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Encyclopedia of French Film Directors

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tion with screenwriter Pierre Christin and established<br />

himself as a master <strong>of</strong> his art. In the early<br />

1980s, he began working for cinema as costume<br />

and production designer (1983 La Vie est un Roman<br />

/ USA: Life Is a Bed <strong>of</strong> Roses, Alain Resnais), creator<br />

<strong>of</strong> the demon seen in The Keep (Michael Mann,<br />

1984), and graphic researcher (1986 Le Nom de la<br />

Rose / Il nome della rosa / Der Name der Rose / USA:<br />

The Name <strong>of</strong> the Rose, Jean-Jacques Annaud, France<br />

/ Italy / West Germany). He sporadically directed<br />

movies that were cinematographic illustrations <strong>of</strong><br />

his drawing work.<br />

<strong>Film</strong>ography<br />

1989 Bunker Palace Hôtel (also co-screenwriter, codialogist)<br />

1997 Tykho Moon (also co-screenwriter, co-dialogist;<br />

France / Germany / UK; shot in 1995)<br />

2004 Immortel (ad vitam) / Immortal (ad vitam)<br />

(also co-screenwriter, co-adapter, co-dialogist;<br />

France / Italy / UK)<br />

BILLETDOUX, RAPHAËLE (February 28, 1951,<br />

Paris, France–)<br />

The daughter <strong>of</strong> playwright-novelist François Billetdoux<br />

(1927–1991), she was a trainee and then<br />

assistant editor at age eighteen and played in Antoine<br />

Léonard’s TV programs. In 1971, she published her fi rst<br />

novel (Jeunes Filles en Silence, Editions du Seuil). Andrzej<br />

Zulawski brought to the screen another <strong>of</strong> his books<br />

(1988 Mes Nuits sont plus belles que vos Jours).<br />

<strong>Film</strong>ography<br />

1980 La Femme Enfant / Die Kindfrau—Stumme Liebe<br />

(also screenwriter, dialogist)<br />

BILLON, PIERRE (February 7, 1901, Saint-Hippolyte-du-Fort,<br />

Gard, France–August 31, 1981, Paris,<br />

France)<br />

A former assistant director (1928 Madame Récamier,<br />

also actor; Gaston Revel, Tony Lekain; 1929<br />

Le Collier de la Reine / L’Affaire du Collier de la Reine,<br />

also co-screenwriter, Gaston Ravel, Tony Lekain), he<br />

made his directing debut shooting <strong>French</strong>-language<br />

versions <strong>of</strong> German star Anny Ondra’s vehicles.<br />

Other credits (as supervisor): 1949 Du Guesclin<br />

(also producer, Bertrand de La Tour); 1957 L’Auberge<br />

en Folie (Pierre Chevalier).<br />

BILLON, PIERRE • 101<br />

<strong>Film</strong>ography<br />

1931 Une Nuit au Paradis (<strong>French</strong>-language version<br />

<strong>of</strong> Carl Lamac’s Eine Nacht im Paradies; also<br />

dialogist; Germany)<br />

Nuits de Venise (<strong>French</strong>-language version <strong>of</strong><br />

Robert Wiene’s Der Liebesexpress / Acht Tage<br />

Glück; Germany)<br />

La Chauve-Souris (<strong>French</strong>-language version <strong>of</strong><br />

Carl Lamac’s Die Fledermaus; also dialogist;<br />

Germany)<br />

Bombance (short)<br />

Route Nationale No. 13 (short)<br />

1932 Baby (<strong>French</strong>-language version <strong>of</strong> Carl Lamac’s<br />

Baby; Germany)<br />

Faut-il les marier? (<strong>French</strong>-language version <strong>of</strong><br />

Carl Lamac’s Die grausame Freundin; Germany)<br />

Kiki (<strong>French</strong>-language version <strong>of</strong> Carl Lamac’s<br />

Kiki; Germany)<br />

1933 La Fille du Régiment (<strong>French</strong>-language version<br />

<strong>of</strong> Carl Lamac’s Die Tochter des Regiments / Die<br />

Regimentstochter; Germany)<br />

Une Femme au Volant (co-director with Kurt<br />

Gerron; Germany / France)<br />

1934 Le Fakir du Grand Hôtel<br />

La Maison dans la Dune / USA: The House on<br />

the Dune<br />

1935 Bourrasque / Moghreb<br />

Deuxième Bureau<br />

1936 L’Argent<br />

Au Service du Tsar<br />

1937 Courrier-Sud<br />

adapter)<br />

(also co-screenwriter, co-<br />

La Bataille silencieuse (also screenwriter)<br />

1938 La Piste du Sud<br />

1943 Le Soleil a toujours raison (also co-screenwriter,<br />

co-adapter, co-dialogist; shot in 1941)<br />

L’Inévitable Monsieur Dubois (also co-screenwriter,<br />

co-adapter)<br />

1944 Vautrin / USA: Vautrin the Thief (also screenwriter,<br />

adapter, co-dialogist)<br />

1945 Mademoiselle X (also co-screenwriter)<br />

1946 L’Homme au Chapeau rond / USA: The Eternal<br />

Husband<br />

1948 Ruy Blas<br />

1950 Au Revoir, Monsieur Grock / Manege Frei (France<br />

/ West Germany)<br />

Agnès de Rien (also screenwriter, adapter)<br />

Chéri<br />

1951 Min vän Oscar / Akes lilla felsteg (co-director<br />

with Ake Ohberg; Sweden)

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