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Encyclopedia of French Film Directors

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Yellow Now and the Ministry <strong>of</strong> Foreign Affairs); Pistoletto<br />

/ L’Homme noir (co-author with Michelangelo<br />

Pistoletto, Bruno di Marino, Actes Sud); 2006 . . . Wie<br />

ein Schatten in der Ferne / . . . Comme une Ombre lointaine<br />

(co-edited by Fine Arts Unternehmen Books,<br />

Switzerland-<strong>French</strong> Embassy in Germany, Bureau du<br />

Cinéma, Bureau des Arts Plastiques, AFAA); Michel Butor<br />

Mobile (co-author with Jean-Luc Nancy, Bruno di<br />

Marino, Yellow Now, Belgium); Pavillon noir (interview<br />

Angelin Preljocaj, Rudy Ricciotti, photos by Pierre<br />

Coulibeuf); 2008 Le Même et l’Autre: Conversation (coauthor<br />

with Robert Fleck, Yellow Now, Belgium).<br />

<strong>Film</strong>ography<br />

1988 Klossowski, Peintre-Exorciste (documentary;<br />

short)<br />

1989 Le Gai Savoir de Valerio Adami (documentary;<br />

short)<br />

Divertissement à la Maison Balzac (short)<br />

1990 La Chambre des Muses (short)<br />

Alechinsky sur Rhône (short)<br />

1991 PAB l’Enchanteur—Portrait de Pierre-André Benoît<br />

(documentary; short; also screenwriter)<br />

1992 Le Temps de voir (short; also screenwriter)<br />

Samout et Moutfrenet (documentary; short;<br />

also screenwriter)<br />

L’oeil du Poète (short)<br />

1993 C’est de l’Art (documentary; also screenwriter;<br />

shot in 1991–1993)<br />

1995 Le Démon du Passage (short; also screenwriter)<br />

Rubato (video)<br />

1997 Le Grand Récit (shot in 1995–1997)<br />

1998 L’Homme noir (shot in 1993–1998)<br />

Cartographie (short)<br />

1999 Balkan baroque (also screenwriter)<br />

2000 Michel Butor Mobile (short)<br />

2002 Lost Paradise 2 & 3 (video short; also screenwriter)<br />

Les Guerriers de la Beauté<br />

2004 Somewhere in Between<br />

2005 Amour neutre (short; also screenwriter)<br />

2006 Pavillon noir (short; also screenwriter)<br />

Who’s Who? (video shorts: “Who’s Marina<br />

Abramovic?,” “Who’s Michelangelo Pistoletto?,”<br />

“Who’s Meg Stuart?”)<br />

Delectaztio morose (video)<br />

COURANT, GÉRARD (1951, Lyon, Rhône,<br />

France–)<br />

COURANT, GÉRARD • 257<br />

Having settled in Paris in 1975, he played in many<br />

fi lms shot by his friends (1976 Rencontres de Marcigny,<br />

short, Paul Jeunet; 1978 Le Chien amoureux (Journal<br />

fi lmé), short, Joseph Morder; 1979 Le Casanova de<br />

Chahine, Gabriel Chahine, Didier Couédic, unfi nished;<br />

Diary 1979, documentary, Howard Guttenplan; Une<br />

Femme en vert (Journal fi lmé), short, Joseph Morder;<br />

1980 Certains tombent en Amour (Journal fi lmé), Joseph<br />

Morder; Le Lapin rose (Journal fi lmé), Joseph Morder;<br />

30 <strong>Film</strong>s brefs, Théo Hernandez; 1980 Mon Tricot<br />

(Thanx to Wilma Schoer), short, Jakobois; Sexaphone,<br />

short, Stéphane Monclaire; Super Eighties, short, François<br />

Vielfaure; 1981 Au Petit Suisse, fi lmed diary, Joseph<br />

Morder; Le Lapin à Deux Têtes, fi lmed diary, Joseph<br />

Morder; Confessions d’un Cinéaste, short, Vincent Tolédano;<br />

Les Hasards de la Rencontre, short, Pouchoux;<br />

Le Son de la Pluie, short, Sabine Ullman; 1982 Litan,<br />

la Cité des Spectres verts, Jean-Pierre Mocky; 1983<br />

En Voie d’Exécution, short, Valérie Uttscheid; 1984 Un<br />

<strong>Film</strong> (Auto-Portrait), Marcel Hanoun; Portraits / Miroirs,<br />

Maria Klonaris, Katerina Thomadaki; 1985 L’Affaire des<br />

Divisions Morituri, F. J. Ossang; Drôle de Festival, short,<br />

Jean-Pierre Mocky; Portraits, short, Roger Clown;<br />

1986 Hôtel du Paradis, Janá Bokova; L’Année américaine,<br />

fi lmed diary, Dominique Laudijois, Pierre Laudijois;<br />

L’Homme qui danse, Joseph Morder, unfi nished; 1987<br />

Quatre Aventures de Reinette et Mirabelle / USA: Four<br />

Adventures <strong>of</strong> Reinette and Mirabelle, Eric Rohmer;<br />

L’Eclair bleu, fi lmed diary, Dominique Laudijois, Pierre<br />

Laudijois; 1988 Otage, short, Marcel Hanoun; 1990<br />

Mes Entretiens fi lmés Chapitre 3: 11 Entretiens, Boris<br />

Lehmann; 1992 Parpaillon, Luc Moullet; Jean-Luc Godard<br />

et le Saint-Graal, short, Alaric Hamacher, Bernd<br />

Reufels, Stefan Sarazin; 1994 Omelette, Rémi Lange;<br />

1997 Portrait du Cinéaste par tout autre que lui-même,<br />

short, Denys Desjardins; 1998 La Gare de . . . , short,<br />

Joseph Morder; Les Parents n’aiment pas leurs Enfants,<br />

short, Pierre Merejkowsky; Le R.M.I., c’est la vie avec<br />

un Point d’Exclamation à la Fin, short, Pierre Merejkowsky;<br />

1999 Tentative de se décrire, Boris Lehmann;<br />

2000 Ô Dé!, Eric Borg; Ils sont venus, ils sont là!, Elisabeth<br />

et Simon Saison 1, short, Pierre Laudijois; Primitifs,<br />

medium-length, Vanessa Filho; 2002 Claude Jutra Portrait<br />

sur <strong>Film</strong>, documentary, Paule Baillargeon; Ramsey-<br />

Custine, Emmanuel Raquin, André S. Labarthe; 2003 Attention<br />

Danger Travail, documentary, Pierre Carles; Lucy<br />

en Miroir, medium-length, voice, Raphaël Bassan). A<br />

fi lm critic and theoretician, he directed experimental<br />

fi lms. From 1978, he fi lmed a work titled Cinématon,<br />

which is composed <strong>of</strong> hundreds <strong>of</strong> silent fi xed shots

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