

1949 Piège à Hommes, as dialogist, Jean Loubignac;<br />

Le Droit de l’Enfant, as co-screenwriter, Jacques Daroy;<br />

L’Echafaud peut attendre, as co-dialogist, Albert<br />

Valentin; Le Paradis des Pilotes perdus / USA: The<br />

Hell <strong>of</strong> Lost Pilots, as co-screenwriter, co-dialogist,<br />

Georges Lampin; La Passagère, as dialogist, Jacques<br />

Daroy; Mon Ami le Cambioleur, as author <strong>of</strong> original<br />

play, screenwriter, adapter, dialogist, Henry Lepage;<br />

1951 L’Aiguille rouge, as co-screenwriter, co-adapter,<br />

Emile-Edwin Reinert; 1952 Foyer perdu, as author<br />

<strong>of</strong> original play, screenwriter, adapter, dialogist, Jean<br />

Loubignac; 1955 Noche de tormenta / Nuit d’Orage, as<br />

co-screenwriter, Jaime de Mayora, Marcel Jauniaux,<br />

Spain / Belgium; 1958 Les Violents, as co-screenwriter,<br />

Henri Calef; 1962 Le Chevalier de Pardaillan / Il Guascone<br />

/ USA: Clash <strong>of</strong> Steel, Bernard Borderie, France /<br />

Italy; 1964 Nick Carter va tout casser / USA: License to<br />

Kill, as co-adapter, co-dialogist, Henri Decoin; Hardi<br />

Pardaillan! / Le armi della vendetta / US TV: The Gallant<br />

Musketeer, as co-screenwriter, Bernard Borderie,<br />

France / Italy; 1966 Le Solitaire passe à l’Attaque / El<br />

Solitario pasa al ataque, as screenwriter, Ralph Habib,<br />

France / Spain).<br />

<strong>Film</strong>ography<br />

1950 Fusillé à l’Aube / USA: Secret Document: Vienna<br />

(also co-screenwriter, co-adapter, co-dialogist)<br />

1952 Procès au Vatican / UK and USA: Trial on Vatican<br />

(also co-screenwriter, co-dialogist)<br />

Il est Minuit Docteur Schweitzer / USA: Dr.<br />

Schweitzer (also co-screenwriter, co-adapter,<br />

co-dialogist)<br />

1954 Par Ordre du Tsar / Les Cloches n’ont pas sonné<br />

/ Ungarisches Rhapsodie / Franz Liszts grosse<br />

Liebe (also co-screenwriter, co-adapter, codialogist;<br />

German version directed by Peter<br />

Berneis; France / West Germany)

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