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Encyclopedia of French Film Directors

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912 • SAUTET, CLAUDE<br />

Yves Robert; Le Dos au Mur / UK: Evidence in Concrete<br />

/ USA: Back to the Wall, Edouard Molinaro; Le Fauve<br />

est lâché / USA: The Tiger Attacks, also co-screenwriter,<br />

co-adapter, Maurice Labro; 1960 Les Yeux sans Visage /<br />

Occhi senza volto / UK: Eyes Without a Face / USA: The<br />

Horror Chamber <strong>of</strong> Dr. Faustus, Georges Franju, France<br />

/ Italy). The defection <strong>of</strong> Robert Dhéry allowed him to<br />

direct his fi rst movie. While working on his own fi lms,<br />

he became a famous screenwriter and dialogist (1960<br />

Colère froide, as dialogist and technical adviser, André<br />

Haguet; 1963 Symphonie pour un Massacre / Sinfonia per<br />

un massacro / UK: The Corrupt / USA: Symphony for a<br />

Massacre / The Mystifi ers, Jacques Deray, France / Italy;<br />

Peau de Banane / Buccia di banana / USA: Banana Peel,<br />

as co-screenwriter, co-adapter, co-dialogist, France /<br />

Italy; 1964 Echappement libre / Scappamento aperto / A<br />

escape libre / Der Boss hat sich was ausgedacht / USA:<br />

Backfi re, as co-screenwriter, Jean Becker, France / Italy /<br />

Spain / West Germany; L’Âge ingrat, as co-screenwriter,<br />

co-adapter, Gilles Grangier; Monsieur / Intrigo a Parigi,<br />

as uncredited co-screenwriter, Jean-Paul Le Chanois,<br />

France / Italy; 1966 La Vie de Château / UK: Gracious<br />

Living / USA: A Matter <strong>of</strong> Resistance, as co-screenwriter,<br />

Jean-Paul Rappeneau; L’Homme de Marrakech, as uncredited<br />

screenwriter, Jacques Deray, France / Italy;<br />

Atout Cœur à Tokyo pour OSS 117 / OSS 117 a Tokio si<br />

muore / UK: Mission to Tokyo / USA: O.S.S. 117—Terror<br />

in Tokyo, as uncredited screenwriter, Michel Boisrond,<br />

France / Italy; 1967 Mise à Sac / Una notte per 5 rapine,<br />

as screenwriter, co-adapter, dialogist, Alain Cavalier;<br />

1968 La Petite Vertu, as screenwriter, adapter, Serge<br />

Korber; 1969 Le Diable par la Queue / Non tirate il Diavolo<br />

per la coda / USA: The Devil by the Tail, as uncredited<br />

screenwriter, Philippe de Broca; Sous le Signe du Taureau,<br />

as uncredited co-screenwriter, Gilles Grangier;<br />

1970 Borsalino, as co-screenwriter, co-dialogist, Jacques<br />

Deray, France / Italy; 1971 Les Mariés de l’An II / Gli<br />

sposo dell’anno secondo / Mirii anului II / UK: The Scoundrel<br />

/ USA: The Scarlet Buccaneer / The Swashbuckler, as<br />

co-adapter, co-dialogist, Jean-Paul Rappeneau, France<br />

/ Italy / Romania; 1974 L’Horloger de Saint-Paul / UK:<br />

The Watchmaker <strong>of</strong> St. Paul / USA: The Clockmaker <strong>of</strong><br />

St. Paul, as uncredited co-screenwriter, Bertrand Tavernier;<br />

1975 Que la Fête commence / USA: Let Joy Reign<br />

Supreme, as uncredited co-screenwriter, Bertrand Tavernier;<br />

Le Vieux Fusil / Das alte Gewehr / Abschied in der<br />

Nacht / USA: The Old Gun / US video: Vengeance One<br />

by One, as uncredited co-screenwriter, Robert Enrico,<br />

France / West Germany; 1977 Des Enfants gatés / UK<br />

and USA: Spoiled Children, as uncredited screenwriter,<br />

Bertrand Tavernier; 1981 Coup de Torchon / UK: Clean<br />

Up / USA: Clean Slate, as uncredited screenwriter, Bertrand<br />

Tavernier; 1988 Mon Ami le Traître, as co-adapter,<br />

José Giovanni). In 1994, Mark Rydell shot an American<br />

remake <strong>of</strong> Les Choses de la Vie (1994 Intersection, Mark<br />

Rydell, USA).<br />

<strong>Film</strong>ography<br />

1951 Nous n’irons plus au Bois (short; also screenwriter,<br />

dialogist)<br />

1956 Bonjour Sourire (supervised by Robert Dhéry)<br />

1960 Classe Tous Risques / Asfalto che scotta / USA:<br />

The Big Risk (also co-screenwriter; Claude<br />

Sautet; France / Italy)<br />

1965 L’Arme à gauche / Corpo a corpo / Armas para<br />

el Caribe / UK: Guns for the Dictator / USA: The<br />

Dictator’s Guns (also co-dialogist; France / Italy<br />

/ Spain)<br />

1970 Les Choses de la Vie / L’Amante / USA: The<br />

Things <strong>of</strong> Life / These Things Happen (also coscreenwriter,<br />

co-adapter; France / Italy)<br />

1971 Max et les Ferrailleurs / Il commissario Pelissier<br />

/ UK and USA: Max (also co-dialogist; France<br />

/ Italy)<br />

1972 César et rosalie / E simpatico, ma gli romperei<br />

il muso / Cesar und Rosalie / USA: César and<br />

Rosalie (also co-screenwriter; France / Italy /<br />

West Germany)<br />

1974 Vincent, François, Paul . . . et les Autres / Tre amici<br />

le mogli e affettuosamente le altre / USA: Vincent,<br />

François, Paul and the Others (also co-screenwriter,<br />

co-dialogist; France / Italy)<br />

1976 Mado (also co-screenwriter, co-dialogist;<br />

France / Italy / West Germany)<br />

1978 Une Histoire simple / Eine einfache Geschichte<br />

/ UK and USA: A Simple Story (as co-screenwriter;<br />

France / West Germany)<br />

1980 Un Mauvais Fils / UK and USA: A Bad Son (also<br />

co-screenwriter, co-dialogist)<br />

1983 Garçon! (also co-screenwriter)<br />

1988 Quelques Jours avec moi / UK and USA: A<br />

Few Days with Me (also co-screenwriter, codialogist)<br />

1992 Un Coeur en Hiver / UK: A Heart in Winter /<br />

USA: A Heart <strong>of</strong> Stone (also co-screenwriter,<br />

co-dialogist)<br />

1995 Nelly et Monsieur Arnaud / Nelly e Mr. Arnaud /<br />

Nelly & Monsieur Arnaud / UK and USA: Nelly<br />

and Mr. Arnaud (also co-screenwriter, codialogist;<br />

France / Italy / West Germany)

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