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Encyclopedia of French Film Directors

Encyclopedia of French Film Directors

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<strong>Film</strong>ography<br />

1967 Astérix le Gaulois / UK: Asterix and the Gaul<br />

(animation; co-director with Ray Goossens,<br />

Albert Uderzo; also co-author <strong>of</strong> original<br />

comic book)<br />

1968 Astérix et Cléopâtre / UK: Asterix and Cleopatra<br />

(animation; co-director with Lee Payant, Albert<br />

Uderzo; also co-author <strong>of</strong> original book,<br />

voice; France / Belgium)<br />

1971 Lucky Luke / Daisy Town (animation; co-director<br />

with Morris; also co-screenwriter, co-adapter,<br />

co-dialogist, producer; France / Belgium)<br />

1976 Les Douze Travaux d’Astérix / Canada: The Twelve<br />

Tasks <strong>of</strong> Asterix (animation; co-director with<br />

Henri Gruel, Albert Uderzo, Pierre Watrin; also<br />

co-author <strong>of</strong> original comic book, co-screenwriter,<br />

co-adapter, co-dialogist, producer)<br />

1978 La Ballade des Dalton (animation; co-director<br />

with Henri Gruel, Morris; also co-screenwriter,<br />

co-adapter, co-dialogist, voice)<br />

GOULT, DOMINIQUE (1947, France–)<br />

After shooting several porn fl icks under the pseudonym<br />

<strong>of</strong> Richard Stephen (1977 Les Monteuses; Les<br />

Queutardes; 1978 Partouzes perverses), he directed a<br />

movie starring Klaus Kinski and Maria Schneider that<br />

unfortunately was a commercial failure.<br />

<strong>Film</strong>ography<br />

1980 Haine / Le Credo de la Violence (also screenwriter,<br />

dialogist)<br />

GOUPIL, ROMAIN (July 12, 1951, Paris, France–)<br />

From 1965 to 1967, he fi lmed amateur Super-8<br />

shorts. His two fi rst pr<strong>of</strong>essional documentaries<br />

were released on TV. Then he served as an assistant<br />

cameraman (1970 Céleste / Un s<strong>of</strong>fi o di piacere, Michel<br />

Gast, France / Italy; 1972 L’Attentat / L’attentato / Das<br />

Attentat / Die tödliche Falle (Die Affäre Sadiel) / UK:<br />

Plot / USA: The <strong>French</strong> Conspiracy / The Assassination,<br />

Yves Boisset, France / Italy / West Germany) and assistant<br />

director (1971 A Paris, documentary, Robert<br />

Menegoz; 1974 Une Société anonyme, documentary,<br />

short, Robert Menegoz; 1976 Le Grand Orchestre électrique,<br />

documentary, short, also production manager,<br />

1977 Le Gang / La gang del Parigino / USA: The Gang,<br />

Jacques Deray, France / Italy; Néa / Nea—Ein Mädchen<br />

entdeckt die Liebe / UK and USA: Nea: A New Woman,<br />

Nelly Kaplan, France / West Germany; Vous n’aurez pas<br />

l’Alsace et la Lorraine, Coluche, Marc Monnet; 1978 Les<br />

Rendez-vous d’Anna / De Afspraken van Anna / UK and<br />

USA: The Meetings <strong>of</strong> Anna, Chantal Akerman, France<br />

/ Belgium / West Germany; Du Col du Tahir au Pic de<br />

Carbonne, documentary, short, Robert Menegoz; 1979<br />

Tess, Roman Polanski, France / UK; 1980 Sauve qui<br />

peut (la Vie) / Rette sich, wer kann (das Leben) / UK: Slow<br />

Motion / USA: Every Man for Himself, Jean-Luc Godard,<br />

France / Switzerland / West Germany / Austria; 1988<br />

Les Possédés, Andrzej Wajda; 1990 Allemagne, Année<br />

90 Neuf Zéro / USA: Germany Year 90 Nine Zero, also<br />

production manager, Jean-Luc Godard). A extreme<br />

left militant since his adolescence, he took part in the<br />

May 1968 student revolt (he appeared in an episode<br />

<strong>of</strong> Dim Dam Dom on the subject: “Les Lycéens ont la<br />

Parole,” Pierre Zaidline, 1968). He played supporting<br />

roles in several movies (1994 Veillée d’Armes / Veillée<br />

d’Armes: Histoire du Journalisme en Temps de Guerre<br />

/ The Troubles Weve Seen—Die Geschichte der Kriegsberichterstatung<br />

/ The Troubles We’ve Seen: A History <strong>of</strong><br />

Journalism in Wartime, documentary, as himself, Marcel<br />

Ophüls, France / West Germany / UK; 1999 Vénus<br />

Beauté (Institut) / UK: Venus Beauty Salon / USA: Venus<br />

Beauty Institute, Tonie Marshall; 2001 A ma Soeur! / A<br />

mia sorella! / USA: Fat Girl / Australia: For My Sister,<br />

Catherine Breillat, France / Italy; 2002 La Bande du<br />

Drugstore, François Armanet; 2004 Julie Meyer, short,<br />

Anne Huet; Le Fantôme d’Henri Langlois / UK: Henri<br />

Langlois: The Phantom <strong>of</strong> the Cinemathèque / USA: Henri<br />

Langlois: The Phantom <strong>of</strong> the Cinematheque, documentary,<br />

as himself, Jacques Renard; Freedom2speak v2.0,<br />

documentary, Christoph Gampl, Brigitte Kramer,<br />

Marc Meyer, Uwe Nagel, Markus Schmidt, Germany;<br />

Mon Homme, short, Stéphanie Tchou-Cotta; 2008 Les<br />

Murs porteurs, Cyril Gelblat, shot in 2005; Un Conte<br />

de Noël / UK: A Christmas Tale / USA: Christmas Tale,<br />

Arnaud Desplechin; Rien dans les Poches, TV, Marion<br />

Vernoux). Other credit (as production manager):<br />

1975 La Puissance et l’Instant (documentary, short,<br />

Robert Menegoz). He authored novels (1998 Le Lundi,<br />

c’est Sodo, Baleine; 1999 A Mort la Mort, Julliard) and<br />

an autobiography (2006 La Défaite dépasse toutes nos<br />

Espérances, Editions Plon).<br />

<strong>Film</strong>ography<br />

1968 L’Exclu (documentary; short)<br />

1969 Ibizarre (documentary; short)<br />

GOUPIL, ROMAIN • 457

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