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Encyclopedia of French Film Directors

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Willy aux Courses (short)<br />

Willy Boy-Scout (short)<br />

Willy et le Jugement de Salomon (short)<br />

Willy et le Parachute (short)<br />

Willy et le Rasta (short)<br />

Willy, Fils du Roi du Porc / Willy, Roi du Porc<br />

(short)<br />

Willy Moralisateur (short)<br />

Willy surveille Bébé (short)<br />

Willy Tambour de la Garde (short)<br />

1915 Protéa III ou La Course à la Mort (three episodes:<br />

prologue and fi ve parts; prologue and<br />

four parts; prologue and three parts)<br />

Willy Correspondant de Guerre (short)<br />

1916 Willy et Collin / Collin et Willy (short)<br />

Willy et l’Heure légale (short)<br />

Willy et le Gagnant du Grand-Prix (short)<br />

Willy, tu as tué ma Fille (short)<br />

1921 Le Drame des Eaux mortes<br />

FAJNBERG, YVES<br />

He entered fi lms directing his fi rst short, Le Dégommeur,<br />

in 1994.<br />

<strong>Film</strong>ography<br />

1994 Le Dégommeur (short)<br />

1996 Hara Kiri (short; also screenwriter)<br />

2003 L’un dans l’autre (short)<br />

2005 Vive la Vie (also co-screenwriter)<br />

2006 Madame Irma (co-director with Didier Bourdon)<br />

FANO, MICHEL (December 9, 1929, Paris, France–)<br />

After studying classical music at the Conservatoire<br />

with Olivier Messiaen, he briefl y was a pianist for<br />

singer Henri Salvador. A friend <strong>of</strong> Pierre Boulez, he is<br />

known mainly as a theoretician and a composer. He<br />

notably wrote scores for Alain Robbe-Grillet (1963<br />

L’Immortelle / L’immortale, France / Italy; 1967 Trans-<br />

Europ-Express; 1968 L’Homme qui ment / Muz, ktory luze<br />

/ UK and USA: The Man Who Lies, France / Czechoslovakia;<br />

1970 L’Eden et après / Eden a potom / USA: Eden<br />

and After, France / Czechoslovakia, also sound designer;<br />

1971 N. a pris les Dés, shot in 1969; 1974 Glissements<br />

progressifs du Plaisir) and Gérard Vienne and François<br />

Bel (1977 La Griffe et la Dent, also sound, documentary).<br />

From 1960 (Le Bel Âge / UK and USA: Love Is When You<br />

Make It, Pierre Kast, shot in 1958) to 1983 (Le Cercle<br />

FANSTEN, JACQUES • 375<br />

des Passions / Círculo de pasiónes, Claude d’Anna, France<br />

/ Spain), he also worked as a sound engineer.<br />

<strong>Film</strong>ography<br />

1959 Chute de Pierres (short)<br />

1963 Pierre Boulez (short)<br />

1970 Le Territoire des Autres (documentary; also<br />

composer, sound engineer; co-director with<br />

François Bel, Jacqueline Lecompte, Gérard<br />

Vienne; France / Belgium)<br />

1974 Olivier Messiaen et les Oiseaux (documentary;<br />

co-director with Denise Tual)<br />

Television <strong>Film</strong>ography<br />

1969 Arcana (documentary; episode “L’Harmonie”)<br />

1973 Arcana (documentary; episode “Musique et<br />

informatique”)<br />

1975 Pierre Boulez Chef d’Orchestre (documentary)<br />

1980 Introduction à la Musique contemporaine (9 <br />

52' documentary)<br />

FANSTEN, JACQUES (January 13, 1946, Paris,<br />

France–)<br />

The son <strong>of</strong> Lithuanian immigrants settled in Paris in<br />

the 1920s, he grew up in the <strong>French</strong> capital. Having<br />

graduated from the IDHEC in 1967, he directed his<br />

fi rst short the following year. He successively was an<br />

assistant director (1969 La Femme infi dèle / Stephane,<br />

una moglie infedele / UK and USA: The Unfaithful Wife,<br />

Claude Chabrol, France / Italy; Que la Bête meure! /<br />

Uccidero un uomo / UK: Killer / USA: This Man Must Die<br />

/ The Beast Must Die, Claude Chabrol, France / Italy;<br />

1971 L’Araignée d’Eau, Jean-Daniel Verhaeghe, shot<br />

in 1968), co-screenwriter for fi lm (1972 Les Fous du<br />

Stade, Claude Zidi) and TV (1982 La Tribu des vieux Enfants,<br />

Michel Favart; 2002 Marie-Marmaille, Jean-Louis<br />

Bertucelli), assistant producer for fi lm (1991 Vincent<br />

& Theo / Vincent et Théo, Robert Altman, UK / France,<br />

shot in 1989; 1996 Lucky Punch / Le Montreur de Boxe,<br />

also technical adviser, Dominique Ladoge; 2000 Nationale<br />

7, TV movie released theatrically, Jean-Pierre<br />

Sinapi; Les Yeux fermés, Olivier Py; 2001 La Chambre<br />

des Magiciennes, TV movie released theatrically, Claude<br />

Miller, shot in 1999; 2004 Tout pour l’Oseille, Bertrand<br />

Van Effenterre) and TV (1991 Sartre, documentary,<br />

Michel Favart, André Waksman; L’Homme qui voulait<br />

s’<strong>of</strong>frir Hollywood, documentary, Jean-Pierre Moscardo;<br />

1992 Comme un Bateau, la Mer en moins, Dominique<br />

Ladoge; 1993 Les Epées de Diamants / Diamond Swords,

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